Gasman

Many families have some kinds of secrets which are usually hidden by parents,and the important problem is that how parents explain their secrets to their children.If these secrets are not well explained to children,children cannot have complete trust in their parents.In that movie,Lynne must have not only envied another girl but also doubted her father.I wonder why the father could not explain to his daughter about another daughter.Maybe it's because he did not want to hurt his daughter's feeling by telling the truth.It's a shocking fact,but his father should have told her daughter the truth so as not to lose his daughter's trust.Relationships of mutual trust between parents and children are more important than any other things.

One of the most difficult problems to solve is the people relationships.

The father has two families, which means the four little children have blood relations. However, maybe of course, they do not know that.

In the Christmas party the main character girl is coming to feel uncomfortable about the other girl who is her half sister indeed. In the last scene, when they are coming back home, the order of the people especially the girls mentions the very touchy feelings of them. The girl is so confused but does not know the truth. This is a very interesting film and is questioning us about what to do with such a problem.

I've never been a fan of short films for their 'art-school' and 'experimental' qualities. Simply being a product of those two is not enough. They are almost always too personal, too opaque, and too much obviously serving as 'stepping-stones'.

I was therefore happy to see Lynne Ramsay's short films as the chrysalis for her superb feature films. I was also impressed to learn that she won the Cannes short-film prize, *twice*. And now I can see what others saw in her, for _Gasman_ is the best short film I have ever seen.

Available on the Criterion DVD with _Small Deaths_ and the less good _Kill the Day_, _Gasman_ is a fully-fledged, visionary film that translates directly into the skill and grace of _Ratcatcher_.

_Gasman_ moves directly from the first piece of _Short Deaths_, with the distant father and Lynne Ramsay Jr. again taking centre screen. But _Gasman_ comes to a kind a fruition--a full story with many of the same themes and techniques of _Ratcatcher_: closely observed yet elliptical human behaviour, housing projects, slum-beauty, children's natures, a jumbled impressionistic world caught in partial body closeups and shots from behind people.

The film 'tells' nothing, but the story is dead clear and builds slowly to an emotional pitch that is almost unbearable.

This is a film of jaw-dropping beauty. Sounds trite, but that's how I feel. When the Da and two kids walk on the tracks, the camera is set to a partially closed iris which intensifies the available light and colour in an otherworldly sheen--one that is gone when they return on the same tracks at night, in disappointment. Beauty in service of story is the key.

This *is* the best short film I have ever seen.

Gasman is a proper short film - little plot, none of it told explicitly, but a larger story going on around the camera. Like most of Lynne Ramsey's stuff (Ratcatcher being the best and most enjoyable example, because it isn't a short)it feels like and probably is 1970s/80s East-end Glasgow, the struggling classes and a fairly grim outlook, but you see the little sparks of interest in real lives, and being a small story told very much from a child's point of view, it's much more hopeful, interesting and happy than it could have been. The characters, so few, and so little seen in the short still have immense believability and completeness. Most people will find this dull, but if you're the kind of person who knows how to get hold of a copy, you're probably the type of person who'd enjoy it. Arty, but not impenetrable, simple but thought-provoking.

This film deals with a matter in a family. There are some words during the movie, but it is difficult for me to understand the detail situation of the family. You can see four children, Father and Mother in the short. It is a Christmas season, but it is not a happy one for the family.

There is appropriate use of light and dark contrast when they are walking up the tracks. I feel sorrowful because the season of winter is added to the scene.

Some people will think this film is a dull one and I got mixed feelings. I do not watch it many times. However, this 15 minute short is a masterpiece. You should watch it.