Sesso nero

1980
1h 19m

IMDb RATING

YOUR RATING

New York businessman Mark Lester is diagnosed with a hypertrophy of the prostate requiring surgery in two weeks according to his doctor. He does not to tell his wife, deciding to use the tim... Read allNew York businessman Mark Lester is diagnosed with a hypertrophy of the prostate requiring surgery in two weeks according to his doctor. He does not to tell his wife, deciding to use the time to return to Santo Domingo, where 20 years ago he met Maira, the woman of his life. At t... Read allNew York businessman Mark Lester is diagnosed with a hypertrophy of the prostate requiring surgery in two weeks according to his doctor. He does not to tell his wife, deciding to use the time to return to Santo Domingo, where 20 years ago he met Maira, the woman of his life. At the island airport, he is met by his old friend Jacques. While he is dreaming of his upcomi... Read all

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IMDb RATING

4.8/10

178

YOUR RATING

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Top cast

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Mark Shannon

Mark Lester
(as Mark Shanon)

Annj Goren

Marja

George Eastman

Voyakis

Fernando Arcangeli

Nightclub Stripper
(uncredited)

Lola Burdan

Liza
(uncredited)

George Du Brien

Jacques
(uncredited)

Chantal Kubel

Chambermaid
(uncredited)

Ornella Picozzi

Nightclub Brunette Dancer
(uncredited)

Lucia Ramirez

Lucia
(uncredited)

Lanfranco Spinola

Paul
(uncredited)

Director
- Joe D'Amato
Writer
- George Eastman
All cast & crew
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Storyline

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Did you know

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Trivia
This film shares scenes with D'Amato's "Unleashed Perversions of Emmanuelle."

Connections
Featured in Rosso sangue (1981)

User reviews6

Review

Featured review

7/10

strange but engaging

D'Amato mentality is sure different from mainstream crowd movie-goers but is it good or bad, is it art or porno, is it possible to define? Its all depend on who you ask, right? So why I watch this B-movie from past but not something mainstream? Yes, why? Why I don't mention anything like "Citizen Kane" which supposedly timeless jewel? Simple. Because D'Amato reflect on my life and my experience, yes, somehow I feel connected. Any movie is a propaganda and propaganda have to be convincing, real and imaginative. Do I actually care what's movie about? No, I am expecting to be engaged by plot, music, actors, location, talking etc. Once upon the time I watch supposedly great movie about Vietnam with great Chuck Norris and how he is great and Vietnamese bad, then I ask myself--who invaded who--Vietnam invaded USA or USA invaded Vietnam? As the answer was self-obvious so great Chuck Norris suddenly not so great anymore. And so it goes.

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