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After a successful heist, Porter is shot by his wife and his best friend. They leave him there to die but when he recovers, he seeks revenge and wants his share of the money.

Director:

Brian Helgeland

Writers:

Donald E. Westlake (novel) (as Richard Stark), Brian Helgeland (screenplay) | 1 more credit »
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3,588 ( 157)
2 wins & 2 nominations. See more awards »

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Porter is shot by his wife and best friend and is left to die. When he survives he plots revenge.

Director: Brian Helgeland
Stars: Mel Gibson, Gregg Henry, Maria Bello
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Cast

Cast overview, first billed only:
Mel Gibson ... Porter
Gregg Henry ... Val Resnick
Maria Bello ... Rosie
David Paymer ... Arthur Stegman
Bill Duke ... Det. Hicks
Deborah Kara Unger ... Mrs. Lynn Porter
John Glover ... Phil
William Devane ... Carter
Lucy Liu ... Pearl (as Lucy Alexis Liu)
Jack Conley ... Det. Leary
Kris Kristofferson ... Bronson
Mark Alfa Mark Alfa ... Johnny's Friend #2
Kwame Amoaku ... Radioman
Justin Ashforth ... Michael, Bartender #1
Len Bajenski Len Bajenski ... Fairfax Bodyguard #1
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Storyline

Porter is bad, but his neighbours are worse. Street-wise and tough, an ex-marine, he is betrayed by a one-time partner, and shot in the back by his junkie wife. He survives and returns, looking to recover his share from the robbery of an Asian crime gang. The money has passed into the hands of "the Outfit", a slick gangster organisation that runs the city. He has to make his way through a world populated by heroin dealers, prostitutes, sado-masochists, gunmen and crooked cops, a place where torture is a way of life. His only friend is a former employer, a prostitute, and her loyalty is in question, given she now works for the Outfit. He makes good early progress, but then falls into the hands of Fairfax, the crime boss. Written by Kwah-LeBaire

Plot Summary | Plot Synopsis

Taglines:

Get ready to cheer for the bad guy! See more »


Motion Picture Rating (MPAA)

Rated R for strong violence, language, and drug and sexual content | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

5 February 1999 (USA) See more »

Also Known As:

Porter See more »

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Box Office

Budget:

$90,000,000 (estimated)

Opening Weekend USA:

$21,221,526, 7 February 1999, Wide Release

Gross USA:

$81,526,121

Cumulative Worldwide Gross:

$161,626,121
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The line from the two crooked cops after they return Porter's gun, just after he has spoken to Kris Kristofferson (Don't Let The Bastards Get You Down), is a direct reference to Kristofferson's song of the same title. You can see them smile at the in-joke. See more »

Goofs

Rosie's apartment door has 404 on it, visible when she greets Porter the first time and when Resnick ambushes her. Resnick sees a bloody mark on the call button for 403. See more »

Quotes

[first lines]
Porter: [voiceover] GSW: that's what the hospitals call it: gunshot wound. Doctor has to report it to the police. That makes it hard for guys in my line to get what I call, quality health care.
See more »

Alternate Versions

Director Brian Helgeland's cut was significantly changed by producer/star Mel Gibson before release and was 15 minutes shorter than the final version. Here are some of the differences to Gibson's highly publicized reshoot version of the film that was released into the theaters.
  • No voiceover of Porter
  • The opening shot of Porter in the doctor's office is not in Helgeland's cut. The film begins with Porter on the bridge returning to the city. Brian's cut doesn't suggest the double-cross until we see the flashback.
  • A more harsh exchange when Porter visits Rosie (Maria Bello) for the first time.
  • Odds and ends with Val Resnick (Gregg Henry) throughout the film. Includes a curbside threat to the David Paymer character and a funny scene calling Pearl (Lucy Liu) on the phone.
  • A small exchange between Porter and the Asian gang.
  • When Val breaks in and beats up Rosie, Porter the dog gets shots in the head and remains dead. In Mel's cut, the dog lives.
  • The two versions of the film begin to change greatly when Porter confronts Fairfax (James Coburn). The dialog is different and the outcome of the scene is changed.
  • Bronson the Outfit boss is played by Sally Kellerman rather than Kris Kristoffersen. She's never seen in the film, instead interacting with Porter over speakerphones. When Porter begins to kill her associates, the boss almost immediately gives in to Porter's demands. In Mel's cut, the boss was a bigger character and provided a bigger climax. All the boss's son and torture scenes are not in Brian's cut of the movie.
  • The climax of the film takes place on a mass transit platform. Porter arranges to pick up his cut of the money, but the boss dispatches hitmen to stop him. He gets the money, but is shot in the chest. Stumbling out of the station, he drops the bag and a homeless man picks it up. Porter refuses to put up a fight and begins to die. Rosie finds him and slaps him back to life. Porter suggests a doctor he knows can patch him up. The final shot is of the two driving out of town.
See more »

Connections

References Conspiracy Theory (1997) See more »

Soundtracks

If I Had My Life to Live Over
Written by Moe Jaffe, Harry Tobias and Larry Vincent
Performed by Lou Rawls
Courtesy of Blue Note Records
See more »

Frequently Asked Questions

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User Reviews

 
Payback & Point Blank
16 September 2004 | by smudged68See all my reviews

Yes - Payback & Point Blank (1967) are very similar. But there is a very good reason for that. Both films are based on the novel 'The Hunter' by Richard Stark, a pseudonym for Donald E Westlake.

The films share several character names such as Brewster, Carter, Stegman and Fairfax and similar plots. In both cases the anti-hero Porter (or Walker) is trying to recover a sum of money after being double-crossed.

Now, I am a huge fan of Point Blank. It takes a relatively simple plot and makes a bit of cinematic poetry out of it. And if I was forced to compare Lee Marvin and Mel Gibson's performances, then I'm sorry but Gibson would lose big time. However, Payback is a much better film than I thought it would be. There are sufficient differences to make the story interesting and though it is told in a much more straightforward and, dare I say, 'safe' way than Point Blank, it is a very well made film and tells a compelling story well. And it's nice to see Gibson return to a somewhat morally ambiguous character a la Mad Max.


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