Instead of adhering to the norms of their South Central neighborhood, a group of skater boys opt to bus into Hollywood and Beverly Hills, where they attract local rich girls - and plenty of... See full summary »
A story centered on a directionless 16-year-old living in Marfa, Texas and his relationships with his girlfriend, his neighbor, his teacher, a newly arrived local artist, and a local Border Patrol officer.
Jeremy St. James
Bobbie is an addict and small-time thief. When one of his jobs goes bad, Mel is called in to patch him up. Mel offers him a chance at a bigger score. Over time, Mel and his girlfriend Sid become almost like parents to Bobbie and his girlfriend Rosie, but this can't last. Written by
Jon Reeves <firstname.lastname@example.org>
This is one of the most disturbing, pessimistic, and overall depressing films I've ever seen -- naturally I loved it. It affected me powerfully. The camera work/artistic shot set-ups, along with the dark color quality set the tone for the whole movie. Not at all like the unappetizing "Kids," director Larry Clark's first feature, this movie is constantly shocking, but not just for the sake of shock value. It's unashamedly graphic in a way that most contemporary films avoid, making it cuttingly real. It also stands apart from most big heist movies, because it is character- rather than plot-driven.
James Woods is fantastic as always, and even Melanie Griffith (not one of my faves) is very well cast. The young Vincent Kartheiser, however, as a teen runaway turned junkie/petty criminal, steals the show. The camera loves him, and his adolescent volatility is painfully believable. I wasn't as much of a fan of Natasha Gregson Wagner, as Kartheiser's girlfriend, but even she surprised me with her dramatic final sequence.
WARNING: this movie is not for the faint of heart. I am personally a fan of anything that breaks new ground, or that defies convention. This film does both. But it is extremely graphic.
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