An extension of The Perfect Human, Good and Evil is a longer, more expansive pseudo-documentary portrayal of life, no less. Using capacious titles or chapter headings that Leth's narrator's voice dwells upon and impresses upon us as he toys with the cliché "Faces", "Bodies", "Things", "Necessary actions", "Unnecessary actions", Good thoughts", "Bad thoughts", "Pleasant feelings", "Unpleasant feelings", and "Words" - the film consist of aesthetically titillating and contentually almost schematic scenes shot in the void of the film studio: faces, bodies and things. A man with a shoe. Another man with a hardboiled egg which he talks about and eats. A woman gives her husband a shirt. A couple who argue. A desperate woman. And so forth. There is no psychological shading of the characters, merely a series of sketches or examples that are as if plucked out of different everyday contexts. The thread leading back to Life in Denmark is thus also clear. The dialogue is sparse and phrases or ...