6.7/10
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43 user 39 critic

Artemisia (1997)

Artemisia Gentileschi (1593-1653) was one of the first well-known female painters. The movie tells the story of her youth, when she was guided and protected by her father, the painter ... See full summary »

Director:

Agnès Merlet

Writers:

Patrick Amos, Agnès Merlet (screenplay) | 3 more credits »
Reviews
Nominated for 1 Golden Globe. Another 1 win & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Michel Serrault ... Orazio Gentileschi
Valentina Cervi ... Artemisia Gentileschi
Predrag 'Miki' Manojlovic ... Agostino Tassi (as Miki Manojlovic)
Luca Zingaretti ... Cosimo Quorli
Emmanuelle Devos ... Costanza
Frédéric Pierrot ... Roberto
Maurice Garrel ... The Judge
Brigitte Catillon Brigitte Catillon ... Tuzia
Yann Trégouët Yann Trégouët ... Fulvio
Jacques Nolot ... The Lawyer
Silvia De Santis Silvia De Santis ... Marisa
Renato Carpentieri ... Nicolo
Dominique Reymond Dominique Reymond ... Tassi's Sister
Liliane Rovère ... The Rich Merchant's Wife
Alain Ollivier Alain Ollivier ... The Duke
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Storyline

Artemisia Gentileschi (1593-1653) was one of the first well-known female painters. The movie tells the story of her youth, when she was guided and protected by her father, the painter Orazio Gentileschi. Her professional curiosity about the male anatomy, forbidden for her eyes, led her to the knowledge of sexual pleasure. But she was also well known because in 1612 she had to appear in a courtroom because her teacher, Agostino Tassi, was suspected of raping her. She tried to protect him, but was put in the thumb screws... Written by kipjohn <saskia@virtualbears.com>

Plot Summary | Add Synopsis

Taglines:

The untold true story of an extraordinary woman. See more »


Motion Picture Rating (MPAA)

Rated R on appeal for strong, graphic sexuality and nudity | See all certifications »

Parents Guide:

View content advisory »
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Did You Know?

Trivia

The movie is a biography of the painter Artemisia Gentileschi, but many major details of her life were changed, leading to widespread criticism. In the movie, the relationship between Artemisia and Agostino is portrayed as a beautiful love affair, and the reason Artemisia is is tortured is because she refuses to testify that he raped her. In reality, Agostino really did rape Artemisia (and other women), and the reason she was tortured was because she did testify in court that he had raped her. See more »

Goofs

Note the inoculation scar on her lover's bicep (story was set in 1610). See more »

Quotes

Orazio Gentileschi: You're always painting saints by day and sinning by night.
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Alternate Versions

Italian version removed some sexually-explicit shots in order to attain the equivalent of a G-rating. See more »

User Reviews

Watchable but compromised period drama
7 June 1999 | by Jasper-12See all my reviews

My sources tell me that this biopic of the one of the few influential female artists of the time has sacrificed a lot of historical veracity in the name of dramatic license. The film focuses on the earlier part of her life, specifically the relationship with her tutor Tassi, ignoring her rise to prominence later which is revealed in a pre-credit titles coda at the end of the film. Given that Artemisia Gentileschi is hardly a household name, even in the art world, I for one was looking forward to at least some degree of enlightenment towards the subject. That Tassi murdered his wife and child and had an incestuous relationship with sister is ignored by the film, instead playing him as straightforward love interest of little other dimension. The featured painting of 'Judith and Holofernes' was also painted some eight years after the events portrayed. Some concessions to cinematic narrative structure are understandable, but to totally disregard key facts is unforgivable. As for Artemisia herself, there is little surviving information other than a basic outline of her life, but dramatically director Merlet doesn't seem to know which way to play this. Little insight is provided for her as a person, nor for her motivation as an artist, other than that as a martyr to the patriarchal order of the day archetype. As such, she is never truly convincing as the child prodigy artist. Instead her relevance is reduced to that of a cipher in a bog-standard romantic tragedy, and the overwhelming thought as one leaves the cinema is 'So what?' On a visual level, the film is colourful, if a little conservative, at its best when taking in the rigorous working methods and assorted paraphernalia of the artists practising at the time. Unfortunately this is the sum of the informative merit in what amounts to no more than another polished yet undistinguished costume drama with the odd dash of titillatory nudity. For all that, Artemisia herself (Valentina Cervi) is certainly a little cutie and the film is never a chore to watch, but at the end of the day it merely whetted my appetite for more knowledge on the subject.


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Details

Country:

France | Italy | Germany

Language:

French

Release Date:

8 May 1998 (USA) See more »

Also Known As:

Artemisia See more »

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Box Office

Opening Weekend USA:

$32,941, 10 May 1998

Gross USA:

$356,749

Cumulative Worldwide Gross:

$356,749
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
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