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Velvet Goldmine (1998)

R | | Drama, Music | 23 October 1998 (UK)
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In 1984, British journalist Arthur Stuart investigates the career of 1970s glam superstar Brian Slade, who was heavily influenced in his early years by hard-living and rebellious American singer Curt Wild.

Director:

Todd Haynes

Writers:

James Lyons (story), Todd Haynes (story) | 1 more credit »
Nominated for 1 Oscar. Another 4 wins & 10 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ewan McGregor ... Curt Wild
Jonathan Rhys Meyers ... Brian Slade
Christian Bale ... Arthur Stuart
Toni Collette ... Mandy Slade
Eddie Izzard ... Jerry Devine
Emily Woof ... Shannon
Michael Feast ... Cecil
Janet McTeer ... Female Narrator (voice)
Mairead McKinley Mairead McKinley ... Wilde Housemaid (as Maraid McKinley)
Luke Morgan Oliver Luke Morgan Oliver ... Oscar Wilde (8)
Osheen Jones Osheen Jones ... Jack Fairy (7)
Micko Westmoreland Micko Westmoreland ... Jack Fairy
Damian Suchet Damian Suchet ... BBC Reporter
Danny Nutt ... Kissing Sailor
Wash Westmoreland ... Young Man
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Storyline

1971: Glamrock explodes all over the world and challenges the seriousness within the flower power generation by means of glitter and brutal music. Brian Slade, a young rock star, inspires numerous teenage boys and girls to paint their nails and explore their own sexuality. In the end Slade destroys himself. Unable to escape the character role of "Maxwell Demon" that he created, he plots his own murder. When fans discover the murder is not real, his star falls abruptly and he is quickly forgotten about. 1984: Arthur, a journalist working for a New York newspaper, gets assigned the tenth anniversary story about the fake murder of Brian Slade. When Arthur was young and growing up in Manchester, he was more than a fan of Slade. Reluctantly he accepts the assignment and starts to investigate what happened to his old glamrock hero. Written by Jack Fairy

Plot Summary | Add Synopsis

Taglines:

A man's life is his image See more »

Genres:

Drama | Music

Motion Picture Rating (MPAA)

Rated R for strong sexual content, nudity, language and drug use | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site

Country:

UK | USA

Language:

English | French

Release Date:

23 October 1998 (UK) See more »

Also Known As:

Auksine praraja See more »

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Box Office

Opening Weekend:

£156,050 (United Kingdom), 25 October 1998, Limited Release

Opening Weekend USA:

$301,787, 8 November 1998, Limited Release

Gross USA:

$1,053,788, 20 December 1998
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color (Rankcolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The movie was loosely based on a song by the same name (Velvet Goldmine) by the legendary David Bowie See more »

Goofs

When Maxwell Demon gets shot in 1974, the bass player is holding a Gibson Thunderbird centennial reissue, a bass that didn't come out until 1976. See more »

Quotes

Freddi: The first duty in life is to assume a pose. What the second duty is, no one has yet found out.
See more »

Connections

References Flaming Creatures (1963) See more »

Soundtracks

20th Century Boy
Written by Marc Bolan
Performed by Placebo
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Frequently Asked Questions

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User Reviews

A glittery glam-rock piece of slash fanfiction
20 January 1999 | by DymphnaSee all my reviews

Slash Fanfiction is when a person writes a story involving two (usually) males characters from a television show or movie in a homoerotic romantic relationship. And this is what Velvet Goldmine is. A visually stunning, incredibly tasty piece of slash fanfiction. But instead of Kirk & Spock or Mulder & Krycek, it's someone who's a lot like David Bowie and someone who's a lot like Iggy Pop. Perhaps that appeals to you. Perhaps it doesn't. But despite its fanfiction feeling, this movie is absolutely visually stunning. The imagery will last with you long after you leave the movie, your eyes blinking as you adjust to a rather grey drab world. The movie isn't about substance, it's about style; about creating and rearranging yourself to fit the time, to fit the world around you. It's about fluidity, fluidity of gender, personality, ideas, and romance. Because, like all Slash fanfiction, above everything else, it's a love story.


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