Ricky Santoro is a flamboyant and corrupt Atlantic City cop with a dream: become so well connected that he can become mayor. In lieu of that, he'll settle for keeping his comfortable lifestyle. On the night of the heavyweight boxing championship, Rick becomes mixed up in the assassination of the Secretary of Defense, an assassination involving his best friend. Becoming the investigating officer in the case, Rick soon uncovers a conspiracy to kill the Secretary and a mysterious woman in white. The conspiracy was shocking, but not half as shocking as the identity of its mastermind.Written by
The Mystery Guest
When Santoro is speaking with Lincoln Tyler in his room for the first time, Lincoln says he was head-butted and there are 2 butterfly stitches on his right eye brow. When he sends everyone out of the room you can clearly see that Lincoln now has 3 butterfly stitches on his right eyebrow while talking with Santoro. See more »
Look, I'm sorry.
Who gives a shit if you're sorry?
What are you mad at me for?
Because I didn't have to know! You decided to have this problem, not me! My world would've gone on turning just fine, but now, either way I look, I have to do something that I don't wanna do. Do you I understand, I do not wanna do this!
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The end credits scroll over a construction site scene (presumably the new casino), closing in tighter and tighter until the final shot is of a bright red jewel embedded in a concrete pillar that the workmen are installing. Most of the time the jewel is hidden under the hand of one of the workers. The ring was worn by the red-haired woman/Navy agent who was part of Commander Kevin Dunn's scheme. See more »
Written and Performed by Rhodes, Manucci & Skinner
Courtesy of Zomba Records See more »
The Eye That Lies
This is a wonderful experience. Never mind that the acting is poor and the story weak --that was never the point. This film was made because DePalma knows how to make his camera dance and wanted to make a film based on that notion.
A central question in most art concerns the role of the viewer. This dominated easel painting, then was the center of evolution of the novel and now sits at the core of thought about film. Is the viewer an omniscient God, or can the viewer be fooled like a person? Is the viewer a passive observer, or does she `walk' with the participants as an invisible character? So many clever questions.
DePalma thinks the camera is a whole new thing, The camera is a type of character, part narrator, part actor, part god. It can lie, be fooled, search curiously, document, play jokes. So this is a film about the camera's eyes. `Snake' both because the camera can snake around following Cage, going places that Cage cannot, but also `snake' because the camera sees with forked tongue.
So we have one seemingly continuous shot of the key scene, which is played first from Cage's perspective, then the fighter's, the Navy guy, the Girl, then the cop again, and finally the `flying eye.' Along the way, every eye trick DePalma can think of is woven in:
--The girl's glasses are crushed so she sees less than the audience
--The whole mess is about what a satellite sees
--The casino has 1000 cameras which our own eyes coopt
--The thing is framed by the TV eye
--God-like, we scan over several hotel rooms while Cage and Sinese are stuck in the hallway maze
--The whole thing is in real time, as if you were living in the action
This is masterfully intellectual. See it. Forget the story.
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