Adapted from the novel of the same name by Clarín, which narrates the difficulties of Ana Ozores to adapt to the sordidness of life in Vetusta, a provincial city of northern Spain inspired ... See full summary »
On July 23 of 1802, the Duchess of Alba, the richest and most liberated woman of her time, offers a gala to inaugurate her new palace. Attendance is extraordinary: the Prime Minister Manuel... See full summary »
The young nobleman Calisto falls in love with Melibea, the daughter of a rich merchant. Calisto's servant Sempronio suggests they get the sorceress Celestina to further the romance. However... See full summary »
Juan Diego Botto
Miranda is a crew member of a nightly radio programmme. She and her husband Felix, a cop, are parents of a girl. Miranda's daily dog walking strolls are excuses to pursue sexual encounters ... See full summary »
Manuel Gómez Pereira
A member of the ETA terrorist organization belongs to a commando which is preparing an outrage in Madrid. But he sets other priorities when he meets a girl who is addicted to drugs and for ... See full summary »
As in the novel of the same title from Camilo Jose Cela, "La Colmena" is a sad composition with the stories of many people in the Madrid of 1942, just the postwar of the spanish civil war. ... See full summary »
Masterpiece of contemporary Spanish cinema based on equally excellent novel written by naturalist Leopoldo Alas (Clarín 1852-1901)
What at first sight seems to be a typical 19th century love story turns out to focus rather on more or less allegorical social criticism than on mere emotionalism. But to become aware of this you have to familiarize yourself with Spanish history. Orphan female protagonist Ana Ozores, the most beautiful woman of northern Spain imaginary province capital Vetusta, is married to elderly aristocrat don Víctor de Quintanar, who seems to prefer hunting to satisfying his young wife's emotional and spiritual needs. No wonder she's courted by two extremely ambitious men in Vetusta (evidently the pseudonym of the actual Oviedo, capital of Asturias): "Don Juan" Álvaro Mesía, politician, embodiment of libertinage and social progress, and Don Fermín, her father confessor, who symbolizes conservatism and bigotry in the Vetusta's small-minded microcosm. In the end Ana succumbs to Álvaro's charm and is unfaithful to her husband who challenges his opponent for a duel. Álvaro kills Ana's husband and leaves for Madrid, while priest don Fermín begins to despise the woman he once adored. What Ana had thought to be true love and friendship in the beginning ends with the protagonist's absolute loneliness when she notices that she had been a mere toy both to Álvaro and his political adversary Fermín - her "brother of soul": Both betrayed her confidence only in order to show off their power. Besides the story, the actors' artistic merits are notable and make this film worth seeing.
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