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Velvet Goldmine (1998)

R | | Drama, Music | 23 October 1998 (UK)
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In 1984, British journalist Arthur Stuart investigates the career of 1970s glam superstar Brian Slade, who was heavily influenced in his early years by hard-living and rebellious American singer Curt Wild.

Director:

Todd Haynes

Writers:

James Lyons (story), Todd Haynes (story) | 1 more credit »
Nominated for 1 Oscar. Another 4 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ewan McGregor ... Curt Wild
Jonathan Rhys Meyers ... Brian Slade
Christian Bale ... Arthur Stuart
Toni Collette ... Mandy Slade
Eddie Izzard ... Jerry Devine
Emily Woof ... Shannon
Michael Feast ... Cecil
Janet McTeer ... Female Narrator (voice)
Mairead McKinley Mairead McKinley ... Wilde Housemaid (as Maraid McKinley)
Luke Morgan Oliver Luke Morgan Oliver ... Oscar Wilde (8)
Osheen Jones Osheen Jones ... Jack Fairy (7)
Micko Westmoreland Micko Westmoreland ... Jack Fairy
Damian Suchet Damian Suchet ... BBC Reporter
Danny Nutt ... Kissing Sailor
Wash Westmoreland ... Young Man
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Storyline

1971: Glamrock explodes all over the world and challenges the seriousness within the flower power generation by means of glitter and brutal music. Brian Slade, a young rock star, inspires numerous teenage boys and girls to paint their nails and explore their own sexuality. In the end Slade destroys himself. Unable to escape the character role of "Maxwell Demon" that he created, he plots his own murder. When fans discover the murder is not real, his star falls abruptly and he is quickly forgotten about. 1984: Arthur, a journalist working for a New York newspaper, gets assigned the tenth anniversary story about the fake murder of Brian Slade. When Arthur was young and growing up in Manchester, he was more than a fan of Slade. Reluctantly he accepts the assignment and starts to investigate what happened to his old glamrock hero. Written by Jack Fairy

Plot Summary | Add Synopsis

Taglines:

Leave your expectations at the door. See more »

Genres:

Drama | Music

Motion Picture Rating (MPAA)

Rated R for strong sexual content, nudity, language and drug use | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site

Country:

UK | USA

Language:

English | French

Release Date:

23 October 1998 (UK) See more »

Also Known As:

Auksine praraja See more »

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Box Office

Opening Weekend:

£156,050 (United Kingdom), 25 October 1998, Limited Release

Opening Weekend USA:

$301,787, 8 November 1998, Limited Release

Gross USA:

$1,053,788, 20 December 1998
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color (Rankcolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Todd Haynes originally wanted to cast British pop star Jarvis Cocker as Jack Fairy. See more »

Goofs

During the "Death of Glitter" concert, an acoustic rhythm guitar can be heard playing throughout the song. There is, however, no one on stage playing an acoustic guitar. See more »

Quotes

Mandy Slade: [voiceover on New Year's Eve '69] And in crowded clubs or hotel bars, this shipwreck of the streets rehearsed his future glory. A cigarette tracing a ladder to the stars.
See more »

Connections

Referenced in The 71st Annual Academy Awards (1999) See more »

Soundtracks

T.V. Eye
Written by David Alexander, Scott Asheton, Ron Asheton (as Ronald Asheton) and Iggy Pop (as James Osterberg Jr.)
Performed by The Wylde Ratttz
Vocal by Ewan McGregor
See more »

Frequently Asked Questions

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User Reviews

 
One day the whole stinking world would be theirs!
12 December 2008 | by SpikeopathSee all my reviews

It's 1984 and newspaper reporter Arthur Stuart is assigned to writing a piece about the disappearance of legendary Brit Glam Rocker, Brian Slade. Who after rising to the very top of the super stardom tree, chose to kill off his stage alter ego, Maxwell Demon, and subsequently killed off his career in the process. The Glam Rock era is one that Arthur knows well, in fact back at the time of the genre explosion he was very much on the scene, his life, Brian Slade's and wild American rocker, Curt Wild, are all linked by decadence and outrageous fulfilment!

There is no getting away from it, Velvet Goldmine divides film lovers across the spectrum, some folk are genuinely baffled by it, others (such as myself) think it's close to being genius, while some cinematic observers want to throw up at the mere mention of the film! I once engaged in a conversation with a fellow cinephile who positively hated the film with a passion, it was clear that we both watched a very different movie, nothing he said sounded remotely like the film I had watched and adored. Here I am after my third viewing thinking that I'm still right and that Velvet Goldmine demands repeat viewings to fully comprehend director Todd Haynes outlandish homages.

This is not remotely close to being a true story of the era, but it certainly has its finger on the pulse as regards how the genre evolved and lit up so many a dull dole day for many many people. Some instances and characters are based around factual things, I mean you would have to seriously know nothing about music to not see the David Bowie and Iggy Pop structured core on show here. But it's what Haynes surrounds these decadent icons with that really keeps you on your toes, when a film delivers the infant Oscar Wilde to a Victorian doorstep via an Unidentified Flying Object, then surely you know that all that is going to follow is not totally what it seems. Haynes sticks his tongue in his cheek and doffs his cap to Citizen Kane, cloaking it in a whirl of luscious identities and sexual explorations, the campy veneer lurching forward at every opportunity, with all of it strummed out to a soundtrack of glittering urgency.

It's a splendid cast list containing Ewan McGregor, Christian Bale, Jonathan Rhys Meyers, Toni Collette, Eddie Izzard (of course), Michael Feast and Emily Woof, with Meyers outrageously believable and McGregor having the time of his life. But really it's the writing, the costumes and the art direction that glue it all together, Sandy Powell was rightly academy award nominated for her costumes whilst both Andrew Munro (art) and Todd Haynes (writer/director) can consider themselves astutely smart for knowing exactly how to make this picture work. 9.5/10


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