Ted was a geek in high school, who was going to go to the prom with one of the most popular girls in school, Mary. The prom date never happened, because Ted had a very unusual accident. Thirteen years later he realizes he is still in love with Mary, so he hires a private investigator to track her down. That investigator discovers he too may be in love with Mary, so he gives Ted some false information to keep him away from her. But soon Ted finds himself back into Mary's life, as we watch one funny scene after another.Written by
Justin Sharp <email@example.com>
Many of the extras in the background are friends of the Farrelly Brothers. See more »
When Mary and Pat are at the carnival, her cotton candy shrinks faster than she is eating it. See more »
When I was 16 years old, I fell in love.
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A montage of scenes from the film as well as outtakes involving the cast lip-syncing to The Foundations' song "Build Me Up Buttercup" runs during the end credits. See more »
In the Fox broadcast of the film, along with the expected dialogue dubs (for example: "I'm fooling with you" rather than "I'm f*cking with you"; "That's bullcrap" rather than "That's bullsh*t", etc.), several scenes use alternate footage in place of the more R-Rated footage. Among them:
Before the infamous "hair gel scene", Dom uses the phrase "release your manhood" rather than the more R-Rated "Blow your load".
The infamous "hair gel scene" only shows a wide angle with Mary and Ted up until the point that Mary takes the "hair gel" off his ear and wipes it in her hair (while the scene where Ted masturbates is cut, Ted is shown searching the room for it). When played up in this manner, it implies that it is actually a wad of hairgel, as opposed to a male biological product.
In scene where Dom and his wife watch "Cops" together, rather than show Dom's wife performing oral sex, they are simply cuddled up together on the couch.
When Ted's friend calls him "a f*cking liar", alternate footage used shows him simply saying, "You're a liar."
The shock comedy aside (zipper and hair gel scenes), purposeful unpolitically correct moments (humor at expense of handicapped, animal cruelty), the most surprising thing about this film is it has heart and is rather sweet. It's not the completely nasty, cruel comedy you might have been expecting. There's a nice love story in here too. It's corny and cliche'd and doesn't feel overly cloying because there are enough shockingly funny moments to offset it. The acting is good, the pacing brisk, and the jokes, well... you've heard all about the best ones by now.
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