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Pleasantville (1998)

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0:34 | Trailer

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Two 1990s teenage siblings find themselves in a 1950s sitcom, where their influence begins to profoundly change that complacent world.

Director:

Gary Ross

Writer:

Gary Ross
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Popularity
1,705 ( 1,750)
Nominated for 3 Oscars. Another 18 wins & 41 nominations. See more awards »

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Cast

Cast overview, first billed only:
Tobey Maguire ... David
Reese Witherspoon ... Jennifer
William H. Macy ... George Parker
Joan Allen ... Betty Parker
Jeff Daniels ... Bill Johnson
J.T. Walsh ... Big Bob
Don Knotts ... TV Repairman
Marley Shelton ... Margaret Henderson
Jane Kaczmarek ... David's Mom
Giuseppe Andrews ... Howard
Jenny Lewis ... Christin
Marissa Ribisi ... Kimmy
Denise Dowse ... Health Teacher
McNally Sagal ... Science Teacher
Paul Morgan Stetler ... College Counselor
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Storyline

David Wagner is a kid whose mind is stuck in the 1950s. He's addicted to a classic 50's sitcom television show called "Pleasantville". Pleasantville is a simple place, a place where all of its citizens are swell and simple-minded folks, a place where the word "violence", and life outside of Pleasantville, is unbeknownst to its inhabitants; things are perfect down in Pleasantville. One evening, the life of David and his obnoxious sister Jennifer take a bizarre turn when an eccentric repairman hand them a supposed magical remote. After a quarrel between the siblings, they inexplicably zap themselves into the world of "Pleasantville". Now, David and Jennifer must adjust to a 50s lifestyle of repressed desires and considerably different societal values while trying to find their way home. Written by Kyle Perez

Plot Summary | Plot Synopsis

Taglines:

Nothing Is As Simple As Black And White. See more »

Genres:

Comedy | Drama | Fantasy

Motion Picture Rating (MPAA)

Rated PG-13 for some thematic elements emphasizing sexuality, and for language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

23 October 1998 (USA) See more »

Also Known As:

Amor a colores See more »

Filming Locations:

Petaluma, California, USA See more »

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Box Office

Budget:

$40,000,000 (estimated)

Opening Weekend USA:

$8,855,063, 25 October 1998, Wide Release

Gross USA:

$40,568,025, 28 March 1999

Cumulative Worldwide Gross:

$49,789,066
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Bud/David (Tobey Maguire) brings Mr. Johnson (Jeff Daniels) an art book from the library titled "The World Of Art" by an author named Edward Bissell. The book is purely fictional being made just as a prop for this film. See more »

Goofs

When the soda shop is wrecked and it is discovered that the juke box still works one of the boys unplugs it after Buddy Holly's "Rave On" starts. When Bud says it's okay and plugs the juke box back in the song starts again, which would not have happened with a circa 1958 juke box. It would have started up where the needle was left by the unplugging. See more »

Quotes

[first lines]
[David is gazing admiringly at a pretty blonde girl]
David: *Hi*
[chuckles]
David: I mean, Hi. Uh, look, you probably don't think I should be asking you this. I mean, not knowing you well and all? I mean, you know, I, I, I know you, 'cause everybody knows you. I just don't know you technically. Uh, anyhow. Uh, I don't know what you're doing this weekend, but my mom's leaving town, and she's letting me borrow the car.
[...]
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Crazy Credits

The New Line logo plays in complete silence. See more »

Connections

Referenced in Seabiscuit (2003) See more »

Soundtracks

Lawdy Miss Clawdy
Written by Lloyd Price
Performed by Larry Williams
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Frequently Asked Questions

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User Reviews

 
I heard about this movie, but I didn't know that it would be THIS good....
8 April 2000 | by Eddie C.See all my reviews

I knew what this film would be about before I rented it, but I'm stunned that it would be THIS good. Nothing against "Saving Private Ryan" or "Shakespeare in Love", but this film should have won Best Picture in 1998 and it was a shame that it wasn't nominated. It's an even bigger injustice that it did not get a nomination for best screenplay or cinematography.

In the hands of another writer, this movie could have been made as just a parody of 1950's sitcoms like "Leave It To Beaver" or "Ozzie and Harriet." But this film isn't about how clichéd those series look decades later. It's about the false nostalgia for a past that never existed. We survived the past and we know that everything turned out all right. Because of this, we selectively choose our memories and weed out the unpleasant ones. That's why the past is sometimes seen as "the good ol' days." Pleasantville does not represent how the 50's actually were but rather an idealization of what people THINK the 50's were---no one had sex, everyone got along swell, and life was fairly easy. Nothing could be further from the truth, and there are many film from that era which show how real people (even in suburbia) actually lived. This film argues that free will and choice is ESSENTIAL to life and that we should embrace freedom instead of fearing it. It isn't just about making out, but having the OPTION to make out.

Another reviewer claimed that this film was an attack on the 50's, but David and Jennifer could very easily have been dumped in the world of "The Brady Bunch", "Gilligan's Island" , or "Batman." But setting "Pleasantville" in a 1950's sitcom allows for the brilliant metaphor of black and white versus color. Black and white photography is a stylized depiction of the universe, but unless you're color blind it's not the way you actually see the universe. When we first see Pleasantville's citizens, all of them are cardboard cut-outs of stereotypes. As they begin to open up and become real people, color seeps into their world. The catalyst seems to be the willingness to experience new sensations and become vulnerable. Jennifer has slept with lot of guys when she was in the normal world, so sex does not change HER into a color character. On the other hand, when she actually finishes a book (without pictures) for the first time in her life, THEN she becomes colorized. Similarly, David does not bloom into color until he breaks out of his aloofness and defends his "mother." Compare the way he ignores his real mother at the beginning of the film to how he consoles and comforts her at the end to see how much David has changed.

I could go on and on, but I think you get the idea. There are a lot of films out there that are very entertaining and/or very moving--like "Raiders of the Lost Ark" or "Titanic." Movies like "Pleasantville" which challenge the audience and force them to think are very rare, and should be treasured by the discerning filmgoer.


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