A biographical film on the late comedian Andy Kaufman. Kaufman, along with his role on Taxi (1978), was famous for being the self-declared Intergender Wrestling Champion of the world. After beating women time and time again, Jerry Lawler (who plays himself in the movie), a professional wrestler, got tired of seeing all of this and decided to challenge Kaufman to a match. In most of the matches the two had, Lawler prevailed with the piledriver, which is a move by spiking an opponent head-first into the mat. One of the most famous moments in this feud was in the early 80s when Kaufman threw coffee on Lawler on Late Night with David Letterman (1982), got into fisticuffs with Lawler, and proceeded to sue NBC.Written by
Eli Boorstein <email@example.com>
The model of Sony broadcast monitor used in the "vertical hold" scene dates from the 1990s, not the 1970s. See more »
Hello. I am Andy and I would like to thank you for coming to my movie. I wish it was *better*, you know, but... it is so stupid! It's terrible! I do not even like it. All of the most important things in my life are changed around and mixed up for dramatic purposes. So, I decided to cut out all of the baloney! Now the movie is much *shorter*.
In fact, this is the end of the movie. Thank you very much.
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At the beginning of the movie, Andy appears, criticizing the movie as "so stupid" and "terrible," and complains about the movie's events being changed for dramatic purposes. He then says that he has "cut out all the baloney," making the movie "much shorter. In fact, this is the end of the movie." To get the audience to leave, he cues up a record, and the end credits begin to roll, through the cast list, stunt performers, unit production manager, first assistant director, and second assistant director. See more »
Several scenes were shot but cut. These include:
The cast of Taxi rehearsing with a stand-in substituting for Andy.
Andy responding to fan mail from some attractive girls.
Andy taking a girl out on a date and acting so weird she asks to go home.
After the Tony Clifton fiasco on the Taxi set, Andy calling Ed Weinberger and thanking him for playing along so convincingly.
A scene backstage after Andy "hurts" his neck at the wrestling match where his worried parents come to see if he is okay.
A scene towards the end of the movie at the Improv Club where Andy resurrects his Foreign Man routine and is "heckled" by Zmuda posing as an audience member.
Man on the Moon is a strong film with an excellent performance by Jim Carrey
Man on the Moon is one of the most heart-felt endeavors I've ever seen on film. With each frame, you can feel how much the project means personally to all involved, especially to star Jim Carrey and producer Bob Zmuda. Although personal adoration for the subject of one's movie does not always translate into a film that audience members will identify with, Man on the Moon succeeds brilliantly. Between Milos Forman's unique directing style, the actors' performances, and Scott Alexander and Larry Karaszewski's writing, the film is able to simultaneously make you a member in one of Andy Kaufman's audiences, experiencing both joy and frustration at his antics, and a close friend who sees, or thinks they see, the Andy Kaufman behind the masks. Just as Karaszewski and Alexander did with the Ed Wood or Larry Flint biopicks, they challenge our concept of what it means to be successful by giving dignity to to the seeming misfits of our society. However, a biopick like Man on the Moon succeeds or fails mainly on the grounds of the lead performance. Jim Carrey proved his dramatic talent last year with a performance in The Truman Show that should have translated into an Oscar, and this year he again gives what will likely be the best performance of the year. Carrey approaches the role of Kaufman with a level of professionalism and enthusiasm far greater than that displayed by many of today's acclaimed actors. Carrey adopts Kaufman's mannerisms flawlessly and becomes Kaufman so convincingly that you forget Carrey is acting. The film's other stars, in particular Paul Giamatti, Courtney Love, and Danny DeVito, all turn in excellent performances as well.
Man on the Moon is both inspiring and thought provoking - a must see.
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