Titan A.E.

The storyline of TITAN A.E. follows standard mythical canon: unlikely youthful hero from the boondocks is forced to follow his destiny and struggle against overwhelming odds to save his people. No surprises there, to be sure, but God is in the details, and the details is where this film excels. I can't say enough good about the animation and visual artistry--it's the best ever. Hopefully this will raise the bar for animated feature films. After forty-odd years, I have had enough of the formulaic Disney approach.

I would also give TITAN A.E. high marks for acting and for the musical selections in the soundtrack. This film should make a great addition to any enthusiast's DVD library.

I agree that the plot is rather holey, but I was so busy enjoying the film that I didn't notice at the time.

TITAN A. E. / (2000) *** (out of four)

"Titan A.E." is like a giant looming over movie animation landscape; it is one of the most visually bracing family fantasy adventures to come down the pike in years. The film's animation is wonderfully spectacular, visually enticing and entirely convincing. Directors Don Bluth and Gary Goldman enthrall the audience with a sweeping sense of atmosphere and action. This is the kind of cartoon that is mature to the level in which the characters and set designs could have been replaced with live action filmmaking without changing the movie's perspective.

The production takes place twenty-eight years after the third millennium. Planet Earth has been demolished by a cruel species called the Drej, who fear the potential intelligence of the human race. Cale (voiced by Matt Damon) is a young man working as a space dump attendant who believes his father abandoned him when he was a child. Cale doesn't know it yet, but he holds the key to the survival of the human race with a genetically coded map on his hand showing the course to the hidden position of a special spacecraft called the Titan.

Cale meets a young woman named Akima (voiced by Drew Barrymore), who cherishes conventional memorabilia of her late planet. She and her captain, Korso (voiced by Bill Pullman), and the navigator, Gune (John Leguizamo), set out to locate the vital Titan before the evil Drej can exterminate it along with mankind's future hope of existence.

Instead of our traditional, well-developed bad guy that posses serious threats to the protagonist's mission, in "Titan A.E." we receive something of a different sort: an underwritten alien race whose motives and backgrounds are unclear and undeveloped. The movie seems to know of this, however, therefore the film wisely switches villains in the second act. The story provides an interesting twist that supplies us with solid and comprehendible antagonism.

This movie's plot feels somewhat pieced together from previous science fiction fantasies like "Star Trek," "Star Wars," and "Lost in Space." John Whedon, Ben Edlund, and John August vividly detail a story that moves along steadily, but occasionally stalls to build momentum for the character's purpose for achieving goals. There is a scene on a spaceship holding Cale in captivity that feels trite and dual, but the film quickly rejuvenates itself with an exhilarating chase sequence. The film's plot would have been more involving if we knew more about the characters. They seem pretty interesting but we never really get to know them because the filmmakers were more concerned with special effects, a common misconception both animated and live action films.

This production is engaging and well animated; "Titan: After Earth" is smart to jolt a appropriate about of energy into its action scenes and contains sufficient amounts of style and wit to satisfy younger audiences as well to hold the attention of the older, more sophisticated viewers. It is not every day a cartoon is able to do that.

I remember a year ago when I went to see this movie. I think of that day as a turning point in my life in how I view animation.

I am surprised I have not written a review for this movie. After reading through every single bad review by every paid critic on the planet and watching this movie fail because of it (taking Fox Animation with it), I have decided it was about time I added my insight into the pile. Kind of late, but bear with me. I know more now than I did then.

First off, the storyline isn't what the critics have brainwashed you into thinking. If you are a sci-fi fan, I guess it is easier to grasp. In the wide world of science fiction, this movie seems to have struggled to find originality and found enough of it. Set 1000 years into the future, Humans have discovered an extremely advanced technology which drives a race of almost indestructible aliens to destroy Earth in it's entirety. A teenage boy is left with the power to find the key to bring humanity back before it is killed off forever. When I saw this movie, I had a breath of relief. Finally humanity isn't the all-powerful! The movie puts humanity in the act of a downtrodden, confused, holding-on race manipulated and shunned by other races. The emotion I felt from the story in this film and the characters in it is extraordinary.

The animation by far is a turning point in the world of animated features. From the start, you can tell the animation is exceptional. Extra time was taken to make the characters lifelike, as well as the environments they are in, the coordinating of colors, and even the shadows from a tree on the character's faces. It's unbelievable. And the 2D animation mixes so well with the 3D animation - it just adds to the thrill of the movie. The scenes in the movie are exceptional - from the ice rings scene with the reflections to the wake angels scene in space.

The characters are just portrayed so well, like I said. The actors doing the voice-overs put so much emotion into what the characters actually felt, and the characters portrayed it well. There is a nice variety of characters as well, all the way down to the comic relief of Gune and the angry kangaroo-like alien, Stith.

Overall, this movie just blew me away. I couldn't think for days. The animation, the story, the characters - all of it. And I have gotten others to see this movie, and they agree on it. So next time you are in the video store, not sure what to rent, think about this movie. I guarantee it is in stock and it will change the way you see animation forever.

It's 3028 A.D. Earth is attacked by the Drej, aliens of pure energy. Hundreds of ships manage to escape before the earth is destroyed. Cale is separated from his father Professor Sam Tucker who saves the spaceship Titan. Sam gives him a ring which is a map to find Titan. Tucker was the lead researcher on Project Titan which is feared by the Drej. 15 years later, Cale is working on a salvage station with other aliens. Humanity is reduced to lower class citizens. Joseph Korso, captain of the Valkyrie, finds Cale and his ring to search for Titan, humanity's last hope.

The blend of traditional hand drawn animation and CGI works well mostly. The best is the ice crystal world. The hide-and-seek game inside the crystal is both exhilarating and visionary. In general, the story is a little too simplistic with questionable plot lines. Why would the father give the key to the ship to his son? Why couldn't the father do what the son ended up doing? If the father figure out how to build Titan, couldn't he build simple weapons against the Drej? Wouldn't it be simpler to build contraptions that sucks up Drej energy? The whole quest seems manufactured. The simple story has some rip-roaring fun. The characters are interesting. The evil aliens are formidable. The animation is interesting. I don't like the use of rock music. Overall it's a fun ride but not that compelling.

Saw this on DVD, missing it completely at the cinema. Which was probably what happened to the audience for the film, as it was difficult to market for any target group. Having seen it, it's apparent that lot of very hard work went into producing it.

I can compare it to a few other sci-fi animated films of recent years...

As ground-breaking as The Last Starfighter was in its day. Though not pure animation, Starfighter showed off what even early CG could do in terms of gimbal-free animation of spaceships and vehicles.

Much, much better than Final Fantasy, as the action is genuinely epic. The story goes places and uses the chosen technology very nicely. Titan is not a boring film.

Very similar to Disney's later production of the Treasure Island book. Disney appeared to have cribbed one or two scenes from Titan A.E. Not nice.

Graphically, it's up there with Iron Giant, using finely animated CG figures mixed with traditional cell animation. The scene where we first see the older Cale Tucker (in space, cutting up junk) is very impressive.

But something bugs me. There was something missing. Iron Giant gave me a sense of wonder, which was achieved by some great character acting, clever pacing and a wonderful story line. At no point was I "taken" by what I saw on-screen while watching Titan A.E.

I think Titan tripped over itself in the drama department more than a few times. Along with the latest Star Wars films, it tumbles along without stopping up and letting the audience know what the characters are feeling. The actors have to have the skills to enable the audience to feel, to immerse. Without that, the action has a risk of becoming incomprehensible.

Pretty, fast-paced, intriguing. But I wish someone would use these toys to produce something great, something big.

Something wonderful.