U.S. Army Private Witt (AWOL) is found and imprisoned on a troop carrier by his company First Sergeant, Welsh.The men of C Company,1st Battalion,27th Infantry Regiment,25th Infantry Division have been brought to Guadalcanal as reinforcements in the campaign to secure Henderson Field and seize the island from the Japanese. They arrive near Hill 210, a key Japanese position. Their task is to capture the hill at all cost. What happens next is a story developing about redemption and the meaningless of war. Regardless the outcome.Written by
Weeks before filming began, Terrence Malick told Robert Michael Geisler and John Roberdeau not to show up in Australia where the film was being made, ostensibly because George Stevens Jr. would be the on-location producer supporting line producer Grant Hill. Malick told them that they had upset the studio for refusing to give up above-the-title production credit to Stevens. He did not tell them, however, that in 1996 he had a clause inserted in his contract barring the producers from the set. Geisler and Roberdeau were mystified about this behavior; Geisler told Entertainment Weekly, "I didn't think he was capable of betrayal of this magnitude". See more »
The M2A1 105mm Howitzers supporting the troops on Guadalcanal do not recoil realistically as they fire. The barrel assembly should have been pushed back; in the film it stays in its nominal position. The gun also jumps off the ground as it fires, which does not happen in real life. See more »
Private Edward P. Train:
What's this war in the heart of nature? Why does nature vie with itself? The land contend with the sea? Is there an avenging power in nature? Not one power, but two?
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Composer Wrangler. . . Moanike'ala Nakamoto See more »
A haunting exploration of the meanings of life, death and war through the eyes of a group of disenchanted soldiers
This is one of the most beautifully crafted and haunting films that I have ever seen. Not only is the amazing ensemble cast give truly beautiful, effective performances, but the direction and cinematography combines to create a magnificent visual and mental feast.
This story about the Guadalcanal campaign during WW2, based on the James Jones novel, weaves the lives of many characters together seemlessly, creating a philosophical/emotional experience of war. It's not just about war. It's about love, faith in yourself and others, friendship, humanity, morality and also works as a startling indictment of man's conflict with nature. The amazing opening sequence, sets up a tranquility as the character Witt, finds peace on a secluded island among the natives, a peace which is shattered by the war.
What follows is not a mindless battle-after-battle onslaught of pyrotechnics, smoke, dust and blood, but a thought-provoking, visually and verbally poetic analysis of war and humanity. In my opinion it is the greatest war film since Apocalypse now, which I believe bears more flaws than this. It's not an Us-and-Them war story about the glory of the USA defeating the evil Japs. It sticks close with the characters, as we hear the thoughts, their hopes, their fears, leading to a moving experience.
This film was released a few months after Saving Private Ryan and unfortunately did not experience the same attention that the latter film did. Ryan was an excellent film, but to offer a comparison, The Thin Red LIne treads where Ryan didn't dare. Ryan sat in the safe territory of Good vs Evil with a bit of Futility of War and a lot of American Patriotism. It seemed to be more about America at some points than about war. The Thin Red Line is about war, the people involved and the destruction it creates for the mind, the soul and for nature. It does not deviate from this to make simple contrasts and offer easy binary oppositions.
In fact, TTRL is not an easy film. Gasp, it even tries to make you think. Though the title is not really explained in the film, I believe it is implied, and could have many meanings - the line between sanity and insanity, morality and immorality, love and hate, companionship and loneliness, nature and man, war and peace. While the characters share their thoughts, deeply poetic as they are, the meaning is not thrown in your face and neither is the answer to the questions raised. In this way it is the most thought-provoking war film I've ever seen and one of the best films of all time in my book. Top ten easily.
Now to my whinge. I think TTRL was shunned unmercifully at the 1999 Oscars. Shakespeare in Love beat two brilliant films - TTRL and Elizabeth - to get that oscar, and don't get me started on Gwyneth's award. This is the best film of 1998/9, in line with Elizabeth. It's unfortunate that the two, thoug h greatly revered, did not achieve the success and attention they deserved.
Don't be afraid by its length, it's a beautiful journey, full of rich colour, sound and the reward is a deeply moving human experience, unlike any other that the past decade has offered.
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