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After a successful heist, Porter is shot by his wife and his best friend. They leave him there to die but when he recovers, he seeks revenge and wants his share of the money.

Director:

Brian Helgeland

Writers:

Donald E. Westlake (novel) (as Richard Stark), Brian Helgeland (screenplay) | 1 more credit »
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3,588 ( 157)
2 wins & 2 nominations. See more awards »

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Porter is shot by his wife and best friend and is left to die. When he survives he plots revenge.

Director: Brian Helgeland
Stars: Mel Gibson, Gregg Henry, Maria Bello
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Cast

Cast overview, first billed only:
Mel Gibson ... Porter
Gregg Henry ... Val Resnick
Maria Bello ... Rosie
David Paymer ... Arthur Stegman
Bill Duke ... Det. Hicks
Deborah Kara Unger ... Mrs. Lynn Porter
John Glover ... Phil
William Devane ... Carter
Lucy Liu ... Pearl (as Lucy Alexis Liu)
Jack Conley ... Det. Leary
Kris Kristofferson ... Bronson
Mark Alfa Mark Alfa ... Johnny's Friend #2
Kwame Amoaku ... Radioman
Justin Ashforth ... Michael, Bartender #1
Len Bajenski Len Bajenski ... Fairfax Bodyguard #1
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Storyline

Porter is bad, but his neighbours are worse. Street-wise and tough, an ex-marine, he is betrayed by a one-time partner, and shot in the back by his junkie wife. He survives and returns, looking to recover his share from the robbery of an Asian crime gang. The money has passed into the hands of "the Outfit", a slick gangster organisation that runs the city. He has to make his way through a world populated by heroin dealers, prostitutes, sado-masochists, gunmen and crooked cops, a place where torture is a way of life. His only friend is a former employer, a prostitute, and her loyalty is in question, given she now works for the Outfit. He makes good early progress, but then falls into the hands of Fairfax, the crime boss. Written by Kwah-LeBaire

Plot Summary | Plot Synopsis

Taglines:

Get ready to root for the bad guy. See more »


Motion Picture Rating (MPAA)

Rated R for strong violence, language, and drug and sexual content | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

5 February 1999 (USA) See more »

Also Known As:

Porter See more »

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Box Office

Budget:

$90,000,000 (estimated)

Opening Weekend USA:

$21,221,526, 7 February 1999, Wide Release

Gross USA:

$81,526,121

Cumulative Worldwide Gross:

$161,626,121
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

James Coburn and Kris Kristofferson appeared in Pat Garrett and Billy the Kid (1973). See more »

Goofs

When Porter is hit by Pearl and her group of thugs' car, he shatters the windshield upon impact. Several frames later the windshield is completely intact. See more »

Quotes

[first lines]
Porter: [voiceover] GSW: that's what the hospitals call it: gunshot wound. Doctor has to report it to the police. That makes it hard for guys in my line to get what I call, quality health care.
See more »

Alternate Versions

The UK cinema version and all subsequent video and DVD releases were cut by 5 seconds to remove the use of a butterfly knife. The Blu-ray reinstates the previously cut footage. See more »

Connections

Referenced in Formula 51 (2001) See more »

Soundtracks

You're Nobody till Somebody Loves You
Written by James Cavanaugh, Russ Morgan and Larry Stock
Performed by Dean Martin
Courtesy of Capitol Records
under License from EMI Music Special Markets
See more »

Frequently Asked Questions

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User Reviews

 
I'm in town,stay out of my way
22 July 2005 | by BogmeisterSee all my reviews

Mel (as Parker aka Porter) is a bad guy who comes across as a good guy because everyone else in this flic is even more nasty than he is. It's a simple play on perspective not often utilized in the movies. Usually, the hero is A HERO, white hat and all, even with a few quirks or deficiencies to his character. Not so, here. And the key to the whole picture is buying into Mel as a bad man, all despite his many years in heroic roles beforehand. It works very well, especially in the beginning, where it really needed to. There's an early scene during the credits where Mel forces himself to smile in a mirror, as preparation for putting forth his 'best face' to a teller at a bank. One gets the impression this really is a man unaccustomed to smiling, a sour, angry man. The early scenes also recall the beginning of "Miami Blues," that being a criminal swooping into town and wasting no time in bringing a little terror & hardship on certain select bystanders. There's a danger, in a film sense, of satirizing such moments too much, to the point of slapstick comedy - rather than dark comedy, which it really is. But Mel doesn't mess around here: he means business, bashing scum left & right, and blowing 'em away as he moves up the ladder of an organized crime organization. The rest of the cast is top-notch, by the way. The casting directors must have had a field day on this one. Then Mel himself is beaten; the whole theme of the movie seems to be about pain: how much one can stand; how much one can dish out. It ends up being very cathartic. The cinematography also helps this picture: the photography is quite stark,ultra-crisp, adding to the 'punch' of the whole show. The lines on Mel's face are deeper than ever; he seems to carry years of pain there. And years of guilt, maybe.


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