"Girl of Lappland" - Liisa, Tenu and Lulu are part of the Ylioppilasteatteri group. In the course of the exercises, they think about social issues and debate their world views. Tenu's ... See full summary »
Juha is a sales manager of a refrigerator company. His perfect-looking family and glittering array of modern kitchen appliances have just been featured in a magazine article, but in reality... See full summary »
Coming to Hollywood as a celebrated boy genius featuring a spectacular career arc in New York including his radio hoax War of the Worlds, Orson Welles is stymied on the subject for his first film. After a dinner party at Hearst Castle, during which he has a verbal altercation with William Randolph Hearst, Welles decides to do a movie about Hearst. It takes him some time to convince co-writer Herman J. Mankiewicz and the studio, but Welles eventually gets the script and the green light, keeping the subject very hush-hush with the press. The movie is about an aging newspaper publisher who controlled his enemies as ruthlessly as he controlled his friends; and whose mistress was destined for fame. When a rough cut is screened, Hearst gets wind of the movie's theme and begins a campaign to see that it is not only never publicly screened, but destroyed.Written by
Greg Bulmash <firstname.lastname@example.org>
When Louella Parsons is shown viewing the film, the actual soundtrack and original dialogue from Citizen Kane (1941) is heard. See more »
Cinematographer Gregg Toland instructs Orson Welles about lenses, camera settings, and filming techniques in a screening room. He tells Orson that he used a certain technique in his movie, "Long Voyage" (at 0:27:54). Toland's movie is actually titled, "The Long Voyage Home". See more »
[Addressing the RKO shareholders]
Good afternoon. Today, a man from Germany invaded Greece. He's already swallowed Poland, Denmark, Norway and Belgium. He's bombing London as I speak. Everywhere this man goes, he crushes the life and the freedom of his subjects. He sews yellow stars on their lapels, he takes their voices. In this country, we still have our voices. We can argue with them, and we can sing, and we can be heard because we are, for the moment, free. No one can tell us what to say or ...
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If you are into vintage movies, vintage America and conspiracy theories, then this is an entertainment for you.
Many other reviews here have outlined the strengths and weaknesses of the film re the truth about the making of Kane, and the relative attributions of credit, blame and opprobrium. I'd like to inject a good word for Roy Scheider's portrayal of RKO boss George Schaefer: His character's struggle to find the right balance between keeping his east coast money men happy, his obvious liking for Welles and the desire to make good movies is very well portrayed.
Something I really enjoyed was the portrayal of Welles' and Mank's visit to the Hearst Castle at San Simeon, California. That is a fascinating place, which saw so many famous and talented people visit during Hearst's time there. There's a movie about the lifetime of that place to be made by someone, though I don't think anyone has ever attempted it? Apparently they didn't use the real location for RKO281 - a lot of it seems to have been done in London. Was that cost, or did the Hearst Castle trustees refuse....? Anyway, if you're up for a good tale woven around some known facts, but not sticking to them too tightly, take the RKO281 ride, you'll have fun. Just don't let it become your true picture of Mr Welles, Mr Hearst or (most of all) Mr Mankiewicz.
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