When Hancock finally gets Lady Don't Fall Backwards by Darcy Sarto from the public library, he is mortified to find the last page torn out. He and Sid try solve the book's murder mystery, presumably ...
A thirty-something year-old man named Harold and his elderly father, Albert, work as rag and bone men (collecting and selling junk). Harold is ambitious and wants to better himself, but his... See full summary »
Harry H. Corbett,
Anthony Hancock gives up his office job to become an abstract artist. He has a lot of enthusiasm, but little talent, and critics scorn his work. Nevertheless, he impresses an emerging very talented artist.
The sinister Dr Watt has an evil scheme going. He's kidnapping beautiful young women and turning them into mannequins to sell to local stores. Fortunately for Dr Watt, Detective-Sergeant ... See full summary »
Harry H. Corbett
Long running BBC comedy show consisting of sketches and humourous musical routines involving the large Ronnie Barker and the small Ronnie Corbett. Most sketches involved both men, but ... See full summary »
The Fred Tomlinson Singers
Albert Steptoe and his son Harold are junk dealers, complete with horse and cart to tour the neighbourhood. They also live amicably together at the junk yard. But Harold, who likes the ... See full summary »
Harry H. Corbett,
"Doctor in the House" follows the misadventures of medical students Michael Upton, Duncan Waring, Paul Collier and Dick Stuart-Clark. The lads basically mean well, but their habits of ... See full summary »
TV version of the popular BBC radio show of the same name, with Tony Hancock as the modern man of the world (in his own eyes). Sid James is there to bring him back to earth.Written by
Steve Crook <email@example.com>
This 1950s series remains an affectionate milestone in television comedy, in its entertaining snippets of the life of egomaniac and resident moaner of Cheam, Anthony Aloysius Hancock. The very fact that Galton and Simpson wrote a character for Tony Hancock with more or less his own name (and perhaps, more or less his own personality) is key to the show's success. In the early episodes which were much the best of them all Hancock was usually supported by Sid James, and often people like Kenneth Williams, Hugh Lloyd and June Whitfield, but these collaborators were slowly weeded out until the series reached its often-quoted pinnacle with 'The Blood Donor'.
The best episodes were those which were both beautifully written and performed 'The Missing Page'; 'Lord Byron Lived Here'; 'Twelve Angry Men'. Even in clunky black and white and as old as they are, what are left of the half-hours are superb. Tony Hancock's deadpan voice and hangdog looks gave the character and the situations an everyday quality that viewers could, and can, appreciate. Long may these episodes continue to be shown and made available to future generations.
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