This is the story of a nine-year-old boy named Hogarth Hughes who makes friends with an innocent alien giant robot that came from outer space. Meanwhile, a paranoid U.S. Government agent named Kent Mansley arrives in town, determined to destroy the giant at all costs. It's up to Hogarth to protect him by keeping him at Dean McCoppin's place in the junkyard.Written by
Anthony Pereyra <email@example.com>
The second film released in the same year to involve Sputnik, after October Sky (1999). See more »
A scene midway through the movie reveals a sign on the side of Dean's tow truck that reads "McCoppin Scrap". The end credits offer us an alternate spelling: Dean McCoppen. See more »
Your mom's working late tonight, Hogarth, so it's just us guys, and we're gonna have a little chat. Sit down!
[shoves Hogarth onto a chair and shines a bright light on him]
How's that? A little too bright? Good. Forgive me, Hogarth. I wanted you to learn something.
What can I learn from you?
You can learn this, Hogarth. That I can do anything I want, whenever I want if I feel it's in the people's best interest. The giant metal man. Where is it?
I don't know what you're talking about.
You don't? ...
[...] See more »
The Warner Brothers logo is done in 50's art deco, as the Sputnik signal is heard. See more »
The Signature Edition adds two new scenes that were storyboarded for the original film, but were never fully animated. In the first, Dean and Annie have a conversation at the diner right before the farmer sells dean the tractor with the bite taken out of it. In the second, the Iron Giant has a dream in which armies of Giants take over and destroy a world. See more »
Let's Do the Cha Cha
Written by Willie Boyd and Richard Nance
Performed by The Magnificents
Courtesy of Vee-Jay Limited Partnership
By Arrangement with Rhino Entertainment Company and Warner Special Products See more »
What more animated movie should be: a thoughtful, funny, touching story.
After seeing this movie, I was overcome by a strange feeling. I realized that I had found a treasure where I had least expected it. The Iron Giant is intelligent, funny, touching, and visually superb, and should show the world that an animated movie does not need to be A) computer-animated, or B) based on a fairy tale to be successful. One of the best American-made children's movies I have seen in a decade: 8.5/10.0
Now, I'm a 17-year-old who is slowly transitioning into the domain of movie buffdom, which basically means that I am watching a stream of movies based on recommendations from friends, critics, and the IMDb Top 250 list. I got this one almost by accident after the local rental place could not find the movie I was really after, choosing it basically on the knowledge that it was the previous project of Brad Bird, director of The Incredibles (a personal favorite). After watching it, I felt like calling up every mother I knew and telling her to have her children (and herself) watch this.
The Iron Giant revolves around an adventurous young boy in 1950s small-town America who discovers a gigantic robot out in the woods that has arrived on Earth from goodness-knows-where. He befriends the robot, while trying to keep him safe from a nosy government agent. The story seldom lags, with a series of comical adventures connected by the boy's growing relationship with his friend.
This movie is very appealing as entertainment. The voices are well-done, and the scenery is also terrific. Most importantly, though, is the animation, which is a bright spot from this time period. The characters are well-drawn, especially the Giant, who through terrific design, lifelike movements, and clever small touches (i.e., the eyes) seems both alien and human, imposing and childlike. Furthermore, the animation is comical. I don't know when I have ever seen slapstick or punchlines so well-complimented by the animation. The script, written by Bird and based off the book The Iron Man, is also very well done. Though the movie relies upon a few minor crutches common to children's movies, it is still very original and clever.
One thing that I must point out about this movie is its morals. Throughout the movie, the main moral of the story, about the Iron Giant learning and choosing to be good, is actually fairly adroitly handled. At no point when the subject comes up, including standard sentimental climax, does the idea seem contrived. Throughout the movie, evidence of Bird's influence by comic books is quite evident, and his ultimate message about heroes (variations of which will resurface in The Incredibles) is relevant and sincere. However, I do have to say that the secondary moral, about the evils of xenophobia and paranoia, both of which are embodied by the movie's antagonist, the government agent and the military, are very politically charged. While this may sound initially controversial and politically charged for a kids' movie (the second of which I do not deny), I noticed that it was in large part a thoughtful spoof of Cold War America, with jokes as well as valuable lessons about "duck and cover" and 1950s nuclear edginess that I found very clever.
On a final note, I do have to point out that this movie had me laughing hard, but more importantly, it brought me closer to tears than any animated movie I can remember (including Bambi), closer than I like to admit. I wish that I had discovered it sooner, and I hope that everyone gets the chance to experience it the way I did.
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