When the daughter of a psychiatrist is kidnapped, he's horrified to discover that the abductors' demand is that he break through to a post traumatic stress disorder suffering young woman who knows a secret...
Millionaire industrialist Steven Taylor is a man who has everything but what he craves most: the love and fidelity of his wife. A hugely successful player in the New York financial world, he considers her to be his most treasured acquisition. But she needs more than simply the role of dazzling accessory. Brilliant in her own right, she works at the U.N. and is involved with a struggling artist who fulfills her emotional needs. When her husband discovers her indiscretion, he sets out to commit the perfect murder and inherit her considerable trust fund in the bargain.Written by
[ dark angel grace ]
This is the first of two Alfred Hitchcock remakes that Viggo Mortensen is in, the second one being Psycho (1998). They were also both released in the same year (1998). See more »
On the subway, the conductor says "Greenpoint next stop. Transfer to the A, D and F upstairs." The Greenpoint Avenue Station in Brooklyn is on the G line and it has no transfer point to any of these three trains. See more »
[in David's loft, sitting on his bed]
Fucking my wife.
[sitting in a stool]
I don't know...
I think it's about time you called me Steven.
We're in love, sir.
That's it? You steal the crown jewel of a man's soul, and your only excuse is some candy ass Hallmark card sentiment? Even if it were true, that's not good enough!
What weren't true?
She is in love with you, buddy. You're in business.
What the hell are saying?
I'm saying you did not meet my wife by chance, I'm saying is you didn't study at ...
[...] See more »
The DVD includes alternate endings in which the protagonists behave differently prior to the final denouement. See more »
Hitchcock's DIAL M FOR MURDER was based on the Frederick Knott play of the same name. A PERFECT MURDER takes elements from the play, makes alterations in scenes and characters, changes the ending, and in attempting to modernize the whole thing has added some extra gore to the proceedings so today's audiences won't feel cheated. And yet, the result is not only distinctly disappointing, but inferior.
Only fans of Gwyneth Paltrow and Michael Douglas will relish their performances in this pale rehash of the original material. The complexity of "the key under the stairmat" which was so effectively played out in the Hitchcock film is entirely missing here. The detective work so fascinating in the original play and film is also gone despite the fact that he is played by David Suchet (in a very underwritten role). In short: none of the revisions are any improvement. Nor does Viggo Mortensen impress as Paltrow's lover.
Those who haven't seen the movie or the play DIAL M FOR MURDER will no doubt find some of this absorbing enough--but anyone able to make a comparison is bound to be disappointed. I'll take Ray Milland-Grace Kelly-Robert Cummings under Hitchcock's direction any day over a misguided Paltrow and Douglas under Andrew Davis' direction.
As for the comments of the viewer who said, "Who's Hitchcock?", please...spare me your review.
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