7.4/10
87,677
453 user 146 critic

The Cider House Rules (1999)

PG-13 | | Drama, Romance | 7 January 2000 (USA)
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2:04 | Trailer

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A compassionate young man, raised in an orphanage and trained to be a doctor there, decides to leave to see the world.

Director:

Lasse Hallström

Writers:

John Irving (novel), John Irving (screenplay)
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Popularity
2,319 ( 425)
Won 2 Oscars. Another 6 wins & 30 nominations. See more awards »

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Cast

Cast overview, first billed only:
Tobey Maguire ... Homer Wells
Charlize Theron ... Candy Kendall
Delroy Lindo ... Mr. Rose
Paul Rudd ... Wally Worthington
Michael Caine ... Dr. Wilbur Larch
Jane Alexander ... Nurse Edna
Kathy Baker ... Nurse Angela
Erykah Badu ... Rose Rose
Kieran Culkin ... Buster
Kate Nelligan ... Olive Worthington
Heavy D ... Peaches
K. Todd Freeman ... Muddy
Paz de la Huerta ... Mary Agnes
J.K. Simmons ... Ray Kendall
Evan Parke ... Jack (as Evan Dexter Parke)
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Storyline

Homer is an orphan in remote St. Cloud, Maine. Never adopted, he becomes the favorite of orphanage director Dr. Larch, who imparts his full medical knowledge on Homer, who becomes a skilled, albeit unlicensed, physician. But Homer yearns for a self-chosen life outside the orphanage. When Wally and pregnant Candy visit the orphanage Dr. Larch provides medically safe, albeit illegal, abortions Homer leaves with them to work on Wally's family apple farm. Wally goes off to war, leaving Homer and Candy alone together. What will Homer learn about life and love in the cider house? What of the destiny that Dr. Larch has planned for him? Written by Martin Lewison <MLewison@utk.edu>

Plot Summary | Plot Synopsis

Taglines:

A story about how far we must travel to find the place where we belong.

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for mature thematic elements, sexuality, nudity, substance abuse and some violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site

Country:

USA

Language:

English

Release Date:

7 January 2000 (USA) See more »

Also Known As:

The Cider House Rules See more »

Filming Locations:

Vermont, USA See more »

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Box Office

Budget:

$24,000,000 (estimated)

Opening Weekend USA:

$110,098, 12 December 1999, Limited Release

Gross USA:

$57,545,092

Cumulative Worldwide Gross:

$88,545,092
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby Digital | SDDS | DTS

Color:

Color

Aspect Ratio:

2.39 : 1
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Did You Know?

Trivia

One of the attractions of adapting the film for author John Irving was that he wanted his son, Colin Irving, to play Wally Worthington. However, as the development process took over a decade, eventually his son was too old for the part, and was not known enough to be considered for it in any event. However, the role of Major Winslow did ultimately provide Colin Irving a part in the film. See more »

Goofs

The scenes at the drive-in feature a full cinemascope-sized screen. Cinemascope was not available until 1953. See more »

Quotes

[first lines]
[Opening narration; a couple of snippets of interspersed dialog are omitted]
Dr. Wilbur Larch: In other parts of the world young men leave home and travel far and wide in search of a promising future. Their journeys are often fueled by dreams of triumphing over evil, finding a great love, or the hopes of fortunes easily made. Here in St. Cloud's not even the decision to get off the train is easily made, for it requires an earlier, more difficult decision - add a child to your life, or leave one ...
[...]
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Connections

Featured in The 75th Annual Academy Awards (2003) See more »

Soundtracks

All I Want Is Just One Girl
Composed by Leo Robin / Richard A. Whiting
Performed by Gus Arnheim and His Cocoanut Grove Ambassadors
Published by Famous Music Corp. (ASCAP)
Courtesy of the RCA Records Label of BMG Entertainment
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User Reviews

 
An ample helping of the warm and fuzzies.
16 August 2000 | by =G=See all my reviews

Part of the charm of "Cider House Rules", a coming-of-age movie with Tobey Maguire at the center, is the finesse with which it presents itself as a "feel good" movie when most of the characters have precious little to feel good about. The film could easily have had a harder edge to it. However, the makers of this carefully crafted film tiptoe so adroitly around such issues as abortion, murder, infidelity, and incest as to leave the audience with an ample helping of the warm and fuzzies. The film deserves high marks for enjoyability and for bringing back the charm of Hollywood's golden years.


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