Textile company heir Wayland is accused of murder of a prostitute named Elizabeth, whose body was found cut in two in the park. The murder is investigated by tough detective Kennesaw and ... See full summary »
In Texas in the 1930s, young schoolteacher Novalyne Price meets a handsome, eccentric, interesting young man named Robert Howard. He's a successful writer - of the pulp stories of 'Conan ... See full summary »
John came to Hollywood to get that one big break in life. Years have passed since and all he has to show for are a menial job, unpaid bills and airhead friends and he's getting sick of it all. Is there a way out of this downward spiral?
Mendel says Sonia's birthstone is the ruby, this would make her birthdate somewhere in July. See more »
After the bris (circumcision ceremony), Mendel apologizes to Sonia for naming their son Shimmie "after the Rebbe." Shimmie is a nickname for Shim'on (Simon). However, the Rebbetzin (the Rebbe's wife) calls her husband Moishe. Also, at the eulogy for the Rebbe, the speaker refers to the him as "our own Moishe Rabbenu," clearly making a connection between him (and his name) and the prophet Moses. See more »
I was Sonia. I lived a life in many ways similar to her's - i.e., married a 'yeshiva buchor', supported him, rebelled (emphatically!), was ostricised and found the whole thing stifling, intollerant, conformist (woe betide to those who dared to be a bit different), suppressive and above all 100% hypocritical (I don't look Jewish and if I had a penny for the number of 'orthodox' men who tried to pick me up, I could retire!). Mendel's brother's behaviour wouldn't surprise me in real life one bit.
I was absolutely amazed how authentically the characters in this film portrayed the yeshiva going community - to the point where I actually read the credits at the end to see how many of the actors were Jewish! Although Judaism is supposed' to be a lot of things (i.e., the man is 'encouraged' to see to his wife's pleasure), it is in fact quite often the opposite. As is often said, the religion is fine, it's the people who leave a lot to be desired. And that came across so clearly in this film. Sonia was ostracised for not conforming (yup, that sounds about right), her husband was so 'devout' (a tzadik) he was ashamed of his - and her - sexuality that he tried to repress it (yep, right again), the yentas (busy boddies) in the community had a lot to say (um hmmm) - absolutely everything about the movie was so spot on it was eerie - even down to the Yiddish-isms, accents and dress.
It brought back a lot of unpleasant memories...but that is only a testament to how authentic the film really was. In terms of storyline, content, acting, music - I thought it was excellent, hence the 10* rating.
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