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Velvet Goldmine (1998)

R | | Drama, Music | 23 October 1998 (UK)
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In 1984, British journalist Arthur Stuart investigates the career of 1970s glam superstar Brian Slade, who was heavily influenced in his early years by hard-living and rebellious American singer Curt Wild.

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(story), (story) | 1 more credit »
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4,609 ( 1,879)
Nominated for 1 Oscar. Another 4 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Curt Wild
... Brian Slade
... Arthur Stuart
... Mandy Slade
... Jerry Devine
... Shannon
... Cecil
... Female Narrator (voice)
Mairead McKinley ... Wilde Housemaid (as Maraid McKinley)
Luke Morgan Oliver ... Oscar Wilde (8)
Osheen Jones ... Jack Fairy (7)
Micko Westmoreland ... Jack Fairy
Damian Suchet ... BBC Reporter
... Kissing Sailor
... Young Man
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Storyline

1971: Glamrock explodes all over the world and challenges the seriousness within the flower power generation by means of glitter and brutal music. Brian Slade, a young rock star, inspires numerous teenage boys and girls to paint their nails and explore their own sexuality. In the end Slade destroys himself. Unable to escape the character role of "Maxwell Demon" that he created, he plots his own murder. When fans discover the murder is not real, his star falls abruptly and he is quickly forgotten about. 1984: Arthur, a journalist working for a New York newspaper, gets assigned the tenth anniversary story about the fake murder of Brian Slade. When Arthur was young and growing up in Manchester, he was more than a fan of Slade. Reluctantly he accepts the assignment and starts to investigate what happened to his old glamrock hero. Written by Jack Fairy

Plot Summary | Add Synopsis

Taglines:

Style matters. Even when it comes to murder. See more »

Genres:

Drama | Music

Motion Picture Rating (MPAA)

Rated R for strong sexual content, nudity, language and drug use | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Official Facebook | Official site

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Language:

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Release Date:

23 October 1998 (UK)  »

Also Known As:

Auksine praraja  »

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Box Office

Opening Weekend:

£156,050 (United Kingdom), 25 October 1998, Limited Release

Opening Weekend USA:

$301,787, 8 November 1998, Limited Release

Gross USA:

$1,053,788, 20 December 1998
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Rankcolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Early in the film, a child recites from "Antigonish" by Hughes Mearns.

Last night I saw upon the stair, A little man who wasn't there, He wasn't there again today Oh, how I wish he'd go away...

David Bowie has said this poem influenced his song "The Man Who Sold the World".

We passed upon the stair We spoke of was and when Although I wasn't there He said I was his friend... See more »

Goofs

During the circus interview (1:05:14), a reporter asks "Is it your belief that all dandies are homosexual?" to which Brian Slade replies, "Nothing makes one so vain as being told one is a sinner." When the next day's newspaper is shown (1:07:42), Slade is quoted as saying "Nothing makes one so bold as being told one is a sinner." See more »

Quotes

Mandy Slade: For the first time in Brian's life, he was simply telling it like it was. Did he realize what he'd actually done? How could he have? I mean, today there'd be fighting in the streets, but in 1972, it was more like dancing.
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Connections

References Flaming Creatures (1963) See more »

Soundtracks

2HB
Written by Bryan Ferry
Performed by The Venus in Furs
Vocal by Paul Kimble
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Frequently Asked Questions

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User Reviews

 
One day the whole stinking world would be theirs!
12 December 2008 | by See all my reviews

It's 1984 and newspaper reporter Arthur Stuart is assigned to writing a piece about the disappearance of legendary Brit Glam Rocker, Brian Slade. Who after rising to the very top of the super stardom tree, chose to kill off his stage alter ego, Maxwell Demon, and subsequently killed off his career in the process. The Glam Rock era is one that Arthur knows well, in fact back at the time of the genre explosion he was very much on the scene, his life, Brian Slade's and wild American rocker, Curt Wild, are all linked by decadence and outrageous fulfilment!

There is no getting away from it, Velvet Goldmine divides film lovers across the spectrum, some folk are genuinely baffled by it, others (such as myself) think it's close to being genius, while some cinematic observers want to throw up at the mere mention of the film! I once engaged in a conversation with a fellow cinephile who positively hated the film with a passion, it was clear that we both watched a very different movie, nothing he said sounded remotely like the film I had watched and adored. Here I am after my third viewing thinking that I'm still right and that Velvet Goldmine demands repeat viewings to fully comprehend director Todd Haynes outlandish homages.

This is not remotely close to being a true story of the era, but it certainly has its finger on the pulse as regards how the genre evolved and lit up so many a dull dole day for many many people. Some instances and characters are based around factual things, I mean you would have to seriously know nothing about music to not see the David Bowie and Iggy Pop structured core on show here. But it's what Haynes surrounds these decadent icons with that really keeps you on your toes, when a film delivers the infant Oscar Wilde to a Victorian doorstep via an Unidentified Flying Object, then surely you know that all that is going to follow is not totally what it seems. Haynes sticks his tongue in his cheek and doffs his cap to Citizen Kane, cloaking it in a whirl of luscious identities and sexual explorations, the campy veneer lurching forward at every opportunity, with all of it strummed out to a soundtrack of glittering urgency.

It's a splendid cast list containing Ewan McGregor, Christian Bale, Jonathan Rhys Meyers, Toni Collette, Eddie Izzard (of course), Michael Feast and Emily Woof, with Meyers outrageously believable and McGregor having the time of his life. But really it's the writing, the costumes and the art direction that glue it all together, Sandy Powell was rightly academy award nominated for her costumes whilst both Andrew Munro (art) and Todd Haynes (writer/director) can consider themselves astutely smart for knowing exactly how to make this picture work. 9.5/10


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