The Thin Red Line (1998)

Adaptation of James Jones' autobiographical 1962 novel, focusing on the conflict at Guadalcanal during the second World War.

Director:

Terrence Malick

Writers:

James Jones (novel), Terrence Malick (screenplay)

Stars:

Jim Caviezel, Sean Penn, Nick Nolte

Nominated for 7 Oscars. Another 20 wins & 40 nominations.

Cast

Cast overview, first billed only:
Kirk Acevedo	...	Pvt. Tella
Penelope Allen	...	Witt's Mother (as Penny Allen)
Benjamin Green	...	Melanesian Villager (as Benjamin)
Simon Billig	...	Lt. Col. Billig
Mark Boone Junior	...	Pvt. Peale
Adrien Brody	...	Cpl. Fife
Norman Patrick Brown	...	Pvt. Henry
Jim Caviezel	...	Pvt. Witt
Ben Chaplin	...	Pvt. Bell
George Clooney	...	Capt. Bosche
John Cusack	...	Capt. John Gaff
Jarrod Dean	...	Cpl. Thorne
Matt Doran	...	Pvt. Coombs
Travis Fine	...	Pvt. Weld
Paul Gleeson	...	1st Lt. Band

Storyline

U.S. Army Private Witt (AWOL) is found and imprisoned on a troop carrier by his company First Sergeant, Welsh.The men of C Company,1st Battalion,27th Infantry Regiment,25th Infantry Division have been brought to Guadalcanal as reinforcements in the campaign to secure Henderson Field and seize the island from the Japanese. They arrive near Hill 210, a key Japanese position. Their task is to capture the hill at all cost. What happens next is a story developing about redemption and the meaningless of war. Regardless the outcome.

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Plot Keywords:

battle | tropical island | jungle | guadalcanal | hill | 

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Taglines:

Every man fights his own war.

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Genres:

Drama | War

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Motion Picture Rating (MPAA)

Rated R for realistic war violence and language

Details

Country:

USA

Language:

English Tok Pisin Japanese Greek

Release Date:

15 January 1999 (USA)

Also Known As:

La delgada línea roja

Filming Locations:

Bramston Beach, Queensland, Australia

Box Office

Budget:

$52,000,000 (estimated)

Opening Weekend USA:

$223,548, 27 December 1998, Limited Release

Gross USA:

$36,400,491

Cumulative Worldwide Gross:

$98,126,565

Company Credits

Production Co:

Fox 2000 Pictures, Geisler-Roberdeau, Phoenix Pictures

Technical Specs

Runtime:

170 min 215 min (rough cut)

Sound Mix:

DTS Dolby Digital SDDS

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

Prior to the film's release, producers Robert Michael Geisler and John Roberdeau allegedly violated a confidentiality clause they had signed by giving an interview to Vanity Fair about their long involvement with Terrence Malick and the film. Malick was so upset that Geisler and Roberdeau had to sign another agreement stating they would not attend the Oscars ceremony. If they violated that agreement, their names would be stripped from the film and video credits.

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Goofs

During his argument on the phone, Capt. Staros states, "The time, Sir, is 13:21 hours, 25 seconds" when his wrist watch clearly shows a time of 14:32. The watch also shows other times during the conversation.

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Quotes

[first lines]
Private Edward P. Train: What's this war in the heart of nature? Why does nature vie with itself? The land contend with the sea? Is there an avenging power in nature? Not one power, but two?

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Crazy Credits

Composer Wrangler. . . Moanike'ala Nakamoto

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Connections

Referenced in Mic Macs à Tire-Larigot (2009)

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Soundtracks

Annum per Annum
Composed by Arvo Pärt
Organ performed by Andrew Lucas

User Reviews

A haunting exploration of the meanings of life, death and war through the eyes of a group of disenchanted soldiers

This is one of the most beautifully crafted and haunting films that I have ever seen. Not only is the amazing ensemble cast give truly beautiful, effective performances, but the direction and cinematography combines to create a magnificent visual and mental feast.

This story about the Guadalcanal campaign during WW2, based on the James Jones novel, weaves the lives of many characters together seemlessly, creating a philosophical/emotional experience of war. It's not just about war. It's about love, faith in yourself and others, friendship, humanity, morality and also works as a startling indictment of man's conflict with nature. The amazing opening sequence, sets up a tranquility as the character Witt, finds peace on a secluded island among the natives, a peace which is shattered by the war.

What follows is not a mindless battle-after-battle onslaught of pyrotechnics, smoke, dust and blood, but a thought-provoking, visually and verbally poetic analysis of war and humanity. In my opinion it is the greatest war film since Apocalypse now, which I believe bears more flaws than this. It's not an Us-and-Them war story about the glory of the USA defeating the evil Japs. It sticks close with the characters, as we hear the thoughts, their hopes, their fears, leading to a moving experience.

This film was released a few months after Saving Private Ryan and unfortunately did not experience the same attention that the latter film did. Ryan was an excellent film, but to offer a comparison, The Thin Red LIne treads where Ryan didn't dare. Ryan sat in the safe territory of Good vs Evil with a bit of Futility of War and a lot of American Patriotism. It seemed to be more about America at some points than about war. The Thin Red Line is about war, the people involved and the destruction it creates for the mind, the soul and for nature. It does not deviate from this to make simple contrasts and offer easy binary oppositions.

In fact, TTRL is not an easy film. Gasp, it even tries to make you think. Though the title is not really explained in the film, I believe it is implied, and could have many meanings - the line between sanity and insanity, morality and immorality, love and hate, companionship and loneliness, nature and man, war and peace. While the characters share their thoughts, deeply poetic as they are, the meaning is not thrown in your face and neither is the answer to the questions raised. In this way it is the most thought-provoking war film I've ever seen and one of the best films of all time in my book. Top ten easily.

Now to my whinge. I think TTRL was shunned unmercifully at the 1999 Oscars. Shakespeare in Love beat two brilliant films - TTRL and Elizabeth - to get that oscar, and don't get me started on Gwyneth's award. This is the best film of 1998/9, in line with Elizabeth. It's unfortunate that the two, thoug h greatly revered, did not achieve the success and attention they deserved.

Don't be afraid by its length, it's a beautiful journey, full of rich colour, sound and the reward is a deeply moving human experience, unlike any other that the past decade has offered.