In 1935 a group of elderly British women, whom the Italians have named the Scorpioni, have chosen Italy, specifically Florence, as a place to live to blend their proper British sensibilities with their love of Italian art and culture. One of those Scorpioni, Mary Walsh (Dame Joan Plowright), works as the English secretary for Paolo Innocente (Massimo Ghini), who, in part because of his own wife's adamant refusal, largely neglects his illegitimate adolescent son, Luca (Baird Wallace), despite Paolo's want for Luca to grow up to be a proper young man, much like the English. Luca has lived in an orphanage since his dressmaker mother's death, death a concept that Luca does not yet understand. As such, he often runs away looking for his mother. On a mutual agreement between Paolo and Mary, Mary becomes Luca's guardian, she who will receive help in raising Luca by her fellow Scorpioni and financial help from Paolo as needed. Associated with the Scorpioni is a brash younger nouveau riche ...Written by
Dame Maggie Smith starred in The Prime of Miss Jean Brodie (1969), as another misguided woman who worshipped Mussolini. See more »
The ladies protect the frescoes by building a wall around them using sandbags. But the bags are obviously filled with something light and fluffy, such as kapok or cotton. See more »
The love affair between the artistically-inclined English community and Florence was soon to be overshadowed by the clouds of war.
But at the moment the sun is still shining on the squares and statues, and the dictator Mussolini is the gentleman who makes the trains run on time.
Excuse me, are you the Consul?
Connie Raynor of the Morning Post. I'm fascinated to know what His Majesty's Consul in Florence makes of it all?
I can't believe your readers would be interested...
[...] See more »
The MGM DVD, ISBN 0-7928-4300-2, is missing least one shot: The original tea with Mussolini scene ends with Mussolini forcing himself upon the reporter, forcing her onto his desk (i.e., he rapes her.) This DVD omits that ending and leaves the reporter's change in behavior unexplained. See more »