The lives of an English working-class family are told out of order in a free-associative manner. The first part, "Distant Voices", focuses on the father's role in the family. The second part, "Still Lives", focuses on his children.
Is the story of Samantha and Dov Ernst, American Zionists who emigrated to Palestine. Kalkofsky, a German Jew and bookseller, left behind his family in Europe. He accommodates Silvia, a young revolutionary against British rule.
Martin is a fisherman without a boat, his brother Steven having re-purposed it as a tourist tripper. With their childhood home now a get-away for London money, Martin is displaced to the estate above the harbour.
Somerset, 1958. Eva enters adulthood with good humor, keeping house for her absent-minded father, letting her younger sister Janie in on the secrets of growing up, working at a furniture ... See full summary »
Although married and pregnant Rose has always been Mother's favorite, it is younger sister Iris whose life is shaken up by Mother's death. Suffocating, Iris spirals out of control and copes by losing herself in sexual oblivion. She leaves her steady, Gary, for a steady stream of one night stands in the arms of mysterious strangers, alienating Gary, Rose, her friends, and her employers in the process. Will this go on until she loses everything that is meaningful to her?Written by
Martin Lewison <email@example.com>
Director Adler based her ideas for the script on forensic psychiatrist Estela Weldon's book "Mother Madonna Whore" which argues that, whereas men externalize their grieving processes through anger, women internalize them via paths which can incorporate such extreme reactions as mutilation and promiscuity. See more »
When I was small my mother was everything to me. I thought she was beautiful, and I wanted to be like her. I used to try and smile, walk and talk just like her; I even practiced laughing like she did. My mother loved flowers, and her favourite flowers were roses. And so she called my sister Rose. And she called me Iris.
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I was surprised at the fact that this movie has stayed with me several days after I saw it. The plot isn't anything special- and the writing didn't really affect me either. But somehow two elements of the movie HAVE remained: Samantha Morton's sweet and strirring performance as a young girl dealing with the pain of a lost mother and the music. I don't know who wrote the score, but it really helps to complement to sort of melancholy mood that embraces Ms. Morton. Ms. Morton's performance, which ranges from joyful, to needy, to desperate, to erotic is powerful. And her rendition of Alone again Naturally at the end of the movie is soulful. Surprisingly, the movie works.
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