7.4/10
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66 user 99 critic

Cure (1997)

Not Rated | | Crime, Horror, Mystery | 8 July 2001 (USA)
Trailer
1:56 | Trailer
A frustrated detective deals with the case of several gruesome murders committed by people who have no recollection of what they've done.

Director:

Kiyoshi Kurosawa

Writers:

Kiyoshi Kurosawa (novel), Kiyoshi Kurosawa (screenplay)
9 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Kôji Yakusho ... Kenichi Takabe
Masato Hagiwara Masato Hagiwara ... Kunio Mamiya
Tsuyoshi Ujiki Tsuyoshi Ujiki ... Makoto Sakuma
Anna Nakagawa Anna Nakagawa ... Fumie Takabe
Yoriko Dôguchi ... Dr. Akiko Miyajima
Yukijirô Hotaru Yukijirô Hotaru ... Ichiro Kuwano
Denden ... Oida
Ren Osugi ... Fujiwara (as Ren Ôsugi)
Masahiro Toda ... Tôru Hanaoka
Misayo Haruki Misayo Haruki ... Tomoko Hanaoka
Shun Nakayama Shun Nakayama ... Kimura
Akira Ôtaka Akira Ôtaka ... Yasukawa
Shôgo Suzuki Shôgo Suzuki ... Tamura
Toshi Kato Toshi Kato ... Psychiatrist
Hajime Tanimoto Hajime Tanimoto ... Takabe no shachô
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Storyline

A wave of gruesome murders is sweeping Tokyo. The only connection is a bloody X carved into the neck of each of the victims. In each case, the murderer is found near the victim and remembers nothing of the crime. Detective Takabe and psychologist Sakuma are called in to figure out the connection, but their investigation goes nowhere. An odd young man is arrested near the scene of the latest murder, who has a strange effect on everyone who comes into contact with him. Detective Takabe starts a series of interrogations to determine the man's connection with the killings. Written by Todd K. Bowman <tkbowman@aol.com>

Plot Summary | Add Synopsis

Taglines:

With just one word, you will do anything. See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Did You Know?

Trivia

In a poll conducted by Sight and Sound, South Korean filmmaker Bong Joon Ho (Snowpiercer (2013), The Host (2006), Memories of Murder (2003)) listed Cure in his top ten favorite films of all time. See more »

Goofs

(at around 51 mins) In Japan, they drive on the left side of the road and the steering wheel is on the right side of the car. In every scene in this picture that's the case - except one. When the detective leaves in his car to go to the hospital because Mamiya has turned up there, the steering wheel is on the left and he drives on the right side of the road. See more »

Crazy Credits

There are no opening credits, with the exception of the movie's title. See more »

Connections

Featured in Kiyoshi Kurosawa: Broken Circuits (2017) See more »

User Reviews

 
Remarkable Craft
15 January 2002 | by christian94See all my reviews

This movie has a simple premise and a simple story that is nevertheless explored in an incredibly delicate and talented way. Kiyoshi Kurosawa is an extremely talented individual and perhaps the only writer/director who is able to simultaneously scare and mentally challenge me at the same time (note that very few are capable of doing one or the other). Although the writing is very good (story and dialogue), Kurosawa's real strength is his ability to represent visually the progressive denouement of his story. He rather subtly show you and let your imagination and intellect figure it out for you than to spell out bluntly what the straightforward storyline should be. It does not, however, get to the point of chaotic untidiness or pointlessness, for he is able to guide you slowly along the way (I would then say that he is slightly easier to follow than David Lynch is, but then again who is not). He uses here a strikingly effective technique where he shows you a room from one angle and later lets you discover that room more and more as the movie advances. His camera shots are always well planned and he is thus able to draw you in the movie bit by bit-quite an eerie sensation.

The acting is generally good and believable. The camera-work is a stand out.

There are many scenes where you will be able to appreciate this superior artistic and technical quality. The music is good and tenseful, but it is sparse and what is used instead is a contrast of minimalist and grossly amplified everyday sounds that vibrate through the movie. When there is no sound, you often find yourself holding your breath. This is not used strictly as a ploy, but rather creates a mood and further pulls you in the general atmosphere of the movie. Most of all, again, the directing is top notch. The pace which is slow enough for you to have the time to both think and be afraid is not slow enough that it gets boring, although you should not expect a North American expeditious run through the film. Everything is there, but it comes to you in slow, meticulously chosen dosage. Only, at the end can you truly see the masterpiece that has been drawn stroke by stroke in front of you.

One of the reason this movie actually works is that it is designed to play with your mind and trigger fear and reaction based not only on emotion, but on reason. People are dying, but everything is calm, rational. The tone and story are pretty much realistic and, at the end of the experience, you may feel beyond your volitional control that you are actually convinced of the "strange" things in the movie. Hopefully this feeling will subside...


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Details

Country:

Japan

Language:

Japanese | Spanish

Release Date:

8 July 2001 (USA) See more »

Also Known As:

Cure See more »

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Box Office

Budget:

JPY1,000,000 (estimated)
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Company Credits

Production Co:

Daiei Studios See more »
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Technical Specs

Runtime:

Sound Mix:

Stereo

Color:

Color

Aspect Ratio:

1.85 : 1
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