Opening with the Allied invasion of Normandy on 6 June 1944, members of the 2nd Ranger Battalion under Cpt. Miller fight ashore to secure a beachhead. Amidst the fighting, two brothers are killed in action. Earlier in New Guinea, a third brother is KIA. Their mother, Mrs. Ryan, is to receive all three of the grave telegrams on the same day. The United States Army Chief of Staff, George C. Marshall, is given an opportunity to alleviate some of her grief when he learns of a fourth brother, Private James Ryan, and decides to send out 8 men (Cpt. Miller and select members from 2nd Rangers) to find him and bring him back home to his mother...Written by
Spielberg made incredible decisions on the fly, putting the camera up to each scene and determining the direction from there. This might have been career suicide for a lesser director, but Spielberg wanted his shots to feel unpredictable, just like a real firefight. See more »
Capt Miller receives the mission to find Private Ryan on D-Day +3 (June 9) he begins the mission and spends one evening in the church in Neuville before finding Ryan the next day (June 10) and dying in the Battle for Ramelle. His cross in the cemetery at the end of the film incorrectly shows his death date as June 13 and not June 10. See more »
[running to comfort his father]
[flashback to D-Day]
[shouting out the soldiers on the raft]
CLEAR THE RAMP! THIRTY SECONDS! GOD BE WITH YA!
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The DreamWorks and Paramount logos play in complete silence. See more »
On one of the Pay-per-view showings, several lines are cut. When the squad is going through the dogtags, Reiben notices many Italian-American soldiers and says "I swear all the guineas are gettin it," that line is was cut. Also, in the scene where Ryan tells Miller about his brothers in the barn, is cut. However on the next airing these scenes were not cut. See more »
Amazing insight into World War 2 battles that take your breath away!!
An amazing and compelling insight to warfare. Umbelievable camera shots/angles bring World War 2 to life especially for the US troops on D-Day. The use of flash bullets, and color saturation just add to the effect of a killing ground that not many people survive to come back from.
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