Pleasantville (1998)

Two 1990s teenage siblings find themselves in a 1950s sitcom where their influence begins to profoundly change that complacent world.

Director:

Gary Ross

Writer:

Gary Ross

Stars:

Tobey Maguire, Jeff Daniels, Joan Allen

Nominated for 3 Oscars. Another 18 wins & 41 nominations.

Cast

Cast overview, first billed only:
Tobey Maguire	...	David
Reese Witherspoon	...	Jennifer
William H. Macy	...	George Parker
Joan Allen	...	Betty Parker
Jeff Daniels	...	Bill Johnson
J.T. Walsh	...	Big Bob
Don Knotts	...	TV Repairman
Marley Shelton	...	Margaret Henderson
Jane Kaczmarek	...	David's Mom
Giuseppe Andrews	...	Howard
Jenny Lewis	...	Christin
Marissa Ribisi	...	Kimmy
Denise Dowse	...	Health Teacher
McNally Sagal	...	Science Teacher
Paul Morgan Stetler	...	College Counselor

Storyline

David Wagner is a kid whose mind is stuck in the 1950s. He's addicted to a classic 50's sitcom television show called "Pleasantville". Pleasntville is a simple place, a place where all of its citizens are swell and simple-minded folks, a place where the word "violence", and life outside of Pleasantville, is unbeknown to its inhabitants; things are perfect down in Pleasantville. One evening, the life of David and his obnoxious sister Jennifer take a bizarre turn when an eccentric repairman hand them a supposed magical remote. After a quarrel between the siblings, they inexplicably zap themselves into the world of "Pleasantville". Now, David and Jennifer must adjust to a 50s lifestyle of repressed desires and considerably different societal values while trying to find their way home.

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Plot Keywords:

1950s | trapped in tv | family values | free thinker | rebellion | 

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Taglines:

Pleasantville - It's Just Around the Corner

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Genres:

Comedy | Drama | Fantasy

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Motion Picture Rating (MPAA)

Rated PG-13 for some thematic elements emphasizing sexuality, and for language

Details

Country:

USA

Language:

English

Release Date:

23 October 1998 (USA)

Also Known As:

Amor a colores

Filming Locations:

Petaluma, California, USA

Box Office

Budget:

$40,000,000 (estimated)

Opening Weekend USA:

$8,855,063, 25 October 1998, Wide Release

Gross USA:

$40,568,025, 28 March 1999

Cumulative Worldwide Gross:

$49,789,066

Company Credits

Production Co:

New Line Cinema, Larger Than Life Productions

Technical Specs

Runtime:

124 min

Sound Mix:

DTS Dolby Digital SDDS

Color:

Black and White Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

The author of the book that Reese Witherspoon's character is reading, D.H. Lawrence, was an early 20th century author, poet, playwright, essayist, and literary critic. His works were considered highly controversial when they were written, and confronted issues such as emotional health and vitality, spontaneity, human sexuality, and instinct.

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Goofs

In the Bowling Alley scene, as the men are speaking about the horrendous changes taking place, several of the men appear to be drinking from Coca-Cola bottles. However, the bottles appear to be 20 oz bottles. In 1958, the more common Coca-Cola bottle would have been an 8 oz bottle. or a 6 oz bottle. One of the men even appears to be drinking from a Diet Coke bottle of a later date.

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Quotes

[first lines]
[David is gazing admiringly at a pretty blonde girl]
David: *Hi*
[chuckles]
David: I mean, Hi. Uh, look, you probably don't think I should be asking you this. I mean, not knowing you well and all? I mean, you know, I, I, I know you, 'cause everybody knows you. I just don't know you technically. Uh, anyhow. Uh, I don't know what you're doing this weekend, but my mom's leaving town, and she's letting me borrow the car.
[...]

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Crazy Credits

The New Line logo plays in complete silence.

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Connections

Referenced in Weeds: Suburban Shakedown (2005)

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Soundtracks

Sixty Thousand Clams
Written by Bruno Coon
Performed by Talkback

User Reviews

floored

Some critics here are saying the movie takes itself too seriously - but I believe some people are taking it too literally. ... Saying that the topics that are addressed have no impact on society anymore, clearly misses the point. ... The 50s -- or more specifically, 50s TV -- is used as a metaphor, because of the way 50s TV portrayed life in America. ... Thematically, this movie is about "Living Life" to the fullest, whatever that means. More specifically, to live life to the fullest -- to truly feel "alive" -- you need to take the good with the bad. Sweeping things under the rug and just acting "pleasant" all the time, is no way to live. That's what Tobey McGuire's speech at the end to his "real" mother is all about. Bad things happen, it's part of life. Having passion brings with it positives and negatives -- but suppressing true feelings for the sake of "pleasantness" is an empty life. THAT is the key ... and that "issue" is everlasting to the human condition.

Another point: People fear change. This is universal from the start of time until the end of time. The film suggests that changing and growing as a society and as people -- even if scary -- is good. Just because the 50s were used as a metaphor for that, don't believe for a minute this isn't a universal issue that exists today and forever.

Another issue common for people critical of this film is the sexual issue. They say that Gary Ross is promoting sexual promiscuity, sex out of wedlock, etc... Again, I believe it misses the point. Is Ross suggesting that premarital sex is OK? Yes, and I'd agree - and I'm sure there's plenty of people who don't agree with that, and that's OK too. But, again, the sex is just part of the theme - used as a high-profile example to making the overall point about "openness" - and not suppressing one's feelings. Note that the Reese Witherspoon character was already promiscuous, and her transformation was actually something completely different.

I can't make everyone like this film - I'll just say that, on a personal note, I was so floored by this film, I had to see it again the next day. That had never happened to me before, or since. Ross' commentary goes on to speak of everything I felt about the film when I first saw it. It was great to hear that his reasons for what he did, meshed exactly with how I took it. I had to write him a letter to tell him so - another thing I'd never done before or since.

This is not a perfect film. I liked its subtlety, but then the racism correlation, and the censorship stuff, got a bit more overt. The courtroom scene at the end is a bit cliche ... and I also agree with one poster who said that, to make the point about taking the good with the bad, we should've seen a bit more about the consequences of their actions.

Those are merely nitpicks in the grand scheme of things. This is a 10 out of 10.