After a prank goes disastrously wrong, a group of boys are sent to a detention center where they are brutalized. Thirteen years later, an unexpected random encounter with a former guard gives them a chance for revenge.
Ted Kramer's wife leaves him, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
After being caught in a scandalous situation days before the election, the president does not seem to have much of a chance of being re-elected. One of his advisers contacts a top Hollywood producer in order to manufacture a war in Albania that the president can heroically end, all through mass media.Written by
During the filming of this movie, director Barry Levinson and Dustin Hoffman and Robert De Niro had an impromptu co-incidental meeting at a Washington, D.C. hotel with President Bill Clinton. Clinton asked De Niro: "So what's this movie about? De Niro looked over to Levinson, hoping that he would answer the question. Levinson, in turn, looked over to Hoffman. Hoffman, realizing there was no one else, to whom to pass the buck, is quoted as saying, "So I just started to tap dance. I can't even remember what I said." See more »
When the CIA pulls over Conrad's and Winifred's limousine, Winifred says "Uh, Connie..." and "What's happening?" In that brief moment between lines, her arm changes position and her cell phone disappears. See more »
It had been a while since I last watched this film, but I once again remembered the reasons why I loved it so. Thoughtful and evocative, this film really captured the nature of politics and spin doctoring. This certainly ranks as one of the best political comedies of all time. The over-the-top attitude of the film didn't detract from anything, making this still quite believable. It also demonstrated how people's emotions can be manipulated when aggressively attacked. The fragile nature of the human spirit tends to make us more susceptible to such manipulations, as demonstrated in this film. With the exception of Anne Heche, everyone's performance in this film was rather good. The only other downside was Mark Knopfler's score, which was completely out of place in this film.
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