Opening with the Allied invasion of Normandy on 6 June 1944, members of the 2nd Ranger Battalion under Cpt. Miller fight ashore to secure a beachhead. Amidst the fighting, two brothers are killed in action. Earlier in New Guinea, a third brother is KIA. Their mother, Mrs. Ryan, is to receive all three of the grave telegrams on the same day. The United States Army Chief of Staff, George C. Marshall, is given an opportunity to alleviate some of her grief when he learns of a fourth brother, Private James Ryan, and decides to send out 8 men (Cpt. Miller and select members from 2nd Rangers) to find him and bring him back home to his mother...Written by
Tom Sizemore was battling a drug addiction during production. Steven Spielberg gave him an ultimatum that he would be blood tested on the set every day of filming, and if he failed the test once, he would be fired and the part of Horvath would be recast and re-shot with someone else, even if it was at the end of production. Sizemore agreed and managed to pass all of his tests. Unfortunately, he would relapse into drug abuse several times later in his career. See more »
When the Tiger tank, its treads blown off, targets the building near Ryan, Reiben scrambles to push him out of the way as Miller moves to the front and shoots through the sight. However, Miller moves to the front twice, once in the shot of Reiben running toward Ryan (the shot cuts before he can fire), and again, this time firing. See more »
[running to comfort his father]
[flashback to D-Day]
[shouting out the soldiers on the raft]
CLEAR THE RAMP! THIRTY SECONDS! GOD BE WITH YA!
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There are no opening credits after the title is shown. See more »
Originally, when the US broadcasting rights were acquired by TNT, they were required to broadcast the film uncensored, with all violence and language intact. Although recent (2008) airings have kept all the violence and gore, at least one dubbed all uses of 'fuck' with the word 'friggin'' or 'freakin''. All broadcasts carry the "TV-MA LV" rating and carry a lead-in disclaimer after every commercial break. See also: Schindler's List. See more »
The opening beach assault sequences were the most violent, realistic, and upsetting filming I've ever seen; looked as though the thing was actual combat footage. The shushing noises of rounds cutting through the air was the most chilling part of all. Perfect portrayal of the insane stupidity of war and the anguish of all who enter this most foolish of enterprises. A must see.
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