The film opens with the cast gathering after the funeral of Jude to see a film he had been working on for two years. It turns out that the film is secret videos of all those gathered ... See full summary »
Henry James' classic tale of terror, "The Turn of the Screw" receives yet another screen adaptation in this thriller shot in Spain. A young woman (Sadie Frost) is hired to serve as a ... See full summary »
Music From Another Room is a romantic comedy that follows the exploits of Danny, a young man who grew up believing he was destined to marry the girl he helped deliver as a five year old boy... See full summary »
You've run out of options, no school, no job. Steal a car, smash a shop with a heavy car and reap the proceeds! This movie is about underground England. The causes, the benefits, and the result of a life of 'crash and carry.'
An enigmatic fragment of a bigger story, showing events leading up to a pivotal moment in the life of a strange, troubled young man. After losing his home, fiancée and job, he finds a moment of hopefulness.
Prep school student Daisy and her European-born grandmother Nana share the sad stories of their lives: Daisy tells Nana of her romance with young Ethan and problems in school because she's ... See full summary »
The story of Oscar Wilde, genius, poet, playwright and the First Modern Man. The self-realization of his homosexuality caused Wilde enormous torment as he juggled marriage, fatherhood and ... See full summary »
Steven is multi-talented, handsome, and a expert seducer of women. He craves intimacy with women, literally cannot live without it, and is in search of the perfect woman. All of his relationships, however, end tragically. Eventually, he meets Anne, a strong woman who is different, better than the others. However, soon it becomes clear that this is a relationship that only one of them will survive. The title refers to a quote from Francis Bacon, who wrote about crocodiles, who shed tears when they devour their prey.Written by
Anthony Minghella's wife produced the film and used to watched the dailies at home each evening. Minghella would watch over her shoulder and was so impressed with Jude Law's performance he would cast him the following year as Dickie Greenleaf in "The Talented Mr Ripley" (1999) See more »
When Steven is standing in the police lineup he has a bruise on the corner of his mouth. During his interrogation in the next scene, the bruise is gone. See more »
Excuse me, can I help you?
Don't think so.
What? Is he your boyfriend or something?
He's been following me for two days.
Really? Why would a pinhead be following you?
Because he thinks I murdered someone.
He thinks so.
If we do him he won't be following anyone for quite awhile.
Don't you realize something? You're all in a lot of trouble. They'll send someone else. They're very persistent, the police, especially when people kill them. And you have to kill him, don't you? Hardly seems ...
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The Wisdom of Crocodiles is one of a new breed of vampire movies. Probably started by Abel Ferrera's "The Addiction", vampirism has turned into a sort of curse that turns it's afflicted into brooding philosophers. Gone are the vampire bats, wooden stakes and crucifixes that once were the staples of the genre, and the vampire genre has been changed into a commentary on disease. However, I'm all for innovation, even if it's not always advisable innovation, and The Wisdom of Crocodiles is one of the better 'new wave' vampire films. It actually seems to be taking more influence from George Romero's excellent 'Martin' than 'The Addiction' anyway. The Wisdom of Crocodiles (great name, by the way) stars Jude Law, in a tight performance, as a man afflicted with some sort of curse that forces him to suck the blood of women while in the act of lovemaking. To say any more than that would mean spoiling it, so I'll leave it there.
The Wisdom of Crocodiles has gained itself something of a cult following, and the channel I saw it on even introduced it as a 'cult classic'. I think this is an incorrect description of the film, as although it's not bad and certainly has it's moments; it hardly has the same qualities as true cult masterpieces, such as the aforementioned 'Martin'. The film benefits from a brooding atmosphere that is created by a brooding musical score that plays through almost the entire running time. This never gets annoying however, as the music is good and almost always adds to the images seen on screen. The film is slowly plotted, which might annoy some people and it's littered with philosophical ideas that Jude Law utters for a lot of the running time. This will probably irritate people that tuned in expecting a vampire movie, especially as there's little bloodletting, but some of the ideas put forward are fairly interesting, and keep the film alive.
This film shouldn't really be in with the classic vampire films at all, as it's a completely different animal (I suppose they couldn't really put it in with 'brooding cursed people', though). Vampire fans should take note of this, but even without the classic vampire thrills; there is much to like about this British chiller.
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