The two best special agents in the Wild West must save President Grant from the clutches of a diabolical, wheelchair-bound, steampunk-savvy, Confederate scientist bent on revenge for losing the Civil War.
A crash landing leaves Kitai Raige and his father Cypher stranded on Earth, a millennium after events forced humanity's escape. With Cypher injured, Kitai must embark on a perilous journey to signal for help.
Jim West is a guns-a-blazing former Civil War hero. Artemus Gordon is an inventive U.S. Marshal who excels in disguise. When the United States is threatened by psychotic Confederate Arliss Loveless, President Ulysses S Grant teams the duo up to bring him to justice. On a hazard-packed train journey from Washington, D.C. to Utah, West and Gordon must combine their skills to best Loveless and his diabolical machines.Written by
Chris Turner <firstname.lastname@example.org> and J. Kyle
In 1997, writer Gilbert Ralston sued Warner Brothers over the upcoming movie based on the series. Ralston helped create The Wild Wild West (1965), and scripted the pilot episode, "The Night of the Inferno". In a deposition, Ralston explained that in 1964, he was approached by producer Michael Garrison, who '"said he had an idea for a series, good commercial idea, and wanted to know if I could glue the idea of a western hero and a James Bond type together on the same show." Ralston said he then created the Civil War characters, the format, the story outline, and nine drafts of the script that was the basis for the television series. It was his idea, for example, to have a secret agent named James West who would perform secret missions for a bumbling President Ulysses S. Grant. Ralston's experience brought to light a common Hollywood practice of the 1950s and 1960s, when television writers who helped create popular series allowed producers or studios to take credit for a show, thus cheating the writers out of millions of dollars in royalties. Ralston died in 1999, before his suit was settled. Warner Brothers ended up paying his family between $600,000 and $1.5 million. See more »
Initially, the horse cart filled with nitro is facing the saloon, horses on the near side, when West is dangling over the edge of a ridge. Later, when Loveless detaches the cart from the horses, it is shown as facing away from the saloon with the horses on the far side. See more »
Capt. James West:
I'd like to have everyone's attention for a moment. It seems we have had series of major misunderstandings here tonight. First of all, the whole "drummin' on the boobies" thing. Now in my native land...
Someone in crowd:
Capt. James West:
Africa. We use drums to communicate between villages. And as you can see by this gal, we could communicate all the way to Baton Rouge. Hell, on a clear night, we might even get Galveston. All I was saying to the gal was, "Hi, how ya doing? My name's Jim. How's your momma?" ...
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Back in the 60s, The Wild, Wild West, staring Robert Conrad and Russ Martin was one of the best shows of it's time, a interesting mixture of Science Fiction, Fantasy, Gadget Spy films, and light hearted satire. A favorite of mine, I've long enjoyed the show. So naturally, I was looking forward to the big screen adaption, even though it did star Will Smith (Sorry, Will, but you're no Robert Conrad.)
The movie had all the ingredients needed to make a good film: An excellent cast (Kevin Klein, Ken Branaugh, Selma Hayek, even Smith,) an excellent, proven director in Barry Sonnefeld, and a proven genre... Rather, it had all the ingredients that it needed except one... It had the worst script possible.
I've always been wary of any project that was written by committee, and this film is one project that proves why. The excellent cast, crew, and effects of this film were wasted on one of the worst screenplays I've ever seen. The clever (if pulp inspired) stories of the original series are replaced by tepid attempts at comedy which even Smith, who normally is very funny, can't pull off. Kenneth Branaugh succeeds at nothing other than managing to eat the scenery, unable to do anything else, since his lines are so bad. Klein is saddled with the role of Smith's straight man, something that he's just too damn funny to be. As for the effects, like I said, they were spectacular, but the problem is that they seem to be the 'be all and end all' of the movie, instead of working for the story (such as there was in this case.) The simple fact is that they overpower the film.
I guess, if you are a die hard Will Smith fan who has never seen the original series, you might like this one. But for fans of the old series, avoid it, and watch reruns, or else one of the two other shows in the genre, 'Legend' or 'The Adventures of Brisco County Junior.'
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