IMDb RATING
7.0/10
6.6K
YOUR RATING
Orson Welles produces his greatest film, Citizen Kane (1941), despite the opposition of the film's de facto subject, William Randolph Hearst.Orson Welles produces his greatest film, Citizen Kane (1941), despite the opposition of the film's de facto subject, William Randolph Hearst.Orson Welles produces his greatest film, Citizen Kane (1941), despite the opposition of the film's de facto subject, William Randolph Hearst.
- Won 3 Primetime Emmys
- 15 wins & 28 nominations total
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe film shows RKO production chief George Schaefer announcing to Orson Welles and Herman J. Mankiewicz that he has lost his job on the very day of the opening of Citizen Kane (1941) in May 1941. In fact, Schaefer did not get fired until late in the following year, and this was less because he had promoted the film career of Orson Welles than because almost all the films RKO had made during his tenure had been flops.
- GoofsIn 1940, Disney was not the major studio it was today. It had few major releases by that date, all animated and all of which were released through other distributors. The meeting of studio chiefs depicted in the movie probably did not take place- certainly not in the form shown- but even if it had, Walt Disney would probably not have been invited. (Samuel Goldwyn, also shown as present, had sold his share in MGM to Louis Mayer years earlier, but was still a major producer.)
- Quotes
Orson Welles: I expected better of you, Mank.
Herman Mankiewicz: Me too, but I got used to it.
- Crazy creditsEpilogue: "Citizen Kane was released in 1941 to critical acclaim and box office indifference. William Randolph Hearst gradually withdrew from public life. Marion Davies continued to live with him as his mistress. Until his death in 1951, Hearst never permitted a single advertisement or review of Citizen Kane in any of his newspapers. Orson Welles struggled yet succeeded in making films for the rest of his life, including The Magnificent Ambersons, Touch of Evil and Chimes at Midnight. He died in 1985. Citizen Kane is widely considered the greatest American film ever made."
- ConnectionsFeatured in The 57th Annual Golden Globe Awards (2000)
- SoundtracksI Can't Get Started
Written by Ira Gershwin and Vernon Duke
Performed by Bunny Berigan
Courtesy of The RCA Records Label of BMG Entertainment
Featured review
You've probably read a lot of other comments, so I'll spare you the details of what "RKO 281" is about.. rather, my comments pertain to made-for-HBO films, particularly this one..
HBO's movies always strike me as a cut above the usual made for the small screen fare, but just a notch below being theatrical quality. There's a strange feeling of being manipulated, that I get from almost all their films, especially biopics like this one, "Truman", and their latest "Path To War" which they're running this month. HBO likes to take on monumental, historical characters, like Orson Welles, Harry S Truman, and LBJ, but seems to always surround them with characters who are portrayed as being slightly dumb, and made to look like fools, on purpose. It's as though HBO is telling us to look back into history and laugh at how naive and silly people were in decades past.. look at the dumb clothes they wore, the silly hairstyles, their mannerisms, while at the same time idealizing them..
In these kinds of films, cars are never dirty or dented. People never flub their words when speaking to each other. Homes and offices are always a paragon of cleanliness. Everything looks brand new. Staged. Too perfect.. Okay, perhaps realism is not what we want in our movies.. we live in homes that have dirty dishes in the sink and rumbled towels in the bathroom, and stacks of magazines on the tables.. but there ARE period films in which the "lived in" look IS quite well done.. witness Bob Raefelson's "The Postman Always Rings Twice."
While the set and art direction of "RKO 281" is stunning, everything is beautiful to look at: all the vast, wood-panelled offices of the Hollywood moguls, somehow, everything has an artificial look to it.
And then, there's Liev Schreiber's portrayal of a young Orson Wells.. Again, sometimes HBO can create a convincing lookalike - Gary Sinese as Harry S Truman was right on the money, Michael Gambon as LBJ comes sort of close, but doesn't quite ring true, but Schreiber simply doesn't look or sound anything like Orson Welles did. Welles had a booming baritone voice, an in-your-face style of projecting his words, and a simply riveting screen presence. Schreiber's lack of a jaw, and his delivery simply never convinced me that this man was Orson Welles.. This is not to take away from Schreiber's acting abilities at all.. he was simply the wrong actor for the part. And since he is the centerpiece of the film, the entire film suffers because of his weak Welles clone..
However, "RKO 281" _is_ worth watching, if just for the lush sets and atmospherics, and the far too few glimpses we get of the making of "Citizen Kane." But again, HBO made this film as a drama, not a documentary, and a drama relies on conflict.. and thus the film concentrates on the clash of personalities, not the creation of the best film ever made..
HBO's movies always strike me as a cut above the usual made for the small screen fare, but just a notch below being theatrical quality. There's a strange feeling of being manipulated, that I get from almost all their films, especially biopics like this one, "Truman", and their latest "Path To War" which they're running this month. HBO likes to take on monumental, historical characters, like Orson Welles, Harry S Truman, and LBJ, but seems to always surround them with characters who are portrayed as being slightly dumb, and made to look like fools, on purpose. It's as though HBO is telling us to look back into history and laugh at how naive and silly people were in decades past.. look at the dumb clothes they wore, the silly hairstyles, their mannerisms, while at the same time idealizing them..
In these kinds of films, cars are never dirty or dented. People never flub their words when speaking to each other. Homes and offices are always a paragon of cleanliness. Everything looks brand new. Staged. Too perfect.. Okay, perhaps realism is not what we want in our movies.. we live in homes that have dirty dishes in the sink and rumbled towels in the bathroom, and stacks of magazines on the tables.. but there ARE period films in which the "lived in" look IS quite well done.. witness Bob Raefelson's "The Postman Always Rings Twice."
While the set and art direction of "RKO 281" is stunning, everything is beautiful to look at: all the vast, wood-panelled offices of the Hollywood moguls, somehow, everything has an artificial look to it.
And then, there's Liev Schreiber's portrayal of a young Orson Wells.. Again, sometimes HBO can create a convincing lookalike - Gary Sinese as Harry S Truman was right on the money, Michael Gambon as LBJ comes sort of close, but doesn't quite ring true, but Schreiber simply doesn't look or sound anything like Orson Welles did. Welles had a booming baritone voice, an in-your-face style of projecting his words, and a simply riveting screen presence. Schreiber's lack of a jaw, and his delivery simply never convinced me that this man was Orson Welles.. This is not to take away from Schreiber's acting abilities at all.. he was simply the wrong actor for the part. And since he is the centerpiece of the film, the entire film suffers because of his weak Welles clone..
However, "RKO 281" _is_ worth watching, if just for the lush sets and atmospherics, and the far too few glimpses we get of the making of "Citizen Kane." But again, HBO made this film as a drama, not a documentary, and a drama relies on conflict.. and thus the film concentrates on the clash of personalities, not the creation of the best film ever made..
Details
- Release date
- Countries of origin
- Language
- Also known as
- RKO 281: The Battle Over Citizen Kane
- Filming locations
- St. Pancras Renaissance Hotel London, Euston Road, London, Greater London, England, UK(staircase at Hearst Castle)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $12,000,000 (estimated)
- Runtime1 hour 26 minutes
- Color
- Sound mix
- Aspect ratio
- 16:9
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