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Velvet Goldmine (1998)

R | | Drama, Music | 23 October 1998 (UK)
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0:26 | Trailer
In 1984, British journalist Arthur Stuart investigates the career of 1970s glam superstar Brian Slade, who was heavily influenced in his early years by hard-living and rebellious American singer Curt Wild.

Director:

Todd Haynes

Writers:

James Lyons (story), Todd Haynes (story) | 1 more credit »
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Popularity
3,591 ( 1,074)
Nominated for 1 Oscar. Another 4 wins & 10 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ewan McGregor ... Curt Wild
Jonathan Rhys Meyers ... Brian Slade
Christian Bale ... Arthur Stuart
Toni Collette ... Mandy Slade
Eddie Izzard ... Jerry Devine
Emily Woof ... Shannon
Michael Feast ... Cecil
Janet McTeer ... Female Narrator (voice)
Mairead McKinley Mairead McKinley ... Wilde Housemaid (as Maraid McKinley)
Luke Morgan Oliver Luke Morgan Oliver ... Oscar Wilde (8)
Osheen Jones Osheen Jones ... Jack Fairy (7)
Micko Westmoreland Micko Westmoreland ... Jack Fairy
Damian Suchet Damian Suchet ... BBC Reporter
Danny Nutt ... Kissing Sailor
Wash Westmoreland ... Young Man
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Storyline

London, 1971 - Flower Power is on the wane and floundering hippie troubadour Brian Slade feels old-fashioned and out of step until he experiences the raw power of rock musician and exhibitionist Curt Wild at a live concert. Smitten and inspired, Slade rises from the ashes of fussy brocade, reincarnating as the ambiguous pop-rock God/dess of platinum dust and phoenix feathers, Maxwell Demon. His alluring androgynous imagery and the seductive sounds his 'glitter rock' seduce teenagers across the world, offering refuge for the weird and unwanted with the promise of an everything-goes hedonism. At the height of his fame and cultural influence, he plots his sensational demise to escape, alienating his fans and falling into obscurity. On the 10th anniversary of the character assassination, journalist Arthur Stuart investigates Slade's disappearance, forcing him to revisit his own confusing teenage identity crisis and rebirth mirroring that of his idol Brian Slade. Written by Mae Moreno

Plot Summary | Add Synopsis

Taglines:

A man's life is his image See more »

Genres:

Drama | Music

Motion Picture Rating (MPAA)

Rated R for strong sexual content, nudity, language and drug use | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site

Country:

UK | USA

Language:

English | French

Release Date:

23 October 1998 (UK) See more »

Also Known As:

Velvet Goldmine See more »

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Box Office

Opening Weekend USA:

$301,787, 8 November 1998

Gross USA:

$1,053,788

Cumulative Worldwide Gross:

$1,053,788
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color (Rankcolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The character of Curt Wild was unfairly compared to Kurt Cobain, even though their only similarities were their hair and name. Wild's sexuality, music, performances, style, and off-stage antics were incredibly different than that of Cobain. See more »

Goofs

During the press conference with Tommy Stone post concert, Alastair G. Cumming's mark is clearly visible on the floor. See more »

Quotes

Curt Wild: Excuse me, fellas, while I raise a glass to the loveliest man in Europe.
Brian Slade: And they tell you it's not natural.
See more »

Connections

Referenced in Jubilee: A Time Less Golden (2003) See more »

Soundtracks

Baby's On Fire
Written by Brian Eno
Performed by The Venus In Furs
Vocal by Jonathan Rhys Meyers
See more »

Frequently Asked Questions

See more »

User Reviews

A confused, self-indulgent mess of a movie.
18 April 2002 | by InfofreakSee all my reviews

After watching 'Velvet Goldmine' for a second time I still have absolutely no idea what Todd Haynes was trying to achieve. He could have approached it as a straightforward biopic of Bowie and 70s glam (with the names changed to protect the "innocent" if need be), OR as a surreal, camp fantasy equal parts Ken Russell, Russ Meyer and Grant Morrison (Zenith, Doom Patrol, The Invisibles). But by doing both, or rather, neither, it's ends up a confused bore that pleases nobody. As an Eno fan I was happy to hear quite a lot of his (and Roxy Music's) songs used on the soundtrack, and some of the Bowie pastiches were very good also, but I find 'Velvet Goldmine' to be overlong and ultimately unsatisfying. I also think Haynes not entirely accurate equation of glam rock equaling homosexuality sheds more light on him than the actual era. The movie is more a post-Morrissey look at glam than a truthful document of an exciting and innovative musical period. 'Velvet Goldmine' contains a few enjoyable moments but not enough to recommend it. A great movie could be made about Bowie but this isn't it.


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