Wilson Pomade, a totally insignificant but pleasant young man, has gone through life unnoticed and unrecognized by others until one day when he encounters the beautiful and elegant Marian ... See full summary »
James Michael Tyler,
Christian Jules Le Blanc
A serial killer armed with a crossbow pistol is murdering people from their own rooftops. When three young coworkers at a poorly-attended slumber party start hearing footsteps on the roof, they fear the worst.
Mark Tapio Kines
Mary Lynn Rajskub
Madame Ranevskaya (Rampling) is a spoiled aging aristocratic lady, who returns from a trip to Paris to face the loss of her magnificent Cherry Orchard estate after a default on the mortgage... See full summary »
In Modern Music we follow an ad-hoc family (label, band, and management) as they navigate the ever changing music business. The results are a hilarious look at a struggling art form and the... See full summary »
James Michael Tyler
For Walter Himmelstein, a young man endearingly known as Putzel, life literally doesn't go beyond his family's fish store on the upper west side of Manhattan. In this heartwarming romantic ... See full summary »
Was originally planned as a 50-minute film centered around the "Dear Jenny" storyline. Realizing the impossibilities of selling and distributing a 50-minute film, the director wrote the second segment ("Love, Trevor") which filled out the story to feature length. See more »
A promising initial effort; some exceptional actors.
The story with Danova has a lot more zing to it; Wheaton doesn't have an especially likeable part to play, but that doesn't mean that he's not acting well. I was invited to see an early screening for this film in San Francisco; it was well received there, but then many in the audience had acted as extras in the film. Chris Farrell does a nice job with the music; but the title suggests too much of a comparison with the famous Hitchcock film -- which isn't apt; these are love stories or friendships, teenagers on the verge of adulthood. A good first effort, and given the difficulty factor of having a very low budget -- more credit is due to all involved. Melanie Lynsky, a tremendously gifted actress -- she did terrific work in the outstanding film "Heavenly Creatures -- is largely wasted here. She sacrificed, basically paid her way from New Zealand, just to be given another chance to act -- after having a complex and challenging role in one of the greatest films of the nineties, she hadn't received many offers. But the part Kines gave her is one of a wallflower, more or less. Yelena Danova was new to me; yet she appeared to be the brightest light in either section. Lynsky could well have the potential to be another Bette Davis type star; but she'll need more imaginative or experienced directors to work with for this to happen. Or she may have to write her own scripts, like Katherine Hepburn did.
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