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Jonathan Ke Quan
When Dr. Henry Jones, Sr. suddenly goes missing while pursuing the Holy Grail, eminent archaeologist Dr. Henry "Indiana" Jones, Jr. must follow in his father's footsteps to stop the Nazis from getting their hands on the Holy Grail first.
In Coruscant, the Jedi Obi-Wan Kenobi and Anakin Skywalker rescue the Supreme Chancellor Palpatine from the Separatist General Grievous' spaceship and Anakin kills Count Dooku with his light-saber after a fight; however Grievous escapes from the Jedi. When they land on Coruscant, Padmé Amidala comes to tell Anakin that she is pregnant. Soon he has premonitions of his wife dying during the delivery. Palpatine requests that Anakin join the Jedi Council against the will of the members but he is not promoted to Master and stays at the rank of Knight; further they ask him to spy on Palpatine. Anakin is manipulated by Palpatine about the true intentions of the Jedi and is tempted to know the dark side of the Force that could be capable of saving Padmé. Further Palpatine discloses that he is Sith Lord Darth Sidious. What will Anakin do? Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The film's final shot is meant to mirror the famous shot of Luke Skywalker in Star Wars: Episode IV - A New Hope (1977). when he looked out on the two sunsets. It is the only shot of the film kept in widescreen format on the pan-and-scan DVD release. See more »
After Grievous breaks the bridge's windows and Anakin is trying to 'pilot' the cruiser, the windows that were covered magically show back up. See more »
Lock on to him R2.
[R2-D2 responds with more bleeping]
Master, General Grievous's ship is directly ahead. The one crawling with Vulture droids.
Oh, I see it. Oh, this is going to be easy.
See more »
The opening logo for 20th Century Fox is static (to match the opening of Episodes 4, 5 and 6), instead of the animated 3-D logo used in Fox films at the time. See more »
(No Spoilers!) Excitedly submitting my comments two weeks prior to the opening of the film (after a preview screening at the Ziegfeld Theater), I am thrilled to add to what appears to be a growing wave of positive reaction to Lucas's effort in Episode III. As a life-long fan deeply caught in a love hate relationship with Episodes I and II, I cautiously awaited this final installment. I felt in my heart that this would be a great film, but feared that somehow I would again be disappointed. Maybe I was starting to succumb to the notion that I no longer had the spirit of that six year old boy who was mesmerized by the original Star Wars, long ago in 1977 at that far away NJ theater. Maybe.
From the opening 20th Century Fox logo, the movie hits the ground running, proving once again the CGI capabilities of ILM and the thrills they inspire. However, unlike the first two films, where spectacular effects were layered upon complicated, contrived and sometimes dramatically vacant scenes executed with some of the worst performances in memory, there is solid story telling here. And that's the difference.
The drama builds steadily in the first act before hitting light speed with a combination of excitement, dread, intrigue and pain. This strong dramatic spark ignites the entire cast, helping them turn in what are easily their best performances of the three films. When you have a script with this kind of thump and talented actors, the result is fun to watch. And for once, perhaps most importantly, the special effects serve the script, not the other way around.
Anakin's internal struggle, present from frame one, quickly consumes him, catapulting the film towards its inevitable conclusion. While its no surprise that the film ends on a desperate note, there does remain a glimmer of possibility as the story segues into the aptly titled classic "Star Wars Episode IV: A New Hope". It's thought provoking and inspiring.
It's also worth noting that as advertised the film is dark, makes no apologies, and is much less child friendly then the others. All pluses in my opinion.
The final result with "Revenge" is a complete film that I will never forget, a somewhat renewed perspective on what Lucas was going for with Episodes I and II, and assurances that that little boy inside me is still there, popcorn in hand, ready for a good movie.
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