A selfish prince is cursed to become a monster for the rest of his life, unless he learns to fall in love with a beautiful young woman he keeps prisoner.
When Cinderella's cruel stepmother prevents her from attending the Royal Ball, she gets some unexpected help from the lovable mice Gus and Jaq, and from her Fairy Godmother.
This retelling of the old Chinese folktale is about the story of a young Chinese maiden who learns that her weakened and lame father is to be called up into the army in order to fight the invading Huns. Knowing that he would never survive the rigours of war in his state, she decides to disguise herself and join in his place. Unknown to her, her ancestors are aware of this and to prevent it, they order a tiny disgraced dragon, Mushu to join her in order to force her to abandon her plan. He agrees, but when he meets Mulan, he learns that she cannot be dissuaded and so decides to help her in the perilous times ahead.Written by
Kenneth Chisholm <kchishol@execulink.com>
Co-director Barry Cook cited David Lean as one of his influences. This is particularly evident given the epic sweep of the Hun mountainside advance of 2,000 soldiers on the Imperial troops, and the later crowd sequence of 30,000 in the Imperial City. See more »
Goofs
The number of soldiers under Li Shang's command continually decrease throughout the movie although no casualties are ever suffered. See more »
Quotes
The Emperor of China:
A single grain of rice can tip the scale. One man may be the difference between victory and defeat.
See more »
Crazy Credits
Thank you to the Walt Disney Feature Animation Support Staff and our families. Your patience and dedication bring honor to us all. See more »
Alternate Versions
On the 1999 British VHS, Vanessa Mae's "Reflection" was played at the end credits. See more »
In the 1990s, I felt that Disney made quite a few undistinguished cartoons following Aladdin. Unlike most of the world, I wasn't all that enamored with THE LION KING and subsequent offerings such as the wretched HUNCHBACK OF NOTRE DAME and POCAHONTAS were huge disappointments. Sure, POCAHONTAS is a lovely film to watch, but it's so wrong historically and it's so politically correct and hokey. And as for HUNCHBACK, the story was so dark and unappealing, I have no idea WHO the intended audience was. So it was in this context that I expected to hate or at least be underwhelmed by MULAN. Instead, it seemed fresh, well-made, humorous and fun--something distinctly missing from these other films. While the anachronistic aspect of having a lady warrior is problematic, for once Disney had another strong and likable female lead following Belle in BEAUTY AND THE BEAST. This was a definite home-run for Disney and well worth your time whether you are a child or an adult.
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In the 1990s, I felt that Disney made quite a few undistinguished cartoons following Aladdin. Unlike most of the world, I wasn't all that enamored with THE LION KING and subsequent offerings such as the wretched HUNCHBACK OF NOTRE DAME and POCAHONTAS were huge disappointments. Sure, POCAHONTAS is a lovely film to watch, but it's so wrong historically and it's so politically correct and hokey. And as for HUNCHBACK, the story was so dark and unappealing, I have no idea WHO the intended audience was. So it was in this context that I expected to hate or at least be underwhelmed by MULAN. Instead, it seemed fresh, well-made, humorous and fun--something distinctly missing from these other films. While the anachronistic aspect of having a lady warrior is problematic, for once Disney had another strong and likable female lead following Belle in BEAUTY AND THE BEAST. This was a definite home-run for Disney and well worth your time whether you are a child or an adult.