Bunmasters

I hate so-called porn parodies, because they are merely ripoffs, not actual parody or even humorous. "Bunnmasters" (it has two n's displayed on screen spelling, though no one seems to have noticed) is a parody of a TV infomercial, with Jon Dough doing the smarmy honors of promoting his anal toy business.

The talking to the camera stuff is wearying, but the anonymous "Walter White" director (one source credits James Avalon, hopefully untrue) delivers mainly demo sex scenes showing anal activity competently photographed. Content is neither funny nor erotic, just the usual dose of XXX material for undiscriminating porn fans.

VCA pegs Tera Heart as the star, and she finally shows up in the final reel to display her beautiful breasts and get porked by hubby Dough. Sharing the male front line is Alex Sanders as a anal toy salesman who made good with the title company, and gets to not only service the wonderful Roxanne Hall as a reluctant but satisfied customer, but later indulges in a hot backdoor threesome with Anna Malle and Brigitte Aime. Femme cast is fairly impressive, Debi Diamond vying for top honors by indulging in some rough sex with her hubby T.T. Boy (and Dough joining them for a threesome and requisite d.p.) but Jeanna Fine is certainly the real star of the picture, getting it in the rear from Brigitte with a strap-on and later doing a Fine job on a very young Steven St. Croix in a silly scene best described as "tongue in cheek".

"Walter White" also directed, apparently back-to-back with this feature, "Pubic Access", a satire of cable access tv shows, featuring most of the same cast.

Stepping back into the landscape of mid-1990s adult entertainment, this 1995 feature directed by Walter White offers a glimpse into the prevailing styles and conventions of its time. Like many productions from that era, it leans heavily on its cast and a simple, easily digestible premise rather than narrative complexity or innovative filmmaking techniques. The film serves as a vehicle for its performers, featuring familiar faces from the period, including Anna Malle, Jeanna Fine, and Debi Diamond, alongside others like Tera Heart and Brigitte Aime. Their presence provides the main draw, tapping into the specific appeal each actress held for audiences during that decade.

The execution reflects the standard production values common at the time - functional camerawork focused primarily on the action, straightforward editing, and minimal attention to sophisticated lighting or sound design. The aesthetic feels very much of its moment, lacking the polish or more cinematic aspirations seen in some contemporary or later works. The energy relies almost entirely on the performers and their interactions. While the encounters aim for enthusiasm, they unfold within predictable patterns characteristic of the genre during this period. There's a certain nostalgic quality for those familiar with these actresses and the 90s vibe, but newcomers might find the presentation dated and the scenarios somewhat formulaic.

Ultimately, the film functions as a time capsule of sorts. It delivers on the basic expectations of its genre for the mid-90s but doesn't strive for much beyond that. The appeal lies primarily in seeing these specific performers engaged in the standard scenarios of the time. It's a competent piece representative of its origins, showcasing the talent involved within a framework that prioritizes encounters over plot or atmospheric depth. While it provides moments typical of what fans of the era sought, it doesn't particularly stand out from the vast catalog of similar titles released during that decade, making it a moderately engaging watch primarily for enthusiasts of the specific performers or the period's distinct style, but unlikely to leave a lasting impression.