The last surviving child of the Russian Royal Family joins two con men to reunite with her grandmother, the Dowager Empress, while the undead Rasputin seeks her death.
The sailor of legend is framed by the goddess Eris for the theft of the Book of Peace, and must travel to her realm at the end of the world to retrieve it and save the life of his childhood friend Prince Proteus.
Directors:
Patrick Gilmore,
Tim Johnson
Stars:
Brad Pitt,
Catherine Zeta-Jones,
Joseph Fiennes
A wild stallion is captured by humans and slowly loses the will to resist training, yet, throughout his struggles for freedom, the stallion refuses to let go of the hope of one day returning home to his herd.
A Disney animated version of "Treasure Island". The only difference is that the film is set in outer space with alien worlds and other galactic wonders.
Directors:
Ron Clements,
John Musker
Stars:
Joseph Gordon-Levitt,
Emma Thompson,
Martin Short
When a young Inuit hunter needlessly kills a bear, he is magically changed into a bear himself as punishment with a talkative cub being his only guide to changing back.
Directors:
Aaron Blaise,
Robert Walker
Stars:
Joaquin Phoenix,
Jeremy Suarez,
Rick Moranis
This is the extraordinary tale of two brothers named Ramses II and Moses, one born of royal blood, and one an orphan with a secret past. Growing up the best of friends, they share a strong bond of free-spirited youth and good-natured rivalry. But the truth will ultimately set them at odds, as one becomes the ruler of the most powerful empire on Earth, and the other the chosen leader of his people. Their final confrontation will forever change their lives and the world.Written by
Anthony Pereyra <hypersonic91@yahoo.com>
The production team and Jeffrey Katzenberg conferred with roughly six hundred religious experts to make the film as accurate and faithful to the original story as possible. After previewing the developing film, all of the religious scholars, experts, and leaders associated in the making of the film noted that the studio executives listened and responded to their ideas, and praised the studio for reaching out for comment from outside sources. See more »
Goofs
When the plagues destroy Egypt, not a lot of monuments are shown being toppled. However, in the song "When You Believe", when the Hebrews are walking through the ruins of Egypt, there is far more damage and destruction of Egypt that what was seen in the Plagues. However, the entire breadth of the plagues could not be shown since, in the record of them, the plagues last a lot longer than a few minutes, leaving the possibility that we didn't get to see all of the destruction. See more »
Quotes
[first lines]
Overseers:
[chanting]
Mud... Sand... Water... Straw. Faster! Mud... and lift... sand... and pull... water... and raise up! Straw... Faster!
Hebrews:
[singing]
With the sting of the whip on my shoulder, with the salt of my sweat on my brow... Elohim, God on high, can you hear your people cry? Help us now, this dark hour... Deliver us, hear our call, deliver us, Lord of all! Remember us, here in this burning sand! Deliver us, there's a land you promised us! Deliver us to the promised land!
See more »
Crazy Credits
At the end of the closing credits, there are verses from religious texts - the Hebrew Bible, the New Testament and the Koran - in praise of Moses. See more »
For sheer spectacle, it's tough to beat the Bible. With "The Prince of Egypt," DreamWorks makes good on its promise to deliver a state-of-the-art animated film that will compete favorably with the best Disney has to offer. As with "Antz," released earlier this year, DreamWorks has successfully resisted the temptation to populate this film with characters that can be turned into further revenue through toy sales. (I do wonder, though, if three soundtrack albums--the film's soundtrack, an "inspirational" album, and a "country" album--were really necessary.) The animation team has accomplished something truly spectacular; watching "The Prince of Egypt" is like seeing life breathed into a rich, luxurious tapestry. The Biblical story told in the books of Genesis and Exodus is followed very faithfully, with only minor changes made for dramatic reasons. The action sequences are truly exciting, overall pacing is excellent, and the miracles wrought by God are depicted with awed and respectful wonder. One truly astonishing, harrowing sequence recounts the slaughter of firstborn Hebrew children by bringing hieroglyphic drawings to life on the walls of an Egyptian temple. The voice work is especially good--Val Kilmer is fine as Moses, and Pharoah, voiced by Ralph Fiennes, positively seethes with arrogance and hubris. The storytellers wisely chose to end their tale at the climactic crossing of the Red Sea; even the delivery of the Ten Commandments is portrayed only in an epilogue vignette. (After all, the Israelites wander in the wilderness for forty years after that, and Moses ultimately is not allowed to enter the Promised Land--perhaps not the uplifting ending the filmmakers had in mind.) Some of the subject matter is dark and disturbing, and there is no shying away from the harsh realities of the original texts. By all means, see it with the children in your life--and be prepared to discuss it with them afterward.
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For sheer spectacle, it's tough to beat the Bible. With "The Prince of Egypt," DreamWorks makes good on its promise to deliver a state-of-the-art animated film that will compete favorably with the best Disney has to offer. As with "Antz," released earlier this year, DreamWorks has successfully resisted the temptation to populate this film with characters that can be turned into further revenue through toy sales. (I do wonder, though, if three soundtrack albums--the film's soundtrack, an "inspirational" album, and a "country" album--were really necessary.) The animation team has accomplished something truly spectacular; watching "The Prince of Egypt" is like seeing life breathed into a rich, luxurious tapestry. The Biblical story told in the books of Genesis and Exodus is followed very faithfully, with only minor changes made for dramatic reasons. The action sequences are truly exciting, overall pacing is excellent, and the miracles wrought by God are depicted with awed and respectful wonder. One truly astonishing, harrowing sequence recounts the slaughter of firstborn Hebrew children by bringing hieroglyphic drawings to life on the walls of an Egyptian temple. The voice work is especially good--Val Kilmer is fine as Moses, and Pharoah, voiced by Ralph Fiennes, positively seethes with arrogance and hubris. The storytellers wisely chose to end their tale at the climactic crossing of the Red Sea; even the delivery of the Ten Commandments is portrayed only in an epilogue vignette. (After all, the Israelites wander in the wilderness for forty years after that, and Moses ultimately is not allowed to enter the Promised Land--perhaps not the uplifting ending the filmmakers had in mind.) Some of the subject matter is dark and disturbing, and there is no shying away from the harsh realities of the original texts. By all means, see it with the children in your life--and be prepared to discuss it with them afterward.