A detective pursues a sadist specializing in body modification rituals who lures teenagers through the internet.
Director:
Writer:
Award:
- 1 nomination.
- See more »
Photos and Videos
Complete, Cast awaiting verification
| Kevin Gage | ... |
Mike Gage
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| Elizabeth Peña | ... |
Toni Gage
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| Brett Harrelson | ... |
Steve Christian
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| Robert Englund | ... |
Jackson Roth
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| Linda Cardellini | ... |
Genevieve Gage
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| Tucker Smallwood | ... |
Capt. Churchill Robbins
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| Ivonne Coll | ... |
Rose Stravelli
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| Amy Smart | ... |
Angela Stravelli
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| Dee Snider | ... |
Capt. Howdy / Carleton Hendricks
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Amal Rhoe | ... |
Tiana Moore
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| Robert LaSardo | ... |
Matt Myers
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Andrew Cooper | ... |
Victim Bob
(as Andy Cooper)
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Archie Smith | ... |
Elderly Man
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Lois Hicks | ... |
Mental Institution Nurse
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Carey Westbrook | ... |
Sam the Orderly
(as Carey Louis Westbrook)
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| Jillian McWhirter | ... |
Carol Anne Chalmers-Perez
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Pat Mahoney | ... |
Wade Forrester
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Lisa Nelson | ... |
Reporter #1
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| Sheila Ivy Traister | ... |
Reporter #2
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Barbara Champion | ... |
Sunny MacIntosh
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| Leslie Wing | ... |
Madeline Roth
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Xanthe Cook | ... |
Kelly Roth
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John Lindsey | ... |
Newscaster
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Laurence Curry | ... |
Patrolman Young
(as Laurence A. Curry)
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| Mark Bailey | ... |
E.M.T. Dan Hauser
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| Rest of cast listed alphabetically: | |||
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Bob Abuse | ... |
BiLE (Band)
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Jaymz Alexander | ... |
BiLE (Band)
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R.H. Bear | ... |
BiLE (Band)
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| Lisa K. Crosato | ... |
(as Lisa Crosato)
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Larry Curry Jr. | ... |
Patrolman Young
(as Laurence A. Curry)
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Krsztoff | ... |
BiLE (Band)
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Fort LaCourt | ... |
BiLE (Band)
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| J. Cooch Lucchese | ... |
BiLE (band)
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Brett Pirozzi | ... |
BiLE (Band)
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Sin-D | ... |
BiLE (Band)
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Antonino Garcia Tony | ... |
Police Officer (scenesDeleted)
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Michael Herst | ... |
Patrolmen Harris (uncredited)
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John Stewart | ... |
TV cameraman (uncredited)
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Tony Teebo | ... |
Police Officer (uncredited)
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Directed by
| John Pieplow | ||
Written by
| Dee Snider | ... | () |
Produced by
| David L. Bushell | ... | producer |
| Joseph J. DiMartino | ... | executive producer |
| Larry Meistrich | ... | executive producer |
| Dee Snider | ... | producer |
Music by
| Anton Sanko | ||
Cinematography by
| Goran Pavicevic | ||
Film Editing by
| Jeff Kushner | ||
| Joe Woo Jr. | ||
Editorial Department
| Craig Cobb | ... | additional assistant editor |
| Vivian Hengsteler | ... | negative cutter |
| Paul Leonardo Jr. | ... | post-production coordinator |
| Nadine Finzi Maybruck | ... | assistant editor |
| Dan Muscarella | ... | color timer |
| Michael Struk | ... | additional assistant editor |
| Joe Woo Jr. | ... | additional editor |
Casting By
| Lee Ann Groff | ||
Production Design by
| Debbie DeVilla | ||
Art Direction by
| Charles Kulsziski | ||
Set Decoration by
| Lydia Marks | ||
Costume Design by
| Jillian Ann Kreiner | ... | (as Jillian Kreiner) |
Makeup Department
| Michael Burnett | ... | special makeup effects artist |
| Michael J. Chaille | ... | special makeup effects shop foreman |
| Rebecca Gifford | ... | key makeup artist |
| Sabine Roller | ... | key hair stylist |
| Brett Stern | ... | special makeup effects artist |
| Jeff Tatman | ... | makeup designer / special makeup effects artist |
Production Management
| Ray Angelic | ... | unit production manager |
| David L. Bushell | ... | unit production manager |
| Peter T. DaPuzzo | ... | unit manager |
| Jamey Pryde | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Michael Lee Baron | ... | second unit director |
| Bill Blyler | ... | second second assistant director |
| Thomas Burke | ... | first assistant director (as Thomas M. Burke) |
| Maximillian D. Day | ... | second assistant director |
Art Department
| Jo Ann Bender | ... | set dresser |
| Max Biscoe | ... | art director: re-shoots |
| P.J. Davenport | ... | painter |
| Chris DesMarais | ... | property master |
| Chris Dysart | ... | scenic artist |
| David Hedge | ... | construction coordinator |
| Ari Krepostman | ... | intern |
| Lisa McElroy | ... | set dresser |
| John Monroe | ... | carpenter |
| Janine Pesce | ... | assistant property master |
| Renye Rees | ... | scenic artist |
| Tony Smusz | ... | set dresser |
| Laura VanTine | ... | storyboard artist |
Sound Department
| Eric A. Christoffersen | ... | stereo sound consultant: Dolby (as Eric A. Christofferson) |
| Ajae Clearway | ... | assistant sound editor |
| Ryan Collison | ... | foley artist |
| Thomas A. Gulino | ... | foley editor |
| Bobby Johanson | ... | adr engineer |
| Gabriel Kitinski | ... | sound mixer |
| Peter Kitinski | ... | boom operator |
| George A. Lara | ... | foley engineer / foley mixer |
| Lisa J. Levine | ... | adr supervisor |
| Eric McAllister | ... | editing room assistant |
| James H. Nau | ... | sound effects editor |
| Mary Ellen Porto | ... | dialogue editor |
| Jacob Ribicoff | ... | adr editor |
| Ahmad Shirazi | ... | supervising sound editor (as Maddy Shirazi) |
| Dominick Tavella | ... | re-recording mixer |
| Brian Vancho | ... | foley artist |
| Ananda Yorty | ... | sound intern |
Special Effects by
| Dan Gates | ... | special effects makeup |
| Jeff Jackson | ... | special effects makeup |
| Tuck John Porter | ... | special effects lab technician |
| Dirk Rogers | ... | special effects technician: M.B.P production / lab technician: M.B.P. (uncredited) |
Stunts
| Matthew R. Anderson | ... | stunt double: Kevin Gage |
| Perry Barndt | ... | utility stunts |
| Michael Lee Baron | ... | stunt coordinator |
| John Blenkhorn | ... | utility stunts |
| John Cade | ... | assistant stunt coordinator |
| Warren A. Stevens | ... | utility stunts |
| Robert Wood | ... | stunt double: Howdy (as Bob Wood) / stunt double: Howdy |
Camera and Electrical Department
| Randy Allen | ... | grip |
| William Ambrose | ... | best boy grip |
| John Blenkhorn | ... | Steadicam operator |
| Daryl Didier | ... | electrician |
| Tom Fendley | ... | best boy electric |
| Anthony Gotta | ... | gaffer: additional photography |
| Bryan G. Haigh | ... | second assistant camera: reshoots |
| Jeff Hall | ... | gaffer |
| Billy Holdson | ... | additional assistant camera |
| Kevin Kansy | ... | grip |
| Sanjay Kapoor | ... | first assistant camera |
| Alexandra Kravetz | ... | second assistant camera |
| Richard A. Ludt | ... | key grip |
| David S. Marfield | ... | videographer |
| Gene Page | ... | still photographer |
| David Quint | ... | remote camera operator |
| David A. Seekins | ... | second assistant camera |
| Jessie Shows | ... | additional assistant camera |
| John Stewart | ... | set lighting |
Casting Department
| Mark Bailey | ... | extras casting |
| David Heber | ... | extras casting assistant |
Costume and Wardrobe Department
| Houston Sams | ... | assistant costume designer (as C. Houston Sams) |
Location Management
| Steven T. Duke | ... | assistant location manager (as Steven Duke) |
| Jonathan Manzo | ... | location manager |
Music Department
| Gwen Bethel | ... | music clearances |
| Phil Carson | ... | executive in charge of music |
| Louis Cerborino | ... | music editor |
| Barry Cole | ... | music supervisor |
| Patricia Joseph | ... | soundtrack producer |
| Denny McNerney | ... | score mixer / score recordist |
| Gordon Minette | ... | orchestrator |
Script and Continuity Department
| Sarah J. Brown | ... | script supervisor |
Transportation Department
| Dale Moser | ... | transportation coordinator |
Additional Crew
| Keith Alexander | ... | piercing consultant |
| Liz Augustine | ... | body double: Linda Cardellini |
| Leonard John Bruno | ... | promotions |
| Andrea F. Cannistraci | ... | production legal |
| Elaine Diamond | ... | computer graphic artist |
| Billy Greenfield | ... | set production assistant: re-shoots (as Bill Greenfield) |
| Susan Hartmann | ... | assistant production coordinator |
| Elizabeth Holt | ... | production intern |
| David S. Marfield | ... | writer/director: "porno" footage |
| Robert Ortiz | ... | production coordinator |
| David Pollack | ... | unit publicist |
| Michael Rath | ... | production accountant |
| Christopher I. Russell | ... | assistant production accountant |
| Mary Sunshine | ... | post-production accountant |
| Spring Sutter | ... | assistant post-production accountant |
| Crista Giuliani | ... | production assistant (uncredited) |
| Lumumba Mosquera | ... | legal intern (uncredited) |
Production Companies
Distributors
- Artisan Entertainment (video)
- Becker Entertainment (2000) (Australia)
- Behaviour Distribution (1999) (Canada) (VHS)
- Emerald (1999) (Argentina) (VHS)
- Foxton Entertainment (Germany)
- Quality Films (Mexico) (DVD)
- Quality Films (Mexico) (VHS)
- RCV Film Distribution (Belgium) (video)
- RCV Film Distribution (Luxembourg) (video)
- RCV Film Distribution (Netherlands) (video)
- Raucous Releasing
- Top Tape (Brazil) (VHS)
Special Effects
- Digital Illusions (computer graphics)
- Michael Burnett Productions Inc.
Other Companies
- Chapman/Leonard Studio Equipment (camera dollies)
- East Coast Post (post-production services)
- REI Media Group (titles and opticals)
- Sound One Corporation (sound re-recording)
- Visual Icon (exclusive clip and still licensing)
- Viv Kim Negative Cutting Service (negative cutting)
Storyline
| Plot Summary |
In a teen chat room, Genevieve Gage, the teenager daughter of detective Mike Gage is invited to a blind date by the cool Capt Howdy. The guy is indeed a pierced a schizophrenic sick and sadistic maniac, and he kidnaps Genevieve and her friend Tiana Moore. He submits the girls and other adolescents to tortures. When the body of Tiana is found, Mike hunts Capt Howdy and puts him in jail first and then he is sent to a mental institution. Four years later, Capt Howdy is considered rehabilitated and released from the asylum, against the will of the local population. After an incident, Capt Howdy abducts Genevieve again, and Mike promises to kill him. Written by Claudio Carvalho, Rio de Janeiro, Brazil |
| Plot Keywords | |
| Taglines | So much flesh, so little time. See more » |
| Genres | |
| Parents Guide | View content advisory » |
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Additional Details
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Box Office
| Budget | $1,100,000 (estimated) |
| Opening Weekend United States | $373,288, 04 Oct 1998 |
Did You Know?
| Trivia | On the DVD commentary, Dee Snider mentioned that filming the scenes with Carleton Hendricks rehabilitated, and wearing a cardigan, were the hardest parts of the movie to shoot. Snider hated wearing the cardigan. See more » |
| Goofs | There is a newspaper next to a barking dog. The newspaper jumps from place to place on the driveway. A man in a red robe picks up the paper and in the next shot of the driveway the paper is gone. Then it re-appears in the driveway, again jumping from place to place, then disappears again. See more » |
| Movie Connections | Featured in Strangeland (2007). See more » |
| Soundtracks | Inconclusion See more » |
| Quotes |
Captain Howdy:
We must all go through a rite of passage, and it must be physical, it must be painful, and it must leave a mark. See more » |