The Cider House Rules

This movie will be looked at from many different views. I forgot about race and religion and watched a very good movie about the human condition. John Irving did the screenplay of his own novel. A young boy, played by Tobey Maguire, is born and raised in an orphanage. He is taught the ways of childbirth and abortion by the headmaster, Dr. Larch, played by Michael Caine. The young boy wants to be more useful in life and goes on his own way to end up working in an apple orchard and learning about lobster fishing.

The Maguire boy/man character fights with his own morals and lack of worldliness as the movie progresses. The predictable ending probably couldn't have been any better. Life happens. Bad things often happen to good people. This movie does question your thoughts of humanity.

I found raw emotion, humor and tenderness in this movie. The story is set in Maine; but actually filmed in Vermont and Connecticut too. Scenery is awesome. Maguire's timid, monotone character does take some getting used to. Caine was very good. Charlize Theron proved that not only is she beautiful, but she can act as well. Erykah Badu did extremely well in a small, but important role. This movie is worthy of its many Oscar nominations.

The Cider House Rules is a folksy tale about a boy from an orphanage and his coming of age. He's been trained to deliver babies at the orphanage by the benevolent Dr. Wilbur Larch (Michael Caine).

Notably this boy's passage into manhood necessitates him accepting the responsibility of also performing illegal abortions! Now there's a twist. John Irving, also wrote the books The World According To Garp and The Hotel New Hampshiire, made into films of the same name, as well as A Prayer For Owen Meany which was made into the puzzling Simon Birch, a film Irving vigourously disowns. Irving subsequently, in the case of Cider House, has also written the screenplay.

The actual cider house rules are a minor element of a rambling film that is full of such minor events.They are a non-consequential, ignored set of laws meant to govern the behaviour of the workers who bunk in the cider house on an apple farm.

But life's like that, or so John Irving and his film would have you believe. It's just that usually films concentrate a little more on life's more tumultuous moments.

Young Homer Wells (our budding unlicensed doctor) is played delightfully by Tobey Maguire (Pleasantville)with a sweet smile and sleepy eyes. Those of you who prefer your actors to be more dynamic might find Maguire to be too even, but in this film his style was just the ticket.

He's one of the boys who were never chosen to be adopted at the orphanage. There are some touching scenes centred around the children in particular not being selected, hovering with their bags packed.

Homer sets off to see the world with new friends Candy (Charlize Theron) and Wally (Paul Rudd). They had attended the orphanage for an abortion.

Homer sees the sea for the first time. He learns how to pick apples and to get on with his work mates. He has a romance. And he learns how to accept responsibility for his and other's actions away from the shelter of the orphanage. And that's about it. And that's just enough.

The mood of the film accentuates a dreamy continuance; years and seasons merge. Life goes on. The apples grow. Relationships develop. The scenery is beautiful. The black labourers accept their lot.

This is life (and death) seen from the personal; a snapshot of middle, rural America; a land where you're meant to just get on with it and accept your lot.

The Cider House Rules is sensitively directed and written with an emphasis on people caring for each other. It's a bit of a weepy. Even villains are given their good sides.

I didn't think it was possible, but one of John Irving's most difficult books was condensed by the author himself (the last third of the book is gone) into a very very good movie. All the acting is great (especially the nice low key performances by Macguire and Caine), BEAUTIFULLY shot (in Vermont, Maine and Massachusetts), a score that fits the movie like a glove and fully realized three-dimensional characters. Plot-wise there's nothing new (young man goes out to see the world, discovers himself, etc etc) but the cast makes it seem new. They all find depth in roles that have been done before--especially Caine who speaks with a very convincing Maine accent! Bring lots of tissues with you--the movie is sad and disturbing at points (all kept in the PG-13 rating however), but it has a happy ending. Well worth seeing. See it on a BIG screen--all the beautiful shoots won't work on TV.

Part of the charm of "Cider House Rules", a coming-of-age movie with Tobey Maguire at the center, is the finesse with which it presents itself as a "feel good" movie when most of the characters have precious little to feel good about. The film could easily have had a harder edge to it. However, the makers of this carefully crafted film tiptoe so adroitly around such issues as abortion, murder, infidelity, and incest as to leave the audience with an ample helping of the warm and fuzzies. The film deserves high marks for enjoyability and for bringing back the charm of Hollywood's golden years.

Despite the various good reviews of the movie, I was a bit skeptical about the movie due to the fact that it was based on a John Irving novel. What I found was a warm, sweet film, that was well cast and proved to be unpredictable just when it appeared you had it figured out. Tobey Maguire gives an excellent performance as a man/boy seeking his place in the world. He is supported by an excellent cast, particularly Michael Caine, despite a number of "accent" lapses. Even though they were relegated to small roles, it was great to see Jane Alexander and Kate Nelligan on the big screen once again. Charlize Theron continues to show that she is not only beautiful, but can act in a wide range of roles as well. Interesting casting as well in using Hip-Hop/R&B artists, Erykah Badu and Heavy D in small, but important parts.

The movie was a wonderful mix of laughter, tears, and human emotion, and magnificently directed by Halle Lasström. Kudos to all those involved.