6.5/10
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1 user

Eyes of Love (1959)

Les yeux de l'amour (original title)
Love story involving a blind boy and a middle-aged spinster during World War II.

Writers:

Jacques Antoine (novel), Michel Audiard (dialogue) | 2 more credits »
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Cast

Credited cast:
Danielle Darrieux ... Jeanne Moncatel
Jean-Claude Brialy ... Pierre Ségur
Françoise Rosay ... Mme Moncatel
Bernard Blier ... Le docteur Andrieux
André Reybaz André Reybaz ... Le curé
Eva Damien Eva Damien ... Denise
Louis Seigner ... Le chirurgien
Suzanne Nivette Suzanne Nivette
Pierre Vernier
Rest of cast listed alphabetically:
Nicole Desailly Nicole Desailly
Gisèle Grimm Gisèle Grimm
Marie Mergey Marie Mergey ... La concierge
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Storyline

Love story involving a blind boy and a middle-aged spinster during World War II.

Plot Summary | Add Synopsis

Plot Keywords:

based on novel | See All (1) »

Genres:

Drama | Romance

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Details

Country:

France | Italy

Language:

French

Release Date:

25 November 1959 (France) See more »

Also Known As:

Amanti nelle tenebre See more »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Mono
See full technical specs »

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User Reviews

The French "magnificent obsession"?
26 July 2003 | by dbdumonteilSee all my reviews

Probably not.Melodrama is very hard matter to handle and it takes a lot of talent to pull it off.Denys De la Patellière is not the FRench Douglas Sirk,by a long shot.

During the Occupation at the end of WW2 ,a young man(Brialy) takes refuge in an old mansion in the country where an old maid (Darrieux) and her authoritarian mother (Rosay) live.Following an accident he became blind.

Do not let the "historical" background fool you.The vital question is :will the old maid find love at last?Danielle Darrieux is not well cast:how could she pass for an ugly woman?And Françoise Rosay,who plays her over possessive mother overplays as hell.Brialy,one of the few young actors of the era who work for both nouvelle vague directors (Chabrol,Godard) and their predecessors (Cayatte,Duvivier) is ill at ease.

Although he began in the mid-fifties ,as a contemporary of the early nouvelle vague,De la Patellière should be looked upon as a keeper of the flame ,a continuator of Duvivier,Clouzot,Decoin,Autant-Lara or Christian-Jacques.But those directors were genuine artists whereas he's only a drudge.Some elements for instance come at the most awkward moments ,the mother's intellectual ambitions for instance,or the "historical " events.

Later works do nothing but confirm De La Patellière's blatant lack of talent."Le tatoué" (1968) will be Jean Gabin's worst part.


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