The story of the first major battle of the American phase of the Vietnam War, and the soldiers on both sides that fought it, while their wives wait nervously and anxiously at home for the good news or the bad news.
U.S. Army Private Witt (AWOL) is found and imprisoned on a troop carrier by his company First Sergeant, Welsh.The men of C Company,1st Battalion,27th Infantry Regiment,25th Infantry Division have been brought to Guadalcanal as reinforcements in the campaign to secure Henderson Field and seize the island from the Japanese. They arrive near Hill 210, a key Japanese position. Their task is to capture the hill at all cost. What happens next is a story developing about redemption and the meaningless of war. Regardless the outcome.Written by
When PFC. Doll shoots the Japanese soldiers (who are going on the hill carrying a machine gun), the first shots he fires we see his face. His rifle recoils significantly, but when it shows the scene behind his back, his rifle does not recoil at all. See more »
Private Edward P. Train:
What's this war in the heart of nature? Why does nature vie with itself? The land contend with the sea? Is there an avenging power in nature? Not one power, but two?
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Composer Wrangler. . . Moanike'ala Nakamoto See more »
The Thin Red Line is a character driven war drama that is depicted through Malick's sweat drop precision lens. The scrutiny in here may not be as convoluted but the methodology that it adapts is fascinating to the core.
The narrative is strong, layered and thought provoking if not gripping, where its elaborative journey that is of around three hours, is advantageous. The battle sequences are shot with jaw dropping camera work and nail biting choreography that aptly portrays the battlefield of war.
The cinematography is metaphorical with neat and clean visuals, live locations and bright colors that lights up the screen like never before. Zimmer's sensational background score and sharp sound effects of all the bullets, explosions, soldiers panting, rivers flowing and birds chirping, every bit of it factors in effectively to the bigger picture.
The script might be divided into various sequences whose structure is transparent for the audience, something that may not be feasible for the makers. The performances are mostly scattered in bits and pieces but the show stealers would definitely be Penn, Nolte, Brody and Caviezel.
Malick's adaptation is mature since he blends it in with his own ingredients that may not be crispy but is tender and husky to respect the genre and premise. His eerie execution always goes through the roof, since each anticipated emotions does carry out of the screen and rains all over the audience.
Cut throating politics, morality conflicts and exceptional one liners that digs in deep are the high points of the feature. Malick's world is not bold and waiting to show off, it is sensible and calculative and as a character quotes in the beginning, "not everyone is smart enough".
The Thin Red Line might have a weak line but it undeniably is three dimensional and it is inexplicably glorifying to see it come alive.
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