The story of the first major battle of the American phase of the Vietnam War, and the soldiers on both sides that fought it, while their wives wait nervously and anxiously at home for the good news or the bad news.
U.S. Army Private Witt (AWOL) is found and imprisoned on a troop carrier by his company First Sergeant, Welsh.The men of C Company,1st Battalion,27th Infantry Regiment,25th Infantry Division have been brought to Guadalcanal as reinforcements in the campaign to secure Henderson Field and seize the island from the Japanese. They arrive near Hill 210, a key Japanese position. Their task is to capture the hill at all cost. What happens next is a story developing about redemption and the meaningless of war. Regardless the outcome.Written by
Writer and Director Terrence Malick and Director of Photography John Toll shot for one hundred days in Australia using Panavision cameras and lenses, twenty-four days in the Solomon Islands, and three days in the United States. They scouted the historic battlefields on Guadalcanal and shot footage, but health concerns over malaria limited filming to daylight hours only. Logistics were also difficult to shoot the entire film there: As Toll put it, "It is still a bit difficult to get on and off the island, and we had some scenes that involved two hundred or three hundred extras. We would have had to bring everybody to Guadalcanal, and financially, it just didn't make sense." See more »
A soldier uses a toothbrush with "wear" stripes in the bristles, which were invented in the 1990s. See more »
Private Edward P. Train:
What's this war in the heart of nature? Why does nature vie with itself? The land contend with the sea? Is there an avenging power in nature? Not one power, but two?
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Composer Wrangler. . . Moanike'ala Nakamoto See more »
When I was about 7, I first saw Rocky on TV and I didn't really understand it. It wasn't until I was 18 that I came to the conclusion, that it was the greatest movie ever made. At 22, that all changed when I first saw On The Waterfront. Fully aware now that Brando was a god. The ultimate male. Never not shocking, bruiting desire. At 24 it was a toss up between Eyes Wide Shut and Casablanca. Cruise controls a certain air and Bogart was the coolest guy to ever live. Now I am at the crossroads of life and The Thin Red Line.
This movie just does it for me. The fact that the whole story is told through poetry is quite a unique thing to do. To tell a story through words. And nowadays, by doing so they take a lot of risks. In all fairness this movie sacrifices capturing the general audience, for words that go together so beautifully. I wish more people could understand how great this movie really is and not try to compare it to other classics like Full Metal Jacket or Apocalypse Now. It's a different kind of war movie. This one's on humility's side.
Though it took me some time, The Thin Red Line has become my favorite war movie. I've always been a fan of Penn, this movie introduced me to Caviezel. He seems to capture his part with a justful beauty.
It's hard for me to pick a favorite scene. The dialog between Penn and Caviezel is powerful. I have to admit that the conversations between him and Penn made the movie for me. They seem to be trying to out act each other. For example, when Caviezel says that he is twice the man that Penn is in one of the opening scenes. Penn gives him this look. I can only describe as a peaceful calm. One of intelligence that comes with age. Instead of overreacting to the comment, he sits back and understands it. I guess that's more of the writer's doing, but it is a beautiful thing.
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