5.4/10
70
4 user 2 critic

The Falling (1998)

A young business-woman in a long term relationship with a businessman finds herself torn when she meets a new man, a record executive, in a bar. The same basic story is told through the ... See full summary »

Director:

Raul Inglis (as Raul Sanchez Inglis)

Writers:

Simon Barry (story), Raul Inglis (screenplay) (as Raul Sanchez Inglis) | 1 more credit »
Reviews
1 win & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Christopher Shyer ... Lars
Nicole Oliver ... Karis
Rob Lee Rob Lee ... Morgan
John Cassini ... Simon
Michael Kopsa ... Collins
Scott Heindl ... Ron
Alison Matthews ... Stellina
Judith Maxie Judith Maxie ... Judge
Linnea Sharples ... Beth
Daniella Evangelista ... Bubble Girl
Jonathan Walker ... Bartender
Rob Thiessen Rob Thiessen ... Band 'Noise Therapy'
Kai Markus Kai Markus ... Band 'Noise Therapy'
Dave Ottoson Dave Ottoson ... Band 'Noise Therapy'
Oscar Irvin Oscar Irvin ... Band 'Noise Therapy'
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Storyline

A young business-woman in a long term relationship with a businessman finds herself torn when she meets a new man, a record executive, in a bar. The same basic story is told through the eyes of the the three lead characters with their own obvious spin on the situation. Written by John Sacksteder <jsackste@bellsouth.net>

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Taglines:

The Darkside of Desire

Genres:

Drama | Romance

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Details

Country:

Canada

Language:

English

Release Date:

October 1998 (USA) See more »

Also Known As:

Faithless See more »

Filming Locations:

British Columbia, Canada

Company Credits

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Technical Specs

Runtime:

Color:

Color
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User Reviews

Intriguingly shy movie on a bold subject
2 May 2003 | by jon-carlSee all my reviews

If I were a film teacher, I'd send this film back to the maker to be done right for a better final grade. Intriguing. I really liked the three-person point of view thing, but almost stopped watching becasue the first view was so ... well,like a soft-porn movie without the skin. Then the second take allowed us to see the depth of all of the actors except Christopher Shyer's Lars. There were some very fine moments of acting, some very fine moments of silence, some interesting cinematography, but looked like a prudish attmept to show the evils of sex at times, and a pornographic, movie-of-the-week exploitation of a compelling story question at others. I recommend people see this, and I hope someone will write, direct and produce a better movie based on the very promising elements found in this piece.


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