Opening with the Allied invasion of Normandy on 6 June 1944, members of the 2nd Ranger Battalion under Cpt. Miller fight ashore to secure a beachhead. Amidst the fighting, two brothers are killed in action. Earlier in New Guinea, a third brother is KIA. Their mother, Mrs. Ryan, is to receive all three of the grave telegrams on the same day. The United States Army Chief of Staff, George C. Marshall, is given an opportunity to alleviate some of her grief when he learns of a fourth brother, Private James Ryan, and decides to send out 8 men (Cpt. Miller and select members from 2nd Rangers) to find him and bring him back home to his mother...Written by
During the landings at Normandy, many DUKW amphibious trucks were used in the actual operation. However, because of the late change of location from the UK to Ireland, agreement could not be reached in time with the supplier of the many DUKWs required for the film. Hence, there are no DUKWs displayed in the picture. See more »
After all the German troops have been shot that were revealed by the wall falling, one of the soldiers is whiter than the others and when he is moved you can see his eyes move. See more »
[running to comfort his father]
[flashback to D-Day]
[shouting out the soldiers on the raft]
CLEAR THE RAMP! THIRTY SECONDS! GOD BE WITH YA!
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There are no opening credits after the title is shown. See more »
Originally, when the US broadcasting rights were acquired by TNT, they were required to broadcast the film uncensored, with all violence and language intact. Although recent (2008) airings have kept all the violence and gore, at least one dubbed all uses of 'fuck' with the word 'friggin'' or 'freakin''. All broadcasts carry the "TV-MA LV" rating and carry a lead-in disclaimer after every commercial break. See also: Schindler's List. See more »
It's been over a year since first seeing Saving Private Ryan -- it's a worthy effort by Speilberg--his best since Shindler's List by far. You've probably heard about the amount of violence, blood, and gore and that's all true--it's got the Viet Nam movie style violence (and then some) but it's not gratuitous. Were it sanitized like early WWII movies, modern audiences probably wouldn't take it as seriously.
The movie has that trademark Speilberg style--the structure is all tied up and unified from beginning to end, the emotional symbols abound, the music swelling when he's working at your emotions, the hand held camera that worked so well in Shindler's List to give you a feeling of participation, camera angles and periods of silence to disorient you (like Shindler), suspense techniques learned from Hitch... It's a movie that stays with you for a period afterwards.
Hanks will be the early front runner for Oscar after this flick--Academy members like him AND it IS his best acting job ever. While Speilberg will likely be criticized for attempting to manipulate the audience's emotions while keeping a distance from the inner core of his characters, Tom Hanks reveals a really complex military leader in this story, and does so without overacting--somehow it comes from within. While you may not empathize deeply with many of the platoon, you will still feel something because of the relationship that is formed with Hanks.
After the initial set-up, you will have the opportunity to participate in the D-Day operation and experience the horror of it. Those who have been in a real war can comment about how realistic or not Speilberg captures its chaotic horror in this scene.
In my case I again feel very lucky that my draft number was high, so I never had to face Nam like many of my classmates. Speilberg reminds us brutally in "Saving Private Ryan" that we All have a debt to pay to the brave souls who have sacrificed so much for us. What Tom Hanks does with his performance is to remind us of this debt in a very personal way.
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