A freelancing former U.S. Intelligence Agent tries to track down a mysterious package that is wanted by the Irish and the Russians.A freelancing former U.S. Intelligence Agent tries to track down a mysterious package that is wanted by the Irish and the Russians.A freelancing former U.S. Intelligence Agent tries to track down a mysterious package that is wanted by the Irish and the Russians.
- Awards
- 1 win & 4 nominations total
Amidou
- Man at Exchange
- (as Amidou Ben Messaoud)
Featured reviews
One of the best action films of the late '90s. A group of mercenaries deals with a job that from the beginning was expected to be difficult. An outstanding cast, with great interpretations by De Niro and Jean Reno. The narrative has the usual plot holes of a spy/conspiracy film, but apart from that, it is a lesson in how to make a good film within the genre, with well-crafted twists and intense and credible dialogues. 'Ronin' continues to have, in my opinion, one of the best car chase scenes ever. If you like the '70s and '80s classics, you will like this one as well.
A pretty decent action outing for Robert De Niro and John Frankenheimer. Good photography of some of the seedier neighborhoods of Paris and other French cities. This film is quintessential De Niro, and he gets all the good lines. There is an interesting revelation at the end, which I will not reveal here. The case everyone is after, is a complete McGuffin, what Hitchcock called that plot device, the thing which everyone wants, and it doesn't really matter exactly what that is. I think that Frankenheimer may have been paying homage to Hitchcock on this, as what is in the case is never revealed. Apparently David Mamet was the script doctor on this film, and it ended up OK. I am of two minds on Mamet, having liked "The Untouchables" a lot, and disliked "Glengarry Glen Ross" and loathed "Oleanna". I also liked Natascha McElhone, who I had never heard of. She is a beautiful and accomplished actress. Some people complained about her brogue. OK, she's not Meryl Streep. But then again, who is? A lot of actors won't even try. I look forward to seeing more of her.
Oh, yeah, and some of the car chases were really, really cool, almost McQueenian.
Oh, yeah, and some of the car chases were really, really cool, almost McQueenian.
This thriller from veteren John Frankenheimer is pure excellence, the script, acting and action are top draw. De Niro and Reno are brilliant in this as of course you would expect from two such excellent actors. The action scenes are pulse pounding and particularly excellent are the car chases, probably the best ever. Not only did the stunt guys risk their lives but the guys shooting the action captured some truly thrilling close up view from the cars as they speed along. The action also carries a certain degree of realism to it, the shootouts are sensible and the car chases and crashes seem very genuine no massive corkscrewing threw the air like most car chases or cars jumping 100 feet in the air like in Gone in 60 seconds, which is all very good but not for this sort of thriller. The pacing of the film was great and there was a constant chilling atmosphere. As I said before Robert De Niro and Jean Reno were exceptional particularly in their scenes together. The support cast are good too with a brief but excellent display from Sean Bean and Natasha Mchelhone and Jonathan Pryce are both good as Irish terrosists with comendable accents. All in all a very god way to spend a few hours.
For its genre, Ronin is a good film. I don't think it's quite fair to criticize it for what it is not, such as saying that it's a poor film because there are movies out there with better car chases.
I saw it at the theatre and thought it was OK, saw it on video expecting to be more disappointed, and actually liked it better the second time.
I don't think the plot is as difficult to understand as some might claim. I had no trouble following it. Whether or not it's credible, well, how many action films are? It's credible enough for me to watch it and not say is this ever stupid. That's about all that I look for in an action film, sorry to say.
I actually enjoyed the dialogue for the most part. DeNiro and Reno in particular were solid. The film did begin to fade towards the end, especially once everyone was in the skating arena. I appreciated Frankenheimer showing as much of France as he did. That was a bonus.
So, yes, I could point to a number of flaws in Ronin. But, perhaps because of my low esteem for action films overall, I would say it's a worthwhile watch if you're an action fan, or a DeNiro fan, as I am.
I saw it at the theatre and thought it was OK, saw it on video expecting to be more disappointed, and actually liked it better the second time.
I don't think the plot is as difficult to understand as some might claim. I had no trouble following it. Whether or not it's credible, well, how many action films are? It's credible enough for me to watch it and not say is this ever stupid. That's about all that I look for in an action film, sorry to say.
I actually enjoyed the dialogue for the most part. DeNiro and Reno in particular were solid. The film did begin to fade towards the end, especially once everyone was in the skating arena. I appreciated Frankenheimer showing as much of France as he did. That was a bonus.
So, yes, I could point to a number of flaws in Ronin. But, perhaps because of my low esteem for action films overall, I would say it's a worthwhile watch if you're an action fan, or a DeNiro fan, as I am.
A great movie that you can't just watch with one eye. It starts slow, laying a strong foundation, and if it's on TV, it's easy to get lost by not paying attention at the beginning. However, it's an outstanding film, exploring the characters with a huge action movie in the background.
It's visually interesting and doesn't ever let you know the things you think you need to know, but by the end you've forgotten that you wanted to know them in the first place. Robert DeNiro gives a strong performance and doesn't get lost in some of the showiness he can deliver when he's making up for a weaker story, and the supporting cast is full of familiar faces, many of which blend so well into the characters they play that, again, you can become lost in the story (although this time, it a good way).
It's visually interesting and doesn't ever let you know the things you think you need to know, but by the end you've forgotten that you wanted to know them in the first place. Robert DeNiro gives a strong performance and doesn't get lost in some of the showiness he can deliver when he's making up for a weaker story, and the supporting cast is full of familiar faces, many of which blend so well into the characters they play that, again, you can become lost in the story (although this time, it a good way).
Storyline
Did you know
- TriviaA total of 80 automobiles were destroyed during filming.
- GoofsJean-Pierre claims that "All 47 of them committed Seppuku," but in fact only 46 did. The 47th Ronin, Terasaka Kichiemon, had a different mission. He was later pardoned. When he died at 87, he was buried along with the other 46.
- ConnectionsEdited into Ronin: Alternative Ending (1999)
- SoundtracksTime To Say Goodbye (Con te partirò)
Composed by Francesco Sartori
Lyrics by Lucio Quarantotto
English lyrics by Frank Peterson
Performed by Sarah Brightman featuring Andrea Bocelli
Courtesy of Angel Records
Under license from EMI Music Special Markets
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Sát Thủ Tự Do
- Filming locations
- Blue Sky, Rue des Trois-Frères, Paris 18, Paris, France(restaurant in opening sequence)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $55,000,000 (estimated)
- Gross US & Canada
- $41,616,262
- Opening weekend US & Canada
- $12,697,641
- Sep 27, 1998
- Gross worldwide
- $41,616,262
- Runtime2 hours 2 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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