David Wagner is a kid whose mind is stuck in the 1950s. He's addicted to a classic 50's sitcom television show called "Pleasantville". Pleasantville is a simple place, a place where all of its citizens are swell and simple-minded folks, a place where the word "violence", and life outside of Pleasantville, is unbeknownst to its inhabitants; things are perfect down in Pleasantville. One evening, the life of David and his obnoxious sister Jennifer take a bizarre turn when an eccentric repairman hand them a supposed magical remote. After a quarrel between the siblings, they inexplicably zap themselves into the world of "Pleasantville". Now, David and Jennifer must adjust to a 50s lifestyle of repressed desires and considerably different societal values while trying to find their way home.Written by
Kyle Perez
Writer and director Gary Ross acknowledges these cinematographic homages: The scene of J.T. Walsh in front of the bowling alley scorecard recalls Patton's speech in front of the American flag in Patton (1970); The courtroom segregated into black-and-white characters downstairs and "colored" characters upstairs recalls To Kill a Mockingbird (1962); See more »
Goofs
The scoreboard in the gym is a modern day Nevco basketball scoreboard. Most high school gyms in the '50s had analog clocks and did not show team fouls. See more »
Quotes
[first lines]
[David is gazing admiringly at a pretty blonde girl]
David:
*Hi*
[chuckles]
David:
I mean, Hi. Uh, look, you probably don't think I should be asking you this. I mean, not knowing you well and all? I mean, you know, I, I, I know you, 'cause everybody knows you. I just don't know you technically. Uh, anyhow. Uh, I don't know what you're doing this weekend, but my mom's leaving town, and she's letting me borrow the car.
[...] See more »
Crazy Credits
The New Line logo plays in complete silence. See more »
...nor is it The Bicycle Thief, Casablanca, or Taxi Driver. But it's a damn nice modern take on Capra.
The reviewers here that're trashing this film are completely missing the point - they either know nothing about film, or way too much. It's a fable, folks, and if there's lapses in logic or some smarmy moments, well, deal with it. It's a marvelous, well constructed flick and an enjoyable way to spend a couple hours.
There's no blood, or explosions. A bit of sex, but nothing gratuitous and it's essential to the plot. Cue up a copy and prepare to smile.
It's keen...!
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...nor is it The Bicycle Thief, Casablanca, or Taxi Driver. But it's a damn nice modern take on Capra.
The reviewers here that're trashing this film are completely missing the point - they either know nothing about film, or way too much. It's a fable, folks, and if there's lapses in logic or some smarmy moments, well, deal with it. It's a marvelous, well constructed flick and an enjoyable way to spend a couple hours.
There's no blood, or explosions. A bit of sex, but nothing gratuitous and it's essential to the plot. Cue up a copy and prepare to smile.
It's keen...!