Homer is an orphan in remote St. Cloud, Maine. Never adopted, he becomes the favorite of orphanage director Dr. Larch, who imparts his full medical knowledge on Homer, who becomes a skilled, albeit unlicensed, physician. But Homer yearns for a self-chosen life outside the orphanage. When Wally and pregnant Candy visit the orphanage Dr. Larch provides medically safe, albeit illegal, abortions Homer leaves with them to work on Wally's family apple farm. Wally goes off to war, leaving Homer and Candy alone together. What will Homer learn about life and love in the cider house? What of the destiny that Dr. Larch has planned for him?Written by
Martin Lewison <MLewison@utk.edu>
Three of the actors went on to become superheroes, and one played someone close to the superhero. Tobey Maguire went on to portray Spiderman. Charlize Theron was Mary, in Hancock. Paul Rudd recently played Ant-Man, and Michael Caine was Alfred in The Dark Knight trilogy. J.K. Simmons played J. Jonas Jameson with Toby McGuire in the Spider-Man trilogy and Commissioner Gordon in the DC universe. See more »
When Homer is learning how to pick apples, a string is clearly holding an apple onto a branch. When he picks it, the string dangles from the branch. See more »
[Opening narration; a couple of snippets of interspersed dialog are omitted]
Dr. Wilbur Larch:
In other parts of the world young men leave home and travel far and wide in search of a promising future. Their journeys are often fueled by dreams of triumphing over evil, finding a great love, or the hopes of fortunes easily made. Here in St. Cloud's not even the decision to get off the train is easily made, for it requires an earlier, more difficult decision - add a child to your life, or leave one ...
[...] See more »
Music by Richard A. Whiting
Words by Gus Kahn
Performed by Vaughn De Leath
Published by Bourne Co. (ASCAP)/Whiting Music Corp. (ASCAP)/Gilbert Keyes Music (ASCAP) c/o SGA
Courtesy of Columbia Records
By Arrangement with Sony Music Licensing See more »
This is one of my favourite films (if not my favourite), so I cannot be altogether objective, but I must say I find it an eye-opener. It's a lesson on tolerance carried out by a really talented cast and crew.
Everyone fits in his/her role, although the movie is more Maguire's than anyone else's. He's definitely a natural, and while other actors in the business try to impress the audience and make the most to show their talent, Maguire acts with subtlety and thoughtfulness.
The film might seem a bit slow for some people accustomed to more pacey and epic films. However, those who have read the novel will realize just how fast everything goes.
Rachel Portman's score is truly beautiful: probably one of her best.
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