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When Nicole met David; handsome, charming, affectionate, he was everything. It seemed perfect, but soon she sees that David has a darker side. And his adoration turns to obsession, their dream into a nightmare, and her love into fear.
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The alumni cast of a space opera television series have to play their roles as the real thing when an alien race needs their help. However, they also have to defend both Earth and the alien race from a reptilian warlord.
Friends for ten years, a group of twenty-somethings head for the ski slopes as guests of Ian's father. (Ian and dad are estranged because dad worked too many hours when Ian was a lad.) Dad ... See full summary »
David Wagner is a kid whose mind is stuck in the 1950s. He's addicted to a classic 50's sitcom television show called "Pleasantville". Pleasantville is a simple place, a place where all of its citizens are swell and simple-minded folks, a place where the word "violence", and life outside of Pleasantville, is unbeknownst to its inhabitants; things are perfect down in Pleasantville. One evening, the life of David and his obnoxious sister Jennifer take a bizarre turn when an eccentric repairman hand them a supposed magical remote. After a quarrel between the siblings, they inexplicably zap themselves into the world of "Pleasantville". Now, David and Jennifer must adjust to a 50s lifestyle of repressed desires and considerably different societal values while trying to find their way home.Written by
Since every scene from the middle of the movie on had to be in some way digitally changed to have black and white characters interact with characters who are in color, technically this film had the most digital effects shots until Star Wars: Episode I - The Phantom Menace (1999). See more »
The Dave Brubeck Quartet track, Take 5, (which is played during the diner scene where Bud is asked how he knew about fire) was released in 1959. The next track that is played is Miles Davis's So What was recorded in 1959 a year after the action is meant to be taking place. See more »
[David is gazing admiringly at a pretty blonde girl]
I mean, Hi. Uh, look, you probably don't think I should be asking you this. I mean, not knowing you well and all? I mean, you know, I, I, I know you, 'cause everybody knows you. I just don't know you technically. Uh, anyhow. Uh, I don't know what you're doing this weekend, but my mom's leaving town, and she's letting me borrow the car.
[...] See more »
The New Line logo plays in complete silence. See more »
A brilliant and vastly underrated cinematic experience
PLEASANTVILLE had to be one of the biggest surprises I've ever had at the movies. This superbly mounted and completely winning fantasy starred Toby Maguire and Reese Witherspoon as a contemporary teenage brother and sister who are magically transported into a black and white television show called "Pleasantville", a show similar to "Leave it to Beaver" or "I Love Lucy", where everyone in the town knows each other, where the fire department only saves cats from trees and never put out fires and where there are no pages in the books or toilets in the bathrooms. Maguire's character is a "Pleasantville" trivia expert so he knows everyone there and everything that's going to happen but sis Witherspoon is a stranger in a strange land whose introduction of 1990's sensibilities to the citizens of this town brings about extraordinary changes. The film is beautifully made with a very smart screenplay and superb performances, the best of which is by Joan Allen, who is luminous as Betty, the mother in the sitcom who is shocked at first but learns to accept the 1990's coming to Pleasantville. Yes, it may borrow from other movies, but there is a freshness and originality to this movie that is most engaging and anytime with Don Knotts is time well spent.
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