Follows making of the revival of The X-Files to television after a long 13 year commercial break. Covers the bulk of creative decisions and production stories from the 6 episodes as filmed ... See full summary »
Inside the X-Files for a behind-the-scenes look at the show. Also included are interviews with the cast and creator Chris Carter, never before seen segments from the show, outtakes and a sneak preview of the upcoming feature film.
An exploration of how completely different the television series is from the film. The cast and filmmakers underwent quite a change in order to create the film X Files, The (1998). We are ... See full summary »
The X-Files' Lone Gunmen, their action-loving man-childish sidekick and patron, Jimmy Bond, and their sexy master thief frienemy, Yves, investigate crimes and conspiracies, often in a silly, comedic and over the top fashion.
200 years after her death, Ellen Ripley is revived as a powerful human/alien hybrid clone. Along with a crew of space pirates, she must again battle the deadly aliens and stop them from reaching Earth.
The Borg travel back in time intent on preventing Earth's first contact with an alien species. Captain Picard and his crew pursue them to ensure that Zefram Cochrane makes his maiden flight reaching warp speed.
With problems appearing between FBI agents Fox Mulder and Dana Scully, a dangerous conspiracy is starting to appear. A deadly virus, which appears to be of extraterrestrial origin has appeared, which could destroy all life on Earth. With the help of a paranoid doctor, Alvin Kurtzweil, Mulder and Scully must act fast in order to save everyone on the planet.Written by
The newspaper article Mulder reads at the end of the film (titled "Fatal Hanta Virus Outbreak in Northern Texas Reported Contained") was written by reporter Howard Dimsdale. The real Howard Dimsdale taught X-Files writers Frank Spotnitz and John Shiban at the American Film Institute, and was blacklisted during the McCarthy era, when he wrote under the name Arthur Dales, which was used as a name for the characters played in the series by Darren McGavin, M. Emmet Walsh and Fredric Lehne. See more »
At the railroad tracks, the car has its parking lights on as Mulder and Scully stand outside, watching the train pass. In the next shot, the headlights are on. See more »
Special Agent Fox Mulder:
[after Scully tells him that she is planning on resigning from the FBI rather than being transferred]
You wanna tell yourself that so you can quit with a clear conscience, you can, but you're wrong!
Special Agent Dana Scully:
Why did they assign me to you in the first place, Mulder? To debunk your work. To rein you in, to shut you down.
Special Agent Fox Mulder:
But you saved me. As difficult and as frustrating as it's been sometimes, your goddamned strict rationalism and science have saved me a thousand times over. You kept me honest. You made me...
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The video release has additional footage not shown in the theatrical release:
In the opening scene you now see more of the alien. In the theatrical release we see it fight off one of the cavemen, killing it, and the other caveman gets up to see it lying on the ground draining out the black blood (or what fans know as black oil). In the video release, we see it run off after it kills one of the cavemen, and when the other caveman gets up, he tracks it down and then kills it using the broken end of his torch.
In the scene with Mulder talking to the Well Manicured Man in the car, he reveals to Mulder that Samantha, Mulder's sister, was abducted by aliens at the request of her father, William Mulder, so she could be part of the colonization project, thus ensuring her survival in the colonization of Earth by the visitors. Also revealed is that when plans went awry, Mulder was intended, by his father, to seek the truth and reveal what had been done.
There is also an added scene in the video release with Mulder running down the street after the hospital scene.
A laughable cult to be derided like The Invaders, Land of the Giants or, indeed, Lost In Space. Wrong.
When it began you may have thought this paranoid adventure's destiny, in say fifteen years time, was a slot after The Waltons on a Sunday afternoon. A laughable cult to be derided like The Invaders, Land of the Giants or, indeed, Lost In Space. Wrong. It has matured into the most revered SF phenomenon since Star Trek and as those champions of hair, ZZ Top, once proclaimed it's 'got legs'.
Forsaking opening credits or a slow build-up, director Rob Bowman propels us on to a roller-coaster ride of moderately daft spooky shenanigans and grand effects. All the same elements from the TV series are here, shadowy high-ranking figures controlling the planet - "These people have been secretly negotiating a planned Armageddon", plenty of furtive glances and hellish beasties from the dawn of time. Plus we have the two small box giants, Mulder (David 'Mondeo Man' Duchovny) and Scully (Gillian 'the FHM pin-up' Anderson), coming across marvellously well on the big screen.
In fact, for a show which thrives on a claustrophobic feel, this wide-screen treatment is cleverly handled. Bowman arms his two leads with a witty, edgy script, and pits them against the pervading evil through a combination of Aliens, James Bond and Alfred Hitchcock action sequences.
Ultimately, The X-Files is very entertaining and thankfully devoid of any product placing or blessed meteors.
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