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Why Do Fools Fall in Love (1998)

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Three women each claim to be the widow of 1950s doo-wop singer Frankie Lymon, claiming legal rights to his estate.

Director:

Gregory Nava

Writer:

Tina Andrews
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2 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Halle Berry ... Zola Taylor
Vivica A. Fox ... Elizabeth 'Mickey' Waters
Lela Rochon ... Emira Eagle
Larenz Tate ... Frankie Lymon
Paul Mazursky ... Morris Levy
Pamela Reed ... Judge Lambrey
Alexis Cruz ... Herman Santiago
David Barry Gray ... Peter Markowitz
Miguel A. Núñez Jr. ... Young Little Richard (as Miguel A. Nunez Jr.)
Clifton Powell ... Lawrence Roberts
Lane Smith ... Ezra Grahme
Ben Vereen ... Richard Barrett
Paula Jai Parker ... Paula King
Marcello Thedford ... Drug Dealer
Norris Young Norris Young ... Jimmy
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Storyline

In the mid-1980s, three women (each with an attorney) arrive at the office of New York entertainment manager Morris Levy. One is a singer from Los Angeles, formerly of the Platters; one is a petty thief from Philadelphia; one teaches high school in a small Georgia town. Each claims to be the widow of long-dead doo-wop singer-songwriter Frankie Lyman, and each wants years of royalties due to his estate, money Levy has never shared. During an ensuing civil trial, flashbacks tell the story of each one's life with Lyman, a boyish, high-pitched, dynamic performer, lost to heroin. Slowly, the three widows come together and establish their own bond. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Plot Keywords:

widow | doo wop | singer | estate | money | See All (70) »

Taglines:

Three different women married Frankie Lymon. Now as they fight to get a piece of his millions, They will have to prove who married him first and who loved him most. See more »

Genres:

Biography | Drama | Music

Motion Picture Rating (MPAA)

Rated R for language and some sexuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

28 August 1998 (USA) See more »

Also Known As:

A tres bandas See more »

Filming Locations:

Jacksonville, Florida, USA See more »

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Box Office

Opening Weekend USA:

$3,946,382, 30 August 1998, Wide Release

Gross USA:

$12,413,650, 1 November 1998
See more on IMDbPro »

Company Credits

Production Co:

Rhino Films,Warner Bros. See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

When Tina Andrews wrote the original script, the part of Frankie Lymon was first offered to Michael Jackson. See more »

Goofs

When Mickey is telling her story about how she met Frankie, she attended a concert in which Frankie was to perform. When Frankie is out on stage singing, the microphone switches positions from the middle of the stage on a black square, to the middle of the stage on a white square, and then to the front of the stage on a white square. See more »

Quotes

Frankie Lymon: [after receiving a restaurant bill] You better let me take care of this. Cause if you haven't heard, my record's #3!
[Teenagers yell in agreement]
Zola Taylor: No, you better let ME take of this. Cause if you haven't heard, MY record's #1!
See more »

Connections

References American Graffiti (1973) See more »

Soundtracks

The Great Pretender
Written by Buck Ram
Performed by The Platters
Courtesy of Mercury Records, Inc.
By Arrangement with Polygram Film & TV Music
See more »

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User Reviews

 
"Fools" hits some high notes, but most are sour
26 January 2005 | by bobkurtz-1See all my reviews

Director Gregory Nava misunderstands the complex, drug-addicted Frankie Lymon getting some of it right and much of it wrong.

His fatal mistake from beginning to end is playing Frankie as a late teen instead of the 13 teen year old he was. This deprives one and all of seeing the simple true source of Frankie's problems. Too much fame, too fast and too young. Larenz Tate struggles with the role where he sometimes looks more like a young Sammy Davis than Frankie. The singing and dancing sequences are acceptable and Tate brings the music off adequately.

The racial issues, which the film deals with, have some truth, but the details are inaccurate. In 1957 audiences in some venues were segregated, but in others were mixed and not a problem. The idea that this music helped end segregation is mentioned, but not really seen, except for the incredible scene of Frankie dancing with a white girl on 'The Big Beat'. This big surprise is very effectively handled and has major impact.

I don't think Nava understands doo-wop or the relationship of the lead singer to the backups. There is a big difference between the Platters, essentially a white pop adultish Ink Spots type group and the Teenagers who were rock 'n' roll, appealing to those under 21. This just never comes across.

Nava does do some clever things, pointed out in the director's cut (not recommended, way too 'Goody, Goody') as he uses a continuous roll camera to suck you in and wrap you around the scene he is filming.

The attempts to stylize 'Fools' mostly works. The theme of creating the four main characters as Earth (Lela Rochon as Emira Eagle), Fire (Halle Berry as Zola Taylor), Water (Vivca Fox as Elizabeth Waters) as the 3 wives to play off Wind (Tate-Frankie) is clever and consistent. The use of scatchy 8MM flash backs is a bit over done, but gets the point of flashbacks across.

All three of the parts of the wives suffer from being overly dramatic (and over acted)with the need to fit truth to the story, rather than the other way around.

Most disturbing is the handling of Frankie's music. Its hard to tell his solo work from his Teenagers stuff and the sequencing of the music is out of order. At least Nava makes it clear Frankie was not a 'One hit wonder' and he had four years of outstanding singles and (not mentioned at all) some super albums, mostly as a solo. As one of the wives mentions, above all "he could sing my panties off". If you don't think so, play Frankie's version of "Why Do Fools Fall in Love" followed by the weak, sad Diana Ross version.

Next time Mr. Gregory Nava when doing an autobiography spend as much time keeping your facts straight and in order, as you do with clever stylization.

Not recommended unless your a fan of any of the elements involved. Wanna a good music bio from more or less the same period and effectively dealing with drug addiction, watch "Ray" the magnificent Ray Charles story.


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