An orphaned Italian boy is raised amongst a circle of British and American women living in Mussolini's Italy before and during World War II.An orphaned Italian boy is raised amongst a circle of British and American women living in Mussolini's Italy before and during World War II.An orphaned Italian boy is raised amongst a circle of British and American women living in Mussolini's Italy before and during World War II.
- Won 1 BAFTA Award
- 5 wins & 3 nominations total
Storyline
Did you know
- TriviaCher has stated that the only reason she took the part of Elsa was because Writer and Director Franco Zeffirelli said he could only see her and no other actress in the role.
- GoofsThe tanks the Germans ride in are, in fact, U.S. Army M4 Shermans, not German-built Panzers.
- Quotes
Lady Hester: The Germans and the Italians couldn't get rid of us. There is absolutely no reason why we should surrender to the Scots.
- Alternate versionsThe MGM DVD, ISBN 0-7928-4300-2, is missing least one shot: The original tea with Mussolini scene ends with Mussolini forcing himself upon the reporter, forcing her onto his desk (i.e., he rapes her.) This DVD omits that ending and leaves the reporter's change in behavior unexplained.
- ConnectionsFeatured in Siskel & Ebert: Star Wars: Episode I - The Phantom Menace (1999)
- SoundtracksMattinata Fiorentina
Written by Giovanni D'Anzi (as D'Anzi) and Michele Galdieri (as Galdieri)
Performed by Alberto Rabagliati
Featured review
It's certainly not clear how fictionalized a version of Zeffirelli's autobiography "Tea With Mussolini" is, what with the usual disclaimers at the end. Even presuming this is just a riff off an incident in his life, that he had some contact with memorable English ladies, it's clearly his tribute to where his love of English literature comes from, particularly Shakespeare. He's done several Shakespeare interpretations-- movies, opera and play directing. The film has a lovely scene of him being first introduced to acting out "Romeo & Juliet" with puppets, as well as constant quotes from Shakespeare throughout about war and his situation.
I was surprised how good the movie was - I was in tears several times, especially with visuals that bring up the same comparisons as "The Train" did, with art vs. war, humanity's heights of creativity vs. its lows of prejudice and violence.
These Oscar-winning ladies are absolutely terrific, yes including Cher. One elderly gentleman behind me complained that Maggie Smith basically always plays the same character but I thought her character does change towards the end. The others were certainly not their usual on-screen personas, Judi Dench as a free-spirited artist, Joan Plowright as a quite warm-hearted grandmotherly type, and Lily Tomlin a hoot as a butch archaeologist.
But why choose bland Italian actors for them to play off of? To make the Scorpioni, as they are called, stand out more? The Italians seemed stereotyped to me, Latin lover, ignorant peasants not appreciating their ancient artistic heritage.
What the movie also brought to mind is how few Italian movies have dealt with their fascist past as much as the French have been exploring their consciences of collaboration in film. Sure "Garden of Finzi Continis," "Two Women" and "Life Is Beautiful" show arrests, etc. but I don't get the sense of soul searching as to how did this happen here and could it again? Just because they didn't have Shakespeare and appreciate the treasures of the Uffizi as this film implies? (originally written 5/15/1999)
I was surprised how good the movie was - I was in tears several times, especially with visuals that bring up the same comparisons as "The Train" did, with art vs. war, humanity's heights of creativity vs. its lows of prejudice and violence.
These Oscar-winning ladies are absolutely terrific, yes including Cher. One elderly gentleman behind me complained that Maggie Smith basically always plays the same character but I thought her character does change towards the end. The others were certainly not their usual on-screen personas, Judi Dench as a free-spirited artist, Joan Plowright as a quite warm-hearted grandmotherly type, and Lily Tomlin a hoot as a butch archaeologist.
But why choose bland Italian actors for them to play off of? To make the Scorpioni, as they are called, stand out more? The Italians seemed stereotyped to me, Latin lover, ignorant peasants not appreciating their ancient artistic heritage.
What the movie also brought to mind is how few Italian movies have dealt with their fascist past as much as the French have been exploring their consciences of collaboration in film. Sure "Garden of Finzi Continis," "Two Women" and "Life Is Beautiful" show arrests, etc. but I don't get the sense of soul searching as to how did this happen here and could it again? Just because they didn't have Shakespeare and appreciate the treasures of the Uffizi as this film implies? (originally written 5/15/1999)
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Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Mussolini ile Çay
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $12,000,000 (estimated)
- Gross US & Canada
- $14,401,563
- Opening weekend US & Canada
- $1,633,183
- May 16, 1999
- Gross worldwide
- $14,401,563
- Runtime1 hour 57 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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