When Gia Carangi first arrives in New York City, she's a beautiful drop-out from Philadelphia brashly bursting through the closed doors of top modeling agent Wilhelmina Cooper. Gia's electrifying personality and potent sexuality soon find their way onto the covers of America's top-selling magazines. But being loved by the world isn't the same as being love by one - an unfulfilled desire that can take Gia dangerous places. And for a beautiful woman, one slip could lead to an untimely and terrifying downfall.Written by
HBO Home Video
Angelina Jolie's brother James Haven can be seen briefly leaning up against the wall in the beginning of the film when she and TJ are going into the tattoo parlor. See more »
When T.J. is at the hospital to see Gia, he gets upset and slams a chair down about 3 or 4 times before putting the chair back. When he lets go of the chair, it comes to rest in such a way that you can tell that at least one of the back legs of the chair is broke. The camera cuts away to Gia and when it cuts back to T.J., the chair is back to normal height and position against the wall under the window, just like it was before he smashed it. See more »
I have to go back to work! I know what you're going to say but I need the money because I cannot live like this. I cannot live like this. And I cannot live without you.
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Film ends with the following poem: ...heaven on earth back again into under far in between through it in it and above... From the journal of GIA MARIE CARANGI 1960-1986 See more »
There is an Unrated/extended version available. Linda & Gia's sex scenes are longer and more explicit. In the scene where Gia gives Linda hamburgers in the kitchen, Gia straddles Linda in the chair, and says, "Dinner is served!". See more »
This movie is your typical "How deviant sex and drugs ruined a successful person's life" films we typically get out of television (shades of the Hayes office!). However, Angelina manages to do what many actors fail to do: take a basically unsympathetic character and make you feel sorry for her. I think the role of Mercedes Rhuel has also not been emphasized enough. Throughout the entire film she presented a highly sympathetic, charismatic persona as the mother who could not quick kick her gosling out of the nest. Gia was not a product of the times--she and others like her were the times.
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