A career bank robber busts out of jail (Clooney) with the help of his buddy (Rhames) and kidnaps a US Marshal (Lopez) in the process. When the two cons head for Detroit to pull off their final big scam, the Marshal is put on their case but she finds she is attracted to one of them and has second thoughts about bringing them in.Written by
Seconds before the car crash the windows of the sedan are rolled down halfway. When it collides with the barrels, Karen thumps her head on a fully closed window. See more »
Hey! Sign says "shut the fuck up," or can't you fellas read?
[points to a sign that says "Quiet Please"]
Maurice "Snoopy" Miller:
The fuck you talkin' to man? You got a problem over there, Foley?
Yeah, I got a problem: this is the dumbest fuckin' shakedown in the history of dumb shakedowns. Five hundred bucks for a pillow?
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The laserdisk/DVD versions contain the following deleted scenes.
The original trunk scene, much much longer with extra dialog, different lighting and more wriggling.
Moselle is teaching Snoopy's dog "Tuffy" to do tricks with a Frisbee while Snoopy is watching boxing on TV. Glenn calls to tell Snoopy about the Ripley job and then steals a car from a gas station.
In a bizarre scene in the Adams Hotel room, Buddy and Jack talk about the feeling you get when you take a bath.
Karen gets a lecture from her dad about relationships while he fishes ocean debris out of his jetty.
Extended scene of Karen questioning Adele.
In the yard at Lompoc, Ripley talks to Foley about fish.
Glenn, Snoopy, Kenneth and White Boy Bob talk in the car after the transsexual murder.
We see the rather gruesome transsexual murder scene. Ray Cruz talks to Karen who spots Glenn's broken glasses on the floor.
Ripley is released from Lompoc and we see him packing stuff from his cell and saying goodbye to Foley.
After the job "interview" at Ripley's office building, Foley smashes a large fish tank with a paperweight shortly before being thrown out by two security guards.
Foley and Buddy talk in the hotel after Foley has returned from his "socializing" with Karen
Putting ski masks on in the van before the Ripley job. White Boy Bob tells a story about leaving his wallet behind at a break in.
I, too, had a little trouble buying that such an intense relationship was born from such a minor conversation between them in the trunk. However, when I was able to get past that inconsistency in the plot, I found a great movie. Clooney and Lopez have great chemistry and show that they are both actors worthy of recognition. I loved the editing--the choppy cuts and the freezing of certain scenes. And I have never seen a better seduction scene in my life. The supporting cast was great too, especially the incomparably zany Steve Zahn. And once I got past the improbability of the relationship being so intense that she would risk her career for it, I thought that the way that she did risk her career was just great. I laughed out loud at the scene when he waves to her from the elevator. That is just a wonderful illustration that not everything is clear-cut or easy to do. Clooney was phenomenal, so cool...and just resigned to his life. I loved it.
By the way, seeing this movie after Jennifer Lopez has launched her career in pop music simply infuriated me that Hollywood has all but lost a true talent to the world of bubblegum pop.
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